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WINNER OF THE SUNDAY TIMES AUDIBLE SHORT STORY AWARD 'A gripping novel and a sharp, entertaining examination of the nature of art and its power to inspire and corrupt' Roddy Doyle Nessa McCormack's marriage is coming back together again after her husband's affair. She is excited to be in charge of a retrospective art exhibit for one of Ireland's most beloved and enigmatic artists, the late sculptor Robert Locke. But the arrival of two outsiders imperils both her personal and professional worlds: a chance encounter with an old friend threatens to expose a betrayal Nessa thought she had long put behind her, and at work, an odd woman comes forward claiming to be the true creator of Robert Locke's most famous work, The Chalk Sculpture. As Nessa finds the past intruding on the present, she must decide whether she can continue to live a lie - or whether she's ready to face the consequences once everything is out in the open. In this gripping debut, Danielle McLaughlin reveals profound truths about love, power, and the secrets that rule us.
Strangest genius
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A fascinating look at author J. W. Dunne’s controversial model of multidimensional time, based on precognitive dreams. The proposed concept accounted for insights into higher consciousness and many of life’s mysteries.
Published by Crawford Art Gallery and Gandon Editions to coincide with the exhibition of the same name, 23rd October 2008 - 15th February 2009.
The scale of the Great Irish Famine, and the horror of it, were unprecedented. It permeated everything, the traces of which remain to this day. But the visual dimensions of the loss of life and the erosions of language and culture remained unaddressed until Quinnipiac University opened Ireland's Great Hunger Museum in 2012, to considerable acclaim. As a largely invisible trauma whose consequences were intrinsic to the subsequent development of Ireland - no less than the United States - the museum collects and displays images and supporting documentation that address both the lacunae and interconnections in representations of the Great Hunger in Irish and diasporic history, culture, and memory.Now, mindful of the suffering of so many, a large number of whom nonetheless went on to contribute so much to America, Quinnipiac University brings its collection home, to share with the people of Ireland. Coming Home: Art and the Great Hunger is an important act of cultural reconnection with Ireland's past and living diaspora, and is a major cultural, educational, and tourist event of local, national, and international interest.
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Looking past the apparent lack of a sustainable Irish display culture, this book demonstrates that there is a very full story to tell of the way Ireland displayed its art from the late eighteenth to the early twentieth century. Ireland on Show analyzes the impact of the display of art as a significant political and cultural feature in the make-up of nineteenth-century Ireland - and in how Ireland was viewed beyond its own shores, in particular in Great Britain and the United States. Fintan Cullen directs much-needed critical attention and analysis to a subject that has been largely overlooked from an Irish perspective. This study moves beyond museums, to address the range of art institutions...
This is a biography of Paul Henry's life and artistic achievements, especially his idyllic landscape paintings of the west of Ireland. It interweaves the life of his talented wife, Grace, and explores his friendships and associations with Paris and Dublin.