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No One Will See Me Cry
Winner of the Mexico National Novel Prize, Sor Juana In s de la Cruz Prize, and IMPACT Prize Joaquin Buitrago, a photographer in the Castaneda Insane Asylum, believes a patient is a prostitute he knew years earlier. His obsession in confirming Matilde's identity leads him to explore the clinics records, and her tragic history. He discovers that she was a peasant adopted by a doctor uncle. She led a calm life until C stulo, a young revolutionary chased by the authorities, finds shelter in her home. Matilde's eyes are opened to the social upheaval will lead her to break with her uncle and hide out with Diamantina Vicari. Diamantina's death devastates Matilde so much that she wanders about, completely lost, doing all kinds of jobs, including prostitution. As the photographer discovers more details, he becomes convinced that he and Matilde should live together. Ultimately, as they face defeat in a repressive society, they search to establish in the rubble an uncertain future that will somehow restore their freedom.
The Iliac Crest
On a dark and stormy night, two mysterious women invade an unnamed narrator’s house, where they proceed to ruthlessly question their host’s gender and identity. The increasingly frantic protagonist fails to defend his supposed masculinity and eventually finds himself in a sanatorium. A Gothic tale of destabilized male-female binaries and subverted literary tropes, this is the book's first English publication.
Liliana's Invincible Summer
From one of Mexico's greatest contemporary writers, an astonishing work of non-fiction that illuminates an epidemic of femicide in Mexico through the death of one woman.'Meticulously written and deeply moving . . . A triumph' JACKIE KAY'Full of tenderness and beauty. This book is a revelation and a restoration of her sister's memory' MARIANA ENRIQUEZ, author of The Dangers of Smoking in BedOn the dawn of 16 July 1990, Liliana Rivera Garza, Cristina Rivera Garza's sister, was murdered by her ex-boyfriend and subsumed into Mexico's dark and relentless history of femicide.She was a twenty-year-old architecture student who had been trying for years to end her relationship with a high school boyf...
Grieving
This philosophical investigation into state violence and mourning in twenty-first-century Mexico weaves together personal essay and literary theory, giving voice to the political experience of collective pain.
The Restless Dead
Based on comparative readings of contemporary books from Latin America, Spain, and the United States, the essays in this book present a radical critique against strategies of literary appropriation that were once thought of as neutral, and even concomitant, components of the writing process. Debunking the position of the author as the center of analysis, Cristina Rivera Garza argues for the communality—a term used by anthropologist Floriberto Díaz to describe modes of life of Indigenous peoples of Oaxaca based on notions of collaborative labor—permeating all writing processes. Disappropriating is a political operation at the core of projects acknowledging, both at ethical and aesthetic levels, that writers always work with materials that are not their own. Writers borrow from the practitioners of a language, entering in a debt relationship that can only be covered by ushering the text back to the communities from which it grew. In a world rife with violence, where the experiences of many are erased by pillage and extraction, writing among and for the dead is a form of necrowriting that may well become a life-affirming act of decolonization and resistance.
New and Selected Stories
A story collection drawn from across her career brings into English for the first time the extraordinary stylistic and thematic range of the Mexican writer and MacArthur “genius” Cristina Rivera Garza. “One of Mexico’s greatest living writers,” wrote Jonathan Lethem in 2018 about Cristina Rivera Garza, “we are just barely beginning to catch up to what she has to offer.” In the years since, Rivera Garza’s work has received widespread recognition: She was awarded a MacArthur Genius Grant for fiction that “interrogates culturally constructed notions of language, memory, and gender from a transnational perspective,” and was a finalist for the 2020 National Book Critics Circle...
The Throwback Special
Winner of The Paris Review/Terry Southern Prize for Humor. "Chris Bachelder is a witty, compassionate troublemaker, and we need more like him." --George Saunders
La Castañeda Insane Asylum
La Castañeda Insane Asylum is the first inside view of the workings of La Castañeda General Insane Asylum--a public mental health institution founded in Mexico City in 1910 only months before the outbreak of the Mexican Revolution. It links life within the asylum's walls to the radical transformations brought about as Mexico entered the Revolution's armed phase and then endured under succeeding modernizing regimes. Author Cristina Rivera Garza brings the history of La Castañeda asylum to life as inmates, doctors, relatives, and others engage in dialogues on insanity. They discuss faith, sex, poverty, loss, resentment, envy, love, and politics. Doctors translated what they heard into the emerging language of psychiatry, while inmates conveyed their personal experiences and private histories through expressions of mental suffering. The language of pain--physical and spiritual, mild to excruciating--allowed patients to detail the sources and consequences of their misfortune. Available now for the first time in English, this edition contains updated sources and features a note by the translator, Laura Kanost.
Death Takes Me
From the Pulitzer Prize-winning author of Liliana's Invincible Summer, a dreamlike, genre-defying novel about a professor and detective seeking justice in a world suffused with gendered violence. A city is always a cemetery. When a professor named Cristina Rivera Garza stumbles upon the corpse of a man in a dark alley, she finds a stark warning scrawled on the brick wall beside the body, written in coral nail polish: “Beware of me, my love / beware of the silent woman in the desert.” After reporting the crime to the police, the professor becomes the lead informant of the case, led by a detective with a newfound obsession with poetry and a long list of failures on her back. But what has t...
The New World Written
A lyrical collection of the finest poems by a leading Mexican poet, superbly translated for English readers The poetry of María Baranda is a haunting homage to the natural world, transcendent in scope, attentive to the particular, and acutely attuned to the mystery of being. Absorbed by nature's otherness, Baranda seeks to inhabit the voices of the wind, of wings, night, day, and perhaps most keenly, water. These lyrical verses turn repeatedly to the longings and griefs of embodiment: "What is that God / To be praised with all our sadness / If not love / Or at least the wonder / Of being a body full of blood," Baranda asks. Drawing on epics such as the Aeneid and Beowulf, the mystical verses of Sor Juana Inés de la Cruz, and writers who engage the landscape of shore and sea, from Daniel Defoe to Dylan Thomas, this sweeping collection brings together the finest poems of one of today's most powerful and innovative Mexican writers.
