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Dying for Ideas
What do Socrates, Hypatia, Giordano Bruno, Thomas More, and Jan Patocka have in common? First, they were all faced one day with the most difficult of choices: stay faithful to your ideas and die or renounce them and stay alive. Second, they all chose to die. Their spectacular deaths have become not only an integral part of their biographies, but are also inseparable from their work. A "death for ideas" is a piece of philosophical work in its own right; Socrates may have never written a line, but his death is one of the greatest philosophical best-sellers of all time. Dying for Ideas explores the limit-situation in which philosophers find themselves when the only means of persuasion they can ...
In Praise of Failure
Squarely challenging a culture obsessed with success, an acclaimed philosopher argues that failure is vital to a life well lived, curing us of arrogance and self-deception and engendering humility instead. Our obsession with success is hard to overlook. Everywhere we compete, rank, and measure. Yet this relentless drive to be the best blinds us to something vitally important: the need to be humble in the face of life’s challenges. Costica Bradatan mounts his case for failure through the stories of four historical figures who led lives of impact and meaning—and assiduously courted failure. Their struggles show that engaging with our limitations can be not just therapeutic but transformati...
Dying for Ideas
One of the greatest merits of Costica Bradatan's book is that it explores a cluster of topics that represent the untold, the unuttered, almost the unutterable in contemporary philosophy: death, dying, sacrifice and self-sacrifice. Ours is a culture of 'happy endings' and, in this respect, most philosophers of today are the spokespersons of their time. Bradatan is a dissenter. His book approaches death head-on. Indeed, what makes this project fascinating is the fact that, while the book purports to be about 'dying for an idea,' it in fact sings praise to life. Death, in Bradatan's view, is something that brings new meaning to life, a renewed intensity to the act of living. Simon Critchley, New School for Social Research, New York, USA.
The God Beat
In the wake of the horrific 9/11 terrorist attacks we, as an increasingly secular nation, were reminded that religion is, for good and bad, still significant in the modern world. Alongside this new awareness, religion reporters adopted the tools of so-called New Journalists, reporters of the 1960s and '70s like Truman Capote and Joan Didion who inserted themselves into the stories they covered while borrowing the narrative tool kit of fiction to avail themselves of a deeper truth. At the turn of the millennium, this personal, subjective, voice-driven New Religion Journalism was employed by young writers, willing to scrutinize questions of faith and doubt while taking God-talk seriously. Arti...
The Other Bishop Berkeley
Costica Bradatan proposes a new way of looking at the influential 18th-century Anglo-Irish empiricist philosopher. He approaches Berkeley's thought from the standpoint of its roots, rather than from how this thought has been viewed since his time. In Bradatan's portrait, we can see two Berkeleys, quite distinct from one another. This other Berkeley read and wrote alchemical books, designed utopian projects, and searched for Happy Islandsand the Earthly Paradise.His new attitude toward the material world echoed the dualistic theology of the Cathars. The thinking of the other Bishop Berkeley was rooted in Platonic, mystical, and sometimes esoteric traditions, and he saw philosophy as, above all, a kind of salvation, to be practiced as a way of life. What Bradatan uncovers is a much richer, true-to-life Berkeley, a more profound and spectacular thinker.This book will interest scholars working in a wide variety of fields, from philosophy and the history of ideas to comparative literature, utopian studies, religious and medieval studies, and critical theory.
The Polymath
The first history of the western polymath, from the fifteenth century to the present day From Leonardo Da Vinci to John Dee and Comenius, from George Eliot to Oliver Sacks and Susan Sontag, polymaths have moved the frontiers of knowledge in countless ways. But history can be unkind to scholars with such encyclopaedic interests. All too often these individuals are remembered for just one part of their valuable achievements. In this engaging, erudite account, renowned cultural historian Peter Burke argues for a more rounded view. Identifying 500 western polymaths, Burke explores their wide-ranging successes and shows how their rise matched a rapid growth of knowledge in the age of the invention of printing, the discovery of the New World and the Scientific Revolution. It is only more recently that the further acceleration of knowledge has led to increased specialisation and to an environment that is less supportive of wide-ranging scholars and scientists. Spanning the Renaissance to the present day, Burke changes our understanding of this remarkable intellectual species.
Philosophy as a Literary Art
Despite philosophers’ growing interest in the relation between philosophy and literature in general, over the last few decades comparatively few studies have been published dealing more narrowly with the literary aspects of philosophical texts. The relationship between philosophy and literature is too often taken to be "literature as philosophy" and very rarely "philosophy as literature." It is the dissatisfaction with this one-sidedness that lies at the heart of the present volume. Philosophy has nothing to lose by engaging in a serious process of literary self-analysis. On the contrary, such an exercise would most likely make it stronger, more sophisticated, more playful and especially more self-reflexive. By not moving in this direction, philosophy places itself in the position of not following what has been deemed, since Socrates at least, the worthiest of all philosophical ideals: self-knowledge. This book was originally published as a special issue of The European Legacy.
The Other Bishop Berkeley
Costica Bradatan proposes a new way of looking at the influential 18th-century Anglo-Irish empiricist and idealist philosopher. He approaches Berkeley's thought from the standpoint of its roots, rather than from how it has come to be viewed since his time. This book will interest scholars working in a wide variety of fields, from philosophy and the history of ideas to comparative literature, utopian studies, religious and medieval studies, and critical theory. This other Berkeley read and wrote alchemical books, daydreamed of "Happy Islands" and the "Earthly Paradise" and depicted them carefully, designed utopian projects and spent years trying to put them into practice. Bradatan discovers a thinker deeply rooted in Platonic, mystical, and sometimes esoteric traditions, who saw salvation as philosophy and practiced philosophy as a way of life. This book uncovers a richer Berkeley, a more profound and spectacular one, and, it is hoped, a more truthful one.
Philosophy, Society and the Cunning of History in Eastern Europe
Philosophy, Society and the Cunning of History in Eastern Europe charts the intellectual landscape of twentieth century East-Central Europe under the unifying theme of 'precariousness' as a mode of historical existence. Caught between empires, often marked by catastrophic historic events and grand political failures, the countries of East-Central Europe have for a long time developed a certain intellectual self-representation, a culture that not only helps them make some sense of such misfortunes, but also protects them somehow from a collapse into nihilism. An interdisciplinary study of this sophisticated culture of survival and endurance has been long overdue. Not only is it charming and w...
Religion in Contemporary European Cinema
The religious landscape in Europe is changing dramatically. While the authority of institutional religion has weakened, a growing number of people now desire individualized religious and spiritual experiences, finding the self-complacency of secularism unfulfilling. The "crisis of religion" is itself a form of religious life. A sense of complex, subterraneous interaction between religious, heterodox, secular and atheistic experiences has thus emerged, which makes the phenomenon all the more fascinating to study, and this is what Religion in Contemporary European Cinema does. The book explores the mutual influences, structural analogies, shared dilemmas, as well as the historical roots of such a "post-secular constellation" as seen through the lens of European cinema. Bringing together scholars from film theory and political science, ethics and philosophy of religion, philosophy of film and theology, this volume casts new light on the relationship between the religious and secular experience after the death of the death of God.
