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En Travesti
En Travesti addresses the ways in which opera empowers women by challenging conventional gender hierarchies. Terry Castle, Helene Cixous, Lowell Gallagher and Elizabeth Wood are among the contributors. Includes 20 musical examples.
Race-ing Representation
This collection takes on the problem of representing race in the context of a master language and culture. These essays discuss this problem in terms of the ongoing struggle to redefine the self as speaker, that is, to re-construe our understanding of history, sexuality, and speech itself in a continuing battle for self-definition. As a totality, these essays explode the notion of race as a natural boundary between groups and pose a variety of possible constructions that force us to accept race not as a category, but as a practice. Kostas and Linda Myrsiades have brought together scholars whose varied essays explore the issues of voice, history, and sexuality in such diverse venues as detective fiction, the Clarence Thomas hearings, the witches of Salem, the Harlem Renaissance, and the work of Toni Morrison, demonstrating that resistance to race-ing is both meaningfully engaged as a cultural possibility and rewritten as a linguistic practice.
Deborah's Daughters
Joy A. Schroeder offers the first in-depth exploration of the biblical story of Deborah, an authoritative judge, prophet, and war leader. For centuries, Deborah's story has challenged readers' traditional assumptions about the place of women in society. Schroeder shows how Deborah's story has fueled gender debates throughout history. An examination of the prophetess's journey through nearly two thousand years of Jewish and Christian interpretation reveals how the biblical account of Deborah was deployed against women, for women, and by women who aspired to leadership roles in religious communities and society. Numerous women-and men who supported women's aspirations to leadership-used Deborah's narrative to justify female claims to political and religious authority. Opponents to women's public leadership endeavored to define Deborah's role as "private" or argued that she was a divinely authorized exception, not to be emulated by future generations of women. Deborah's Daughters provides crucial new insight into the history of women in Judaism and Christianity, and into women's past and present roles in the church, synagogue, and society.
The Queer Composition of America's Sound
This book considers the question: was the flourishing of modernism in music (and related arts) in 20th century America a phenomenon created by gay men?
Before the Closet
Examining the intolerance of homosexuality in the early medieval period, this study challenges the long-held belief that the early Middle Ages tolerated same-sex relations. The work focuses on Anglo-Saxon literature but also includes examinations of contemporary opera, dance and theatre.
Performing Antiquity
Performing Antiquity tells the captivating story about some of the most intriguing Belle Époque personalities -archaeologists, philologists, classicists, and musicologists - and the dancers, composers, choreographers and musicians who brought their research to life at the birth of Modernism.
Hate Speech and Academic Freedom
Completed shortly before Hamas carried out its barbaric October massacre, Hate Speech and Academic Freedom takes up issues that have consequently gained new urgency in the academy worldwide. It is the first book to ask what impact antisemitism has had on the fundamental principles the academy relies on for its identity—academic freedom, free speech rights, standards for hiring or firing faculty members and administrators, and the ethics of academic conduct and debate. Antisemitic hatred is spreading at a fever pitch. What steps can counter it? What damage to students is done when departments embrace anti-Zionism? Should faculty members face consequences for promoting antisemitism on social media? Should universities make a new push to adopt the IHRA Definition of Antisemitism?
The Story's Not Over
The diverse forms and structures of graphic narratives discussed in this volume by a range of international scholars demonstrate the ways in which Jewish women's graphic narratives reach into the past by way of stories and histories, both individual and collective, that provide a touchstone for the shape of identity.
Bodily Charm
Studies the musical, textual, dramatic, and narrative ways in which opera performers use and give meaning to their physical bodies, and analyzes the ways the audience perceives physicality during performances.
Art and the Transitional Object in Vernon Lee's Supernatural Tales
Patricia Pulham combines psychoanalytic theory with socio-historical criticism in her study of Vernon Lee's fantastic tales. Using D.W. Winnicott's 'transitional object' theory, Pulham argues that the past in Lee's tales signifies not only an historical but a psychic past. Thus the 'ghosts' that haunt Lee's supernatural fiction held complex meanings for her that were fundamental to her intellectual development and allowed her to explore alternative identities that permit the expression of transgressive sexualities.
