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The Fairy Tales of Madame D'Aulnoy
CONTENTS Gracieuse and Percinet Fair Goldilocks The Blue Bird Prince Ariel Princess Mayblossom Princess Rosette The Golden Branch The Bee and the Orange Tree The Good Little Mouse The Ram Finette Cendron Fortun?e Babiole The Yellow Dwarf Green Serpent Princess Carpillon The Benevolent Frog The Hind in the Wood The White Cat Belle-Belle The Pigeon and the Dove Princess Belle-Etoile Prince Marcassin The Dolphin
The Island of Happiness
"In this book the visual artist Natalie Frank interprets eight tales by Madame d'Aulnoy, a seventeenth-century French pioneer of the fairy-tale genre. D'Aulnoy is thought to have influenced the development of the literary fairy tale in France and beyond. The tales were written as entertainment for the salons of the time: many contain subtle criticisms of French royalty and aristocrats as well as of enforced social and sexual roles. Her work has been translated into English in the past, but rarely outside of anthologies that include other authors. Frank chose to make d'Aulnoy's tales the subject of this book because "many of her heroines' journeys and conflicts have not changed," she writes. ...
The Fairy Tales of Madame D'Aulnoy
The Fairy Tales of Madame d'Aulnoy, were an immediate success and were reprinted numerous times during the eighteenth century, both inside and outside of France. These fairy tales appeared at the beginning of a period in which the fairy tale itself was very popular in France. The success of Madame d'Aulnoy's fairy tales may be traced to her use of a popular genre and themes; to a lively style; and to a structure that embodied the transformation taking place in the French outlook of the beginning of the eighteenth century. Although the genre of Madame d'Aulnoy's fairy tales is formally the conte, these fairy tales are more like the dominant prose fiction. Love is the most important theme in t...
