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The subject is an extraordinary 12th-century carved walrus-ivory cross that came into the collection of The Metropolitan Museum of Art's Cloisters collection in 1963 and is today the centerpiece of the collection. The authors explore its construction, imagery and inscriptions, the context for its exceptional style and iconography, its theological setting and use in the liturgy, and its place in English Romanesque art. Includes numerous color and black and white photos taken especially for the book. Annotation copyright by Book News, Inc., Portland, OR
The association of shoemakers (cordiners in Scotland) with St Crispin, their patron saint, remained so strong that, at least until the early twentieth century, a shoemaker was popularly called a “Crispin” and collectively “sons of Crispin”. Medieval Scottish cordiners maintained altars to St Crispin and his brother St Crispianus and their cult can be traced to France in the sixth century. In the late sixteenth century, an English rewriting of the legend achieved immediate popularity and St Crispin’s Day continued to be remembered in England throughout the seventeenth century. Journeymen shoemakers in Scotland in the early eighteenth century commemorated their patron with procession...
A major contribution to criminology in which Taylor, Walton and Young provide a framework for a fully social theory of crime.
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Includes entries for maps and atlases.