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No One Will See Me Cry
Winner of the Mexico National Novel Prize, Sor Juana In s de la Cruz Prize, and IMPACT Prize Joaquin Buitrago, a photographer in the Castaneda Insane Asylum, believes a patient is a prostitute he knew years earlier. His obsession in confirming Matilde's identity leads him to explore the clinics records, and her tragic history. He discovers that she was a peasant adopted by a doctor uncle. She led a calm life until C stulo, a young revolutionary chased by the authorities, finds shelter in her home. Matilde's eyes are opened to the social upheaval will lead her to break with her uncle and hide out with Diamantina Vicari. Diamantina's death devastates Matilde so much that she wanders about, completely lost, doing all kinds of jobs, including prostitution. As the photographer discovers more details, he becomes convinced that he and Matilde should live together. Ultimately, as they face defeat in a repressive society, they search to establish in the rubble an uncertain future that will somehow restore their freedom.
The Iliac Crest
Surreal and gothic, The Iliac Crest is a masterful excavation of forgotten Mexican women writers, illustrating the myriad ways that gendered language can wield destructive power. On a dark and stormy night, two mysterious women invade an unnamed narrator’s house, where they proceed to ruthlessly question their host’s identity. The women are strangely intimate―even inventing together an incomprehensible, fluid language―and harass the narrator by repeatedly claiming that they know his greatest secret: that he is, in fact, a woman. As the increasingly frantic protagonist fails to defend his supposed masculinity, he eventually finds himself in a sanatorium. Published for the first time i...
Grieving
This philosophical investigation into state violence and mourning in twenty-first-century Mexico weaves together personal essay and literary theory, giving voice to the political experience of collective pain.
The Restless Dead
Based on comparative readings of contemporary books from Latin America, Spain, and the United States, the essays in this book present a radical critique against strategies of literary appropriation that were once thought of as neutral, and even concomitant, components of the writing process. Debunking the position of the author as the center of analysis, Cristina Rivera Garza argues for the communality—a term used by anthropologist Floriberto Díaz to describe modes of life of Indigenous peoples of Oaxaca based on notions of collaborative labor—permeating all writing processes. Disappropriating is a political operation at the core of projects acknowledging, both at ethical and aesthetic levels, that writers always work with materials that are not their own. Writers borrow from the practitioners of a language, entering in a debt relationship that can only be covered by ushering the text back to the communities from which it grew. In a world rife with violence, where the experiences of many are erased by pillage and extraction, writing among and for the dead is a form of necrowriting that may well become a life-affirming act of decolonization and resistance.
The Throwback Special
Winner of The Paris Review/Terry Southern Prize for Humor. "Chris Bachelder is a witty, compassionate troublemaker, and we need more like him." --George Saunders
Liliana's Invincible Summer
WINNER OF THE PULITZER PRIZE FOR MEMOIR A 2023 NATIONAL BOOK AWARD FINALIST A NEW YORK TIMES, WASHINGTON POST, TIME AND NEW YORKER BOOK OF THE YEAR 'Meticulously written and deeply moving . . . A triumph' JACKIE KAY 'Absorbing and poetic' ECONOMIST 'Full of tenderness and beauty' MARIANA ENRIQUEZ From one of Mexico's greatest contemporary writers, an astonishing work of non-fiction that illuminates an epidemic of femicide in Mexico through the death of one woman. I seek justice, I finally said. I seek justice for my sister . . . Sometimes it takes twenty-nine years to say it out loud, to say it out loud on a phone call with a lawyer at the General Attorney's office: I seek justice. On the da...
La Castañeda Insane Asylum
La Castañeda Insane Asylum is the first inside view of the workings of La Castañeda General Insane Asylum--a public mental health institution founded in Mexico City in 1910 only months before the outbreak of the Mexican Revolution. It links life within the asylum's walls to the radical transformations brought about as Mexico entered the Revolution's armed phase and then endured under succeeding modernizing regimes. Author Cristina Rivera Garza brings the history of La Castañeda asylum to life as inmates, doctors, relatives, and others engage in dialogues on insanity. They discuss faith, sex, poverty, loss, resentment, envy, love, and politics. Doctors translated what they heard into the emerging language of psychiatry, while inmates conveyed their personal experiences and private histories through expressions of mental suffering. The language of pain--physical and spiritual, mild to excruciating--allowed patients to detail the sources and consequences of their misfortune. Available now for the first time in English, this edition contains updated sources and features a note by the translator, Laura Kanost.
Grieving
Finalist for the 2020 National Book Critics’ Circle Award for Criticism By one of Mexico's greatest contemporary writers, this investigation into state violence and mourning gives voice to the political experience of collective pain. Grieving is a hybrid collection of short crónicas, journalism, and personal essays on systemic violence in contemporary Mexico and along the US-Mexico border. Drawing together literary theory and historical analysis, she outlines how neoliberalism, corruption, and drug trafficking—culminating in the misnamed “war on drugs”—has shaped her country. Working from and against this political context, Cristina Rivera Garza posits that collective grief is an ...
Death Takes Me
From the Pulitzer Prize-winning author of Liliana's Invincible Summer, a dreamlike, genre-defying novel about a professor and detective seeking justice in a world suffused with gendered violence. A city is always a cemetery. A professor named Cristina Rivera Garza stumbles upon the corpse of a mutilated man in a dark alley and reports it to the police. When shown a crime scene photo, she finds a stark warning written in tiny print with coral nail polish on the brick wall beside the body: “Beware of me, my love / beware of the silent woman in the desert.” The professor becomes the first informant on the case, which is led by a detective newly obsessed with poetry and trailed by a long lis...
The New World Written
A lyrical collection of the finest poems by a leading Mexican poet, superbly translated for English readers The poetry of María Baranda is a haunting homage to the natural world, transcendent in scope, attentive to the particular, and acutely attuned to the mystery of being. Absorbed by nature's otherness, Baranda seeks to inhabit the voices of the wind, of wings, night, day, and perhaps most keenly, water. These lyrical verses turn repeatedly to the longings and griefs of embodiment: "What is that God / To be praised with all our sadness / If not love / Or at least the wonder / Of being a body full of blood," Baranda asks. Drawing on epics such as the Aeneid and Beowulf, the mystical verses of Sor Juana Inés de la Cruz, and writers who engage the landscape of shore and sea, from Daniel Defoe to Dylan Thomas, this sweeping collection brings together the finest poems of one of today's most powerful and innovative Mexican writers.
