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Creating the Future
Conceived as a challenge to long–standing conventional wisdom, Creating the Future is a work of social history/cultural criticism that examines the premise that the progress of art in Los Angeles ceased during the 1970s—after the decline of the Ferus Gallery, the scattering of its stable of artists (Robert Irwin, Ed Kienholz, Ed Moses, Ed Rusha and others), and the economic struggles throughout the decade—and didn't resume until sometime around 1984 when Mark Tansey, Alison Saar, Judy Fiskin, Carrie Mae Weems, David Salle, Manuel Ocampo, among others became stars in an exploding art market. However, this is far from the reality of the L.A. art scene in the 1970s. The passing of those f...
Slow Art
Introduction : marking time -- What is slow art? (when images swell into events and events condense into images) -- Living pictures -- Before slow art -- Slow art emerges in modernity I : secularization from Diderot to Wilde -- Slow art emerges in modernity II : the great age of speed -- Slow fiction, film, video, performance, 1960 to 2010 -- Slow photography, painting, installation art, sculpture, 1960 to 2010 -- Angel and devil of slow art
The Dada Cyborg
In an era when technology, biology & culture are becoming ever more closely connected, 'The Dada Cyborg' explains how the cyborg as we know it today developed between 1918 & 1933 as German artists gave visual form to their utopian hopes & fantasies in a fearful response to World War I.
James Turrell
"A much needed antidote to 'Art Writing' as it is encountered in the art mags . . . his writing is fluent and the style attractive and engaging."--Stephen Foster, University of Iowa
Status of sculpture
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Alchemist of the Avant-Garde
Acknowledged as the "Artist of the Century," Marcel Duchamp (1887–1968) left a legacy that dominates the art world to this day. Inventing the ironically dégagé attitude of "ready-made" art-making, Duchamp heralded the postmodern era and replaced Pablo Picasso as the role model for avant-garde artists. John F. Moffitt challenges commonly accepted interpretations of Duchamp's art and persona by showing that his mature art, after 1910, is largely drawn from the influence of the occult traditions. Moffitt demonstrates that the key to understanding the cryptic meaning of Duchamp's diverse artworks and writings is alchemy, the most pictorial of all the occult philosophies and sciences.
The Parisian Avant-Garde in the Age of Cinema, 1900-1923
The first decades of the twentieth century were pivotal for the historical and formal relationships between early cinema and Cubism, mechanomorphism, abstraction, and Dada. To examine these relationships, Jennifer Wild’s interdisciplinary study grapples with the cinema’s expanded identity as a modernist form defined by the concept of horizontality. Found in early methods of projection, film exhibition, and in the film industry’s penetration into cultural life by way of film stardom, advertising, and distribution, cinematic horizontality provides a new axis of inquiry for studying early twentieth-century modernism. Shifting attention from the film to the horizon of possibility around, b...
Chora 1
Contents Chora: The Space of Architectural Representation - Alberto Pérez-Gómez - The Measure of Expression: Physiognomy and Character in the Nouvelle Méthode of Jean-Jacques Lequeu - Jean-François Bédard - Michelangelo: The Image of the Human Body, Artifice, and Architecture - Helmut Klassen - Architecture as Site of Reception - Part I: Cuisine, Frontality, and the Infra-thin - Donald Kunze - Fictional Cities - Graham Livesey - Instrumentality and the Organic Assistance of Looms - Indra Kagis McEwen - Space and Image in Andrey Tarkovsky's "Nostalgia": Notes on a Phenomenology of Architecture in Cinema - Juhani Pallasmaa - The Momentary Modern Magic of the Panorama - Stephen Parcell - The Building of a Horizon - Louise Pelletier - Anaesthetic Induction: An Excursion into the World of Visual Indifference - Natalija Subotincic. The essays in this collection explore architectural form and content in the hope of finding new and better alternatives to traditionally accepted practices.
A History of Installation Art and the Development of New Art Forms
Art mirrors life; life returns the favor. How could nineteenth and twentieth century technologies foster both the change in the world view generally called postmodernism and the development of new art forms? Scholar and curator Faye Ran shows how interactions of art and technology led to cultural changes and the evolution of Installation art as a genre unto itself - a fascinating hybrid of expanded sculpture in terms of context, site, and environment, and expanded theatre in terms of performer, performance, and public.
