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Animal Encounters
Traces of the living animal run across the entire corpus of medieval writing and reveal how pervasively animals mattered in medieval thought and practice. In fascinating scenes of cross-species encounters, a raven offers St. Cuthbert a lump of lard that waterproofs his visitors' boots for a whole year, a scholar finds inspiration for his studies in his cat's perfect focus on killing mice, and a dispossessed knight wins back his heritage only to give it up again in order to save the life of his warhorse. Readers have often taken such encounters to be merely figurative or fanciful, but Susan Crane discovers that these scenes of interaction are firmly grounded in the intimate cohabitation with ...
Medieval Commentaries on Aristotle's Categories
The contributors to this volume cover a wide range of philosophers, from Simplicius to John Wyclif, and philosophical problems, including: the harmony of Platonism and Aristotelianism; the relationship between logic, and metaphysics; the number of categories; and realism vs. nominalism.
The Many Roots of Medieval Logic
Medieval logic is usually divided into the branches that derived from Aristotle's organon - the 'logica vetus' and 'logica nova', and those invented in the Middle Ages, the 'logica modernorum'. In this volume, a group of distinguished specialists asks whether the ancient roots of medieval logic were not in fact more varied. Stoic logic was mostly lost, but were some of its themes transmitted, even in distorted form, through Boethius and through the grammatical tradition? And did other schools, such as the sceptics and the Platonists, contribute in their own ways to medieval logic?
Medieval Supposition Theory Revisited
In 1962–1967 Professor L.M. de Rijk published his Logica Modernorum – A Contribution to the History of Early Terminist Logic. The first part (1962) has the title: On the Twelfth Century Theories of Fallacy. The second part (two volumes, 1967) has as title: The Origin and the Early Development of the Theory of Supposition. De Rijk’s Logica Modernorum provides the basis for the modern study of medieval theories of supposition. Now, nearly 50 years later, scholars have made great progress in the study of the properties of terms. De Rijk’s study was primarily about the early development of terminist logic, i.e. during the 12th and 13th centuries. Scholars have also investigated later dev...
Transforming Postliberal Theology
Postliberal theology is a movement in contemporary theologythat rejects both the Enlightenment appeal to a ‘universal rationality' and theliberal assumption of an immediate religious experience common to all humanity.The movement initially began in the 1980's with its association to YaleDivinity School. Theologians such as Hans Frei, Paul Holmer, David Kelsey, andGeorge Lindbeck were influential and were significantly influenced bytheologians such as Karl Barth, Clifford Geertz, and Ludwig Wittgenstein.Postliberalism uses a narrative approach totheology, such as developed by Hans Frei, and argues that all thought andexperience is historically and socially mediated.Michener provides the reader with an accessible introductoryoverview of the origins, current thought, potential problems, and futurepossibilities of postliberal theology.
Medieval Allegory as Epistemology
In Medieval Allegory as Epistemology, Marco Nievergelt argues that late medieval dream-poetry was able to use the tools of allegorical fiction to explore a set of complex philosophical questions regarding the nature of human knowledge. The focus is on three of the most widely read and influential poems of the later Middle Ages: Jean de Meun's Roman de la Rose; the Pélerinages trilogy of Guillaume de Deguileville; and William Langland's vision of Piers Plowman in its various versions. All three poets grapple with a collection of shared, closely related epistemological problems that emerged in Western Europe during the thirteenth century, in the wake of the reception of the complete body of A...
A Companion to Guillaume de Machaut
This collection provides a comprehensive reading of Machaut’s literary and musical corpus that privileges his engagement with contemporary political, ethical, and aesthetic concerns of late medieval culture as well as his reception by artists and thinkers, medieval and modern.
The Poetics of Personification
Literary personification has long been taken for granted as an important aspect of Western narrative; Paul de Man has given it still greater prominence as 'the master trope of poetic discourse'. James Paxson here offers a much-needed critical and theoretical appraisal of personification in the light of poststructuralist thought and theory. The poetics of personification provides a historical reassessment of early theories, together with a sustained account of how literary personification works through an examination of narratological and semiotic codes and structures in the allegorical texts of Prudentius, Chaucer, Langland and Spenser. The device turns out to be anything but an aberration, oddity or barbarism, from ancient, medieval or early modern literature. Rather, it works as a complex artistic tool for revealing and advertising the problems and limits inherent in narration in particular and poetic or verbal creation in general.
Emotion and the History of Rhetoric in the Middle Ages
Rhetoric is an engine of social discourse and the art charged with generating and swaying emotion. The history of rhetoric provides a continuous structure by which we can measure how emotions were understood, articulated, and mobilized under various historical circumstances and social contracts. This book is about how rhetoric in the West, from Late Antiquity to the later Middle Ages, represented the role of emotion in shaping persuasions. It is the first book-length study of medieval rhetoric and the emotions, coloring that rhetorical history between about 600 CE and the cusp of early modernity. Rhetoric in the Middle Ages, as in other periods, constituted the gateway training for anyone en...
Sacred Landscapes
Distant blue hills, soaring trees, vast cloudless skies—the majesty of nature has always had the power to lift the human spirit. For some it evokes a sense of timelessness and wonder. For others it reinforces religious convictions. And for many people today it raises concerns for the welfare of the planet. During the Renaissance, artists from Italy to Flanders and England to Germany depicted nature in their religious art to intensify the spiritual experience of the viewer. Devotional manuscripts for personal or communal use—from small-scale prayer books to massive choir books—were filled with some of the most illusionistic nature studies of this period. Sacred Landscapes, which accompa...
