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Compiled and adapted from completed assignments produced by USC graduate students participating in the inter-disciplinary course, "BioBusiness: A Strategic Perspective" (GSBA-599, Spring 2005), offered by the Marshall School of Business, University of Southern California.
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With an abundance of information on how to create motion graphics already available, Design in Motion focuses on the why of moving image. It uniquely applies graphic design thinking to film making explaining why integrating basic principles of graphic design can have a powerful impact on your film. Principles such as structure, composition, scale, symmetry, shape, colour, hierarchy, typography, pace and rhythm, that in turn influence production decisions over image, movement, camera, sound, text, transitions and editing. It examines why some methods work, while others fail with each chapter referencing historical and contemporary cinema, as well as drawing on a library of unseen work from postgraduate motion graphic designers and emerging filmmakers. Whether you work in live action, animation, narrative or abstract and however long the duration, a two pic gif a feature length or film short, each stage can be informed and improved by applying principles of design. This book pulls together a unique body of research into one volume making it an invaluable companion to any ambitious filmmaker keen to harness the power of graphic design to push their craft to the limit.
For Cris and Miguel, creating a family will take a little luck and lots of determination. A Chance is the engrossing, heartwarming story of their struggles and triumphs. The narrative follows Cristina Durán and Miguel Giner Bou as they rebuild and reinvent themselves after their daughter Laia is born with cerebral palsy. Hospitals, rehabilitation centers, and doctors become part of their daily routine. There is one chance in a thousand that Laia will pull through—and they hold on to that chance with tremendous strength and indomitable joy. Years later, with the same courage and determination, Cristina and Miguel embark on the arduous process of adopting their second daughter, Selam, from Ethiopia. This time, they face a long period of training, psychological tests, interviews, and formalities before they can even pack their bags. And when they return with Selam, the challenge of reinvention awaits them yet again.
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This book contains "critical essays along with a catalogue raisonné of the Fundação José e Paulina Nemirovsky's art assets"--p. 35.
Includes entries for maps and atlases.