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The book opens when Dr. Covelli arrives in Boise after twenty years away from the West. Chris discovers that some of his acquaintances from the past are by now old, have died, or are no longer active in the circles he knew them from. Chris decides to make new friends. Through a phone line, he meets a certain Hank, who is seeking a special friend, and Chris is receptive. A relationship develops. Hank tells about his own past life, having grown up inside a community of polygamist Mormons in Colorado City, Arizona. Chris becomes acquainted with Hank's first wife, Marcia. Her character is exposed. It so happens that Marcia makes Hank beholden to a commitment to surrender money and willpower to h...
This well-researched and theoretically informed book examines the nature and function of the main female characters in the nine novels of Machado de Assis. Earl Fitz argues that Machado had a particular interest in female characterization and that his fictional women became increasingly sophisticated and complex as he matured and developed as a writer and social commentator. Machado developed, especially after 1880 (and what is usually considered the beginning of his "mature" period), a kind of anti-realistic, "new narrative," one that presents itself as self-referential fictional artifice but one that also cultivates a keen social consciousness. Fitz concludes that Machado increasingly uses his female characterizations to convey this social consciousness and to show that the new Brazil that is emerging both before and after the establishment of the Brazilian Republic (1889) requires not only the emancipation of black slaves but the emancipation of its women as well.