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Anteros: A Forgotten Myth explores how the myth of Anteros disappears and reappears throughout the centuries, from classical Athens to the present day, and looks at how the myth challenges the work of Freud, Lacan, and Jung, among others. It examines the successive cultural experiences that formed and inform the myth and also how the myth sheds light on individual human experience and the psychoanalytic process. Topics of discussion include: Anteros in the Italian Renaissance, the French Enlightenment and English Modernism psychologizing Anteros: Freud, Lacan, Girard, and Jung three anterotic moments in a consulting room. This book presents an important argument at the boundaries of the disciplines of analytical psychology, psychoanalysis, art history, and mythology. It will therefore be essential reading for all analytical psychologists and psychoanalysts as well as art historians and those with an interest in the meeting of psychoanalytic thought and mythology.
The first edition of this illuminating study, addressed both to readers new to Jung and to those already familiar with his work, offered fresh insights into a fundamental concept of analytical psychology. This revised edition has been fully updated to reflect the publication of the DSM-5. Craig Stephenson anatomizes Jung’s concept of possession, reinvesting Jungian psychotherapy with its positive potential for practice. Analogizing the concept – lining it up comparatively beside the history of religion, anthropology, psychiatry, and even drama and film criticism – offers not a naive syncretism, but enlightening possibilities along the borders of these diverse disciplines. An original, wide-ranging exploration of phenomena both ancient and modern, Possession offers a conceptual bridge between psychology and anthropology, challenges psychiatry to culturally contextualize its diagnostic manual, and posits a much more fluid, pluralistic and embodied notion of selfhood. It will prove essential reading for Jungian psychotherapists, analytical and depth psychologists and psychiatrists as well as academics and students of anthropology, mythology and religious studies.
"Published with the support of the Philemon Foundation. This book is part of the Philemon Series of the Philemon Foundation."--Title page.
Winner of the 2023 Gradiva Award for 'Best Book'! The Correspondence of Victoria Ocampo, Count Keyserling and C. G. Jung centres on two pivotal meetings: Victoria Ocampo and Hermann von Keyserling’s in 1929, and Ocampo and Carl Gustav Jung’s in 1934. The first section of the book chronicles these encounters, which proved to be key moments in the lives of the players and had repercussions both private and public. The later sections consist of the correspondence and other writings that preceded and followed these meetings, translated from French, German, and Spanish, much of it for the first time. Jung framed Keyserling’s account of the encounter with Ocampo as "one of the most beautiful...
To many, Jung and Moreno seem to be on opposite sides in their theories and their practices of psychotherapy. Jung defines self as emerging inwardly in an intrapsychic process of individuation; Moreno defines self as enacted outwardly in psychosocial networks of relationships. Jung and Moreno: Essays on the theatre of human nature shows how Jung and Moreno can be creatively combined to understand better and facilitate therapeutic work. Craig E. Stephenson and contributors write about how and why they put together Jung and Moreno. They describe and discuss psychodrama sessions grounded in the fundamentals of Jung’s analytical psychology, as well as dream and fairy tale enactments and indivi...
The first appearance of renowned Jungian Luigi Aurigemma's works in English, Jungian Perspectives explores the timeless questions that have long fascinated psychologists. In a series of essays written over a twenty year period--which nonetheless retain all their freshness today--Aurigemma's writings echo man's search for meaning and for understanding in a world limited by the human condition. This far-reaching overview of Jung's work includes discussions of suffering and evil, sublimation, dreams and visions, the spiritual dimension, death, and the mystical experience of the Void.
Craig Stephenson draws on depth psychology to provide an original and profound study of W. H. Auden's Pulitzer Prize winning poem, The Age of Anxiety. Stephenson also examines Leonard Bernstein's symphony, The Age of Anxiety (Symphony No. 2 for Piano and Orchestra), inspired by Auden's poem, and three ballets based on Bernstein's music.
Filling the need for a ready reference that reflects the vast developments in this field, this book presents everything from fundamentals, applications, various reaction types, and technical applications. Edited by rising stars in the scientific community, the text focuses solely on visible light photocatalysis in the context of organic chemistry. This primarily entails photoinduced electron transfer and energy transfer chemistry sensitized by polypyridyl complexes, yet also includes the use of organic dyes and heterogeneous catalysts. A valuable resource to the synthetic organic community, polymer and medicinal chemists, as well as industry professionals.
The first English translation of Jung's landmark lecture on Nerval's hallucinatory memoir In 1945, at the end of the Second World War and after a long illness, C. G. Jung delivered a lecture in Zürich on the French Romantic poet Gérard de Nerval. The lecture focused on Nerval's visionary memoir, Aurélia, which the poet wrote in an ambivalent attempt to emerge from madness. Published here for the first time, Jung's lecture is both a cautionary psychological tale and a validation of Nerval's visionary experience as a genuine encounter. Nerval explored the irrational with lucidity and exquisite craft. He privileged the subjective imagination as a way of fathoming the divine to reconnect with...
A Jungian psychoanalyst with a background in Judaism and Zen Buddhism explores the history of God concepts in the Judeo-Christian and Islamic traditions. This book is about the Abrahamic God’s inner journey, an epic that begins in the Hebrew Bible—the common source of Judaism, Christianity, and Islam. This God emerges as a living, textured personality as tormented as a Shakespearean character and as divided against humanity as the devil who personifies his dark side. Yet in heroic fashion, he embarks on a journey to greater consciousness, stretching into himself in the Talmud, New Testament, Qur’an, and Gnostic writings. Then finally, with and through the Jewish, Christian, and Islamic...