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Strooisuikerliefde (RLS Bundel)
Vars snaaks speels ”“ liefdesverhale wat jou breër laat glimlag! Hierdie omnibus is ’n samestelling van vier RomanzaLiefde-novelles: Soos hout en konfetti Net in stories Gelukkige nommer 13 en Kersie bo-op. Soos hout en konfetti ”“ Jacolet van den Berg Max is banger vir vroue en trou as die duiwel vir ’n slypsteen. Maar sy hart werk oortyd as hy Sandra Sinclair sien. Sy maak hom ongemaklik want hy weet: Sy mag dalk net sy ondergang beteken. Net in stories ”“ Rika Cloete Altyd die strooimeisie nooit die bruid nie. DÃt is Maddie Schoeman. Totdat sy een keer opkyk in ’n strooijonker Wynand Raath se mooi oë. Skielik is liefde nie net vir storieboeke bedoel nie maar ook vir...
Atti parlamentari
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Novelle
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The Eighteenth-Century Fortepiano Grand and Its Patrons
“Badura-Skoda addresses the place of the piano in the eighteenth century from the perspective of a scholar and performer” (Eighteenth-Century Music). In the late seventeenth century, Italian musician and inventor Bartolomeo Cristofori developed a new musical instrument—his cembalo che fa il piano e forte, which allowed keyboard players flexible dynamic gradation. This innovation, which came to be known as the hammer-harpsichord or fortepiano grand, was slow to catch on in musical circles. However, as renowned piano historian Eva Badura-Skoda demonstrates, the instrument inspired new keyboard techniques and performance practices and was eagerly adopted by virtuosos of the age, including Scarlatti, J. S. Bach, Clementi, Haydn, Mozart, and Beethoven. Presenting a rich array of archival evidence, Badura-Skoda traces the construction and use of the fortepiano grand across the musical cultures of eighteenth-century Europe, providing a valuable resource for music historians, organologists, and performers. “Badura-Skoda has written a remarkable volume, the result of a lifetime of scholarly research and investigation. . . . Essential.” —Choice
