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Beyond Recognition
On the arts and postmodernism
Beginning Postmodernism
"Postmodernism" has become the buzzword of contemporary society. Yet it remains baffling in its variety of definitions, contexts and associations. Beginning Postmodernism aims to offer clear, accessible and step-by-step introductions to postmodernism across a wide range of subjects. It encourages readers to explore how the debates about postmodernism have emerged from basic philosophical and cultural ideas. With its emphasis firmly on "postmodernism in practice," the book contains exercises and questions designed to help readers understand and reflect upon a variety of positions in the following areas of contemporary culture: philosophy and cultural theory; architecture and concepts of space; visual art; sculpture and the design arts; popular culture and music; film, video and television culture; and the social sciences.
Haunted by History
Haunted by History, Volume I, by Craig Owens uncovers little known facts about eight prominent historic hotels in Southern California and the origins behind many of their ghost stories. Not only does his well-documented research separate facts from legends, but Owens also keeps the subject matter interesting by interweaving historic photos with his own elaborately staged Old Hollywood-style photos shot in the most haunted rooms, hallways, and lobbies. This unique book blends solid research, fascinating insights, and haunting photography that will appeal to believers and non-believers alike. Hotels and inns featured in Vol. 1 are the Hotel del Coronado, the Victorian Rose Bed & Breakfast, the Julian Gold Rush Hotel, the Mission Inn Hotel & Spa, the Alexandria Hotel, the Wyndham Garden Pierpont Inn, the Banning House Lodge, and the Glen Tavern Inn.
Postmodern Culture
In all the arts a war is being waged between modernists and postmodernists. Radicals have tended to side with the modernists against the forces of conservatism. Postmodern Culture is a break with this tendency. Its contributors propose a postmodernism of resistance - an aesthetic that rejects hierarchy and celebrates diversity. Ranging from architecture, sculpture and painting to music, photography and film, this collection is now recognised as a seminal text on the postmodernism debate.The essays are by Hal Foster, Jürgen Habermas, Kenneth Frampton, Rosalind Krauss, Douglas Crimp, Craig Owens, Gregory L. Ulmer, Fredric Jameson, Jean Baudrillard, and Edward W. Said.
On the Museum's Ruins
"What determines the significance of a work of art? Doe it abide eternally within the work? Or is it continually constructed and reconstructed from the outside, through the work's presentation? The historical shift from autonomous modernist object to postmodernist critique of institutions, from artwork to discursive context, is the subject of Douglas Crimp's essays and Louise Lawler's photographs in On the Museum's Ruins. Taking the museum as paradigmatic institution of artistic modernism, Crimp surveys its historical origins and current transformations. The new paradigm of postmodernism is elaborated through analyses of art practices broadly conceived--not only the practices of artists but also those of critics and curators, of international exhibitions, and of new or refurbished museums."--back cover.
The Magic of We
A heartfelt tale describing the beauty of friendship and love, and the true story of musician Ikey Owens.
Robert Smithson
An examination of the interplay between cultural context and artistic practice in the work of Robert Smithson. Robert Smithson (1938-1973) produced his best-known work during the 1960s and early 1970s, a period in which the boundaries of the art world and the objectives of art-making were questioned perhaps more consistently and thoroughly than any time before or since. In Robert Smithson, Ann Reynolds elucidates the complexity of Smithson's work and thought by placing them in their historical context, a context greatly enhanced by the vast archival materials that Smithson's widow, Nancy Holt, donated to the Archives of American Art in 1987. The archive provides Reynolds with the remnants of...
Art of the Twentieth Century
This reader, a companion to The Open University's four-volume Art of the Twentieth Century series, offers a variety of writings by art historians and art theorists. The writings were originally published as freestanding essays or chapters in books, and they reflect the diversity of art historical interpretations and theoretical approaches to twentieth-century art. Accessible to the general reader, this book may be read independently or to supplement the materials explored in the four course texts. The volume includes a general introduction as well as a brief introduction to each piece, outlining its origin and relevance.
The Deaths of the Author
Post-structuralist attitudes to authorship as expressed by Roland Barthes, Jacques Derrida, Eve Kosofsky Sedgwick, and Gayati Chakravorty Spivak with particular attention to time and death.
Craig Owens
In 1984, the art critic, theorist and gay activist Craig Owens (1950-90) gave a wide-ranging interview with Lyn Blumenthal and Kate Horsfield for their extraordinary video series On Art and Artists. At once personal, political and forward-thinking, Owens recounts his experiences with Rosalind Krauss and the founding of the journal October, the "Pictures Generation" artists and critics, and his evolving understanding of the art market, and how it impacts the thinking around art itself. Along the way, he talks about his journey from a small town in Western Pennsylvania to the Off-Broadway theater world of New York in the '70s, and offers insights into his struggles grappling with the aesthetic and political contradictions haunting contemporary art then--as much as now. The interview, newly edited and updated, is published here for the first time and tells the intimate story of one of the most compelling minds in art theory and criticism. Novelist Lynne Tillman provides an introduction.
