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Mélaina Cholé
Me?laina Chole? from Ancient Greek ?????? (melas), and ????? (khole?), it is a photographic research on the study of humoral theory conceived by Hippocrates. Volk, in particular, focuses on black bile, described as a cold and dry fluid, generated by the archetype of the earth.In fact, within the series, we find images of the planet earth seen from space, of human body cells, and of people's faces following the theory of the physiognomy of the time. The ideas of Hippocrates continued to be dominant, being abandoned only almost in the mid-nineteenth century. Extensive traces of this hegemony survive in modern language: the heart was indicated as the seat of feelings and in particular of love which, poetically, is "breath of life"; Melancholia is a feeling of sadness but also a serious form of depression.The same depression that, according to recent studies, will be the most widespread disease in the world in 2030.
Liver Transplantation
Explore this practical and step-by-step guide to managing liver transplant patients from leading international clinicians in Hepatology The newly revised Second Edition of Liver Transplantation: Clinical Assessment and Management delivers expert clinical guidance on best practices in managing the care of liver transplant patients. Authors are all experts in their field and cover a world-wide perspective. Organized in an accessible, stepwise fashion and packed with text features such as key points, the book covers all critical areas of each stage of the liver transplant journey, from assessment, to management on the list, to long term care. Readers will learn when to refer a patient for liver...
Fundamentals of Music Processing
The textbook provides both profound technological knowledge and a comprehensive treatment of essential topics in music processing and music information retrieval (MIR). Including numerous examples, figures, and exercises, this book is suited for students, lecturers, and researchers working in audio engineering, signal processing, computer science, digital humanities, and musicology. The book consists of eight chapters. The first two cover foundations of music representations and the Fourier transform—concepts used throughout the book. Each of the subsequent chapters starts with a general description of a concrete music processing task and then discusses—in a mathematically rigorous way...
History of Concepts
Hoewel enorm invloedrijk in Duitstalig Europa, heeft de conceptuele geschiedschrijving (Begriffsgeschichte) tot nu toe weinig aandacht in het Engels gekregen. Dit genre van intellectuele geschiedschrijving verschilt van zowel de Franse geschiedschrijving van mentalités als de Engelstalige geschiedschrijving van verhandelingen door het concept. Aan de hand van practische voorbeelden in de geschiedschrijving wordt deze vorm toegelicht door Bram Kempers, Eddy de Jongh en Rolf Reichardt.
I Do Not Want to Disappear Silently Into the Night
"KDB's project may be defined as post-photographic: in re-reading and re-using, in a new way, photographic images culled from various magazines, these latter ones lose their status of plain photography and the book that of a classic photo-book. In a similar way, the artist may be defined as "photographer without a camera": the framing broadens itself, taking place no longer in the lens, but in the eye, whereas the vision occurs directly in the hand, becoming thereby more physical and tactile. ... KDB doesn't write, but she compiles notebooks made of sentences and headlines cut out of newspapers and magazines, appropriating also in this case someone else's vocabulary to express in a neutral way her own story." -- http://www.avarie-publishing.com/files/press_kit_LONG_KDB_web.pdf (as viewed on February 24, 2015).
Expanding the Lexicon
The creation of new lexical units and patterns has been studied in different research frameworks, focusing on either system-internal or system-external aspects, from which no comprehensive view has emerged. The volume aims to fill this gap by studying dynamic processes in the lexicon – understood in a wide sense as not being necessarily limited to the word level – by bringing together approaches directed to morphological productivity as well as approaches analyzing general types of lexical innovation and the role of discourse-related factors. The papers deal with ongoing changes as well as with historical processes of change in different languages and reflect on patterns and specific subtypes of lexical innovation as well as on their external conditions and the speakers’ motivations for innovating. Moreover, the diffusion and conventionalization of innovations will be addressed. In this way, the volume contributes to understanding the complex interplay of structural, cognitive and functional factors in the lexicon as a highly dynamic domain.
The Cambridge History of Judaism: Volume 2, The Hellenistic Age
Vol. 4 covers the late Roman period to the rise of Islam. Focuses especially on the growth and development of rabbinic Judaism and of the major classical rabbinic sources such as the Mishnah, Jerusalem Talmud, Babylonian Talmud and various Midrashic collections.
The Cambridge Handbook of Compliance
Compliance has become key to our contemporary markets, societies, and modes of governance across a variety of public and private domains. While this has stimulated a rich body of empirical and practical expertise on compliance, thus far, there has been no comprehensive understanding of what compliance is or how it influences various fields and sectors. The academic knowledge of compliance has remained siloed along different disciplinary domains, regulatory and legal spheres, and mechanisms and interventions. This handbook bridges these divides to provide the first one-stop overview of what compliance is, how we can best study it, and the core mechanisms that shape it. Written by leading experts, chapters offer perspectives from across law, regulatory studies, management science, criminology, economics, sociology, and psychology. This volume is the definitive and comprehensive account of compliance.
Cristiano Volk. Laissez-faire
Alienation is often found at the heart of Italian photographer Cristiano Volk?s work, wherein the human experience is always central. Described by Volk as ?a single, neon-hued hallucination?, ?Laissez-Faire? is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences ? day and night, inside and outside, public and private, digital and real ? into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
When Fact Is Fiction
Politics and media are constantly dealing with the shifting definitions of facts, truth, reality, and fiction. Yet this is something the field of documentary art has been addressing for much longer. The contributions in this volume are from and about artists who explore the boundaries between fact and fiction by playing with the notion of the ?documentary?. The book draws from a wide range of documentary art practices, such as working with archival materials or scrutinising one?s own subjective stance as an artist. It observes how artists deploy the fine line between fact and fiction as a means to imagine versions of the future, and how it can still have an impact in the world of today.
