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In 1983 a special issue of Capital named Costantino Nivola among the one-hundred most important Italian people in the US, together with, among others, Mario Cuomo, Frank Sinatra, Giovanni Sartori, Riccardo Muti, and Luciano Pavarotti. What did he do that was so important? He had fled from Fascist Italy, leaving Sardinia for New York, where his talent as an artist quickly stood out. It was here that he befriended others forced into exile (like Steinberg, De Kooning, Breuer) as well as Americans (like Calder, Kline, and Pollock). But one friendship stood out, and made a profound impact on his life, both as an artist and an individual: that with Le Corbusier. In turn, Le Corbusier was touched by Nivola¿s authentic brilliance and the Mediterranean imprint of his works.
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The Hamptons are hot. Gordon, who grew up there, traces the invention of the idea of the Hamptons as a resort for the elite of New York City and shows how various forces, including artists, real estate developers, and media professionals transformed what had been a quiet rural place into a modern and worldwide phenomenon. 175 illustrations.
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A book of photographs by photographer Marco Anelli depicting the public works of Costantino Nivola in America, with contributions by scholars in the field, Stefano Salis and Kevin Moore.
Monuments and Site-Specific Sculpture in Urban and Rural Space presents a collection of essays discussing works of art whose formal qualities, content and spatial interactions expand our idea of creation and commemoration. By addressing projects that range from war memorials to commemorations of individuals, as well as works that engage real and virtual environments, this book brings to light new aspects concerning twentieth and twenty-first century monuments and site-specific sculpture. The book addresses the work of, among others, Günter Demnig, Michael Heizer, Thomas Hirschhorn, Dani Karavan, Costantino Nivola, Melissa Shiff and John Craig Freeman, Robert Smithson, and Micha Ullman. A lucid, thought-provoking discussion of creative processes and the discourse between site-specific sculpture and its publics is provided in this collection. As such, it is vital and indispensable for historians, art historians and artists, as well as for every reader interested in the interrelations of art, urban and rural spaces, community and the makings of memory.
Her examination of Earthworks relationship to the ecology movement perceptively corrects a popular misconception about the artists goals while acknowledging the social and cultural complexities of the period."
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For more than a decade, Jackson Pollock and Lee Krasner devoted their lives to each other, serving in turn as muse, critic, companion, lover, friend and alter ego. Their romance was stormy - their raucous arguments are the stuff of legend - but their talents were prodigious. This book is packed with examples of the contributions both artists made to the world of modern art. Readers will learn how Pollock and Krasners artistry evolved and how they influenced each others success. Recent developments, such as a revealing biopic and the art worlds elevation of Pollock to the status of being the most expensive artist in the world, bring their portrait fully up-to-date. While the author acknowledges historys sensationalisation of their lives, it is the paintings themselves - revolutionary, innovative and daring - that tell the most compelling story.