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Entanglements
Presents strikingly original and contemporary answers to the most traditional philosophical problems in epistemology, ethics, aesthetics, and political theory. A work of maximally ambitious scope with a foundation in humility, Entanglements sets out a philosophical system of the sort rarely seen over the past century. In a discipline marked by greater and greater specialization and the narrowing of increasingly insular traditions and approaches, Crispin Sartwell has spent his career engaging widely across philosophical topics and texts. Here he brings together his philosophical positions in a unified system that is coherent across the issues and subdisciplines in the field. In addition to pr...
Six Names of Beauty
Beauty may be in the eye of the beholder, but it's also in the language we use and everywhere in the world around us. In this elegant, witty, and ultimately profound meditation on what is beautiful, Crispin Sartwell begins with six words from six different cultures - ancient Greek's 'to kalon', the Japanese idea of 'wabi-sabi', Hebrew's 'yapha', the Navajo concept 'hozho', Sanskrit 'sundara', and our own English-language 'beauty'. Each word becomes a door onto another way of thinking about, and looking at, what is beautiful in the world, and in our lives. In Sartwell's hands these six names of beauty - and there could be thousands more - are revealed as simple and profound ideas about our world and our selves.
Political Aesthetics
"I suggest that although at any given place and moment the aesthetic expressions of a political system just are that political system, the concepts are separable. Typically, aesthetic aspects of political systems shift in their meaning over time, or even are inverted or redeployed with an entirely transformed effect. You cannot understand politics without understanding the aesthetics of politics, but you cannot understand aesthetics as politics. The point is precisely to show the concrete nodes at which two distinct discourses coincide or connive, come apart or coalesce."—from Political Aesthetics Juxtaposing and connecting the art of states and the art of art historians with vernacular or...
Against the State
Irreverent and incisive critique of liberal theories of the state.
Obscenity, Anarchy, Reality
Sartwell presents an extreme and provocative philosophy of life. He explores what happens if we love this world precisely as it is, with all of its pain, with all of its evil, with all of its bizarre and arbitrary and monstrous thereness. In a highly personal and brutally direct style, Sartwell explores the themes of transgressive sexuality, political anarchism, addiction, death, and embodiment. The author engages contemporary and historical debates in cultural criticism, metaphysics, ethics, and political philosophy, and expresses deep suspicions about them. He asserts that scientific philosophical conceptualization is a movement toward death, a rejection of reality. Moral and political values - the ethical rejection of the particular precisely from within the particular - are, Sartwell claims, an assault on human authenticity. Thus, transgression - which is described as the affirmation of embodiment through obscenity - is something we radically require.
Obscenity, Anarchy, Reality
Sartwell presents an extreme and provocative philosophy of life. He explores what happens if we love this world precisely as it is, with all of its pain, with all of its evil, with all of its bizarre and arbitrary and monstrous thereness. In a highly personal and brutally direct style, Sartwell explores the themes of transgressive sexuality, political anarchism, addiction, death, and embodiment. The author engages contemporary and historical debates in cultural criticism, metaphysics, ethics, and political philosophy, and expresses deep suspicions about them. He asserts that scientific philosophical conceptualization is a movement toward death, a rejection of reality The author engages conte...
The Practical Anarchist
Crispin Sartwell teaches philosophy and political science at Dickinson College. He is the author of numerous books, most recently Against the State: An Introduction to Anarchist Political Theory. --Book Jacket.
Extreme Virtue
Extreme Virtue presents a new and radical approach to the problems of leadership and virtue in public life. Originating in the author's newspaper writing about the Clinton/Lewinsky scandal, the book grapples with what has gone wrong in the American political system and describes what we should look for in our leaders. Sartwell argues that the real problem is a pervasive lack of truth in political leaders and that more can be accomplished by straight talk than by polling and focus groups. The book consists of biographical portraits of five great Americans: anarchists Emma Goldman and Voltairine de Cleyre, conservative senator Barry Goldwater, Lakota spiritual leader John Fire Lame Deer, and black nationalist Malcolm X. The author argues that what makes these figures distinctively American is that each shares a suspicion of power and a vision of individual liberation. Despite their distinctive and unique approaches, each person is a model of truth in public life.
Entanglements
Conversations with a founder of the influential Social Construction of Technology (SCOT) approach in science and technology studies offer an introduction to the field. Science and technology studies (STS) is a relatively young but influential field. Scholars from disciplines as diverse as urban studies, mobility studies, media studies, and body culture studies are engaging in a systematic dialogue with STS, seeking to enrich their own investigations. Within STS, the Social Construction of Technology (SCOT) theory has proved to be one of the most influential in its neighboring fields. Yet the literature has grown so large so quickly, it is difficult to get an overview of SCOT. In this book, c...
End of Story
In End of Story, Crispin Sartwell maintains that the academy is obsessed with language, and with narrative in particular. Narrative has been held to constitute or explain time, action, value, history, and human identity. Sartwell argues that this obsession with language and narrative has become a sort of disease. Pitting such thinkers as Kierkegaard, Bataille, and Epictetus against the narrativism of MacIntyre, Ricoeur, and Aristotle, Sartwell celebrates the ways narratives and selves disintegrate and recommends a lapse into ecstatic or mundane incoherence. As the book rollicks through Wodehouse, Thoreau, the Book of Job, still-life painting, and Sartwell's autobiography, there emerges a hopeful if bizarre new sense of who we are and what we can be.
