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In this, his final book, noted philosopher Ilham Dilman offers sharp critiques of his major contemporaries. Ilham Dilman (1930-2003) was Professor Emeritus and Honorary Fellow, Department of Philosophy, University of Wales Swansea. He was perhaps most well known for his contributions to moral philosophy and psychology, and in particular on the works of Wittgenstein and Freud. His publications include Wittgenstein's Copernican Revolution (Palgrave, 2002), Free Will: A Historical and Philosophical Introduction (Routledge, 1999), Existential Critiques of Cartesianism (Macmillan, 1993), and Freud and Human Nature (Blackwell, 1983).
Since the mid-1980s, Arthur C. Danto has been increasingly concerned with the implications of the demise of modernism. Out of the wake of modernist art, Danto discerns the emergence of a radically pluralistic art world. His essays illuminate this novel art world as well as the fate of criticism within it. As a result, Danto has crafted the most compelling philosophy of art criticism since Clement Greenberg. Gregg Horowitz and Tom Huhn analyze the constellation of philosophical and critical elements in Danto's new- Hegelian art theory. In a provocative encounter, they employ themes from Kantian aesthetics to elucidate the continuing persistence of taste in shaping even this most sophisticated philosophy of art.
The present work is the product of several years study of the various aspects of Kanfs Critical Philosophy and Hume's naturalism. During that time many individuals have helped with this work and it is hardly possible to set down the names of aH of them. One name does des erve special mention - Prof. Dr. H. Heimsoeth with whom the author has discussed some of the very knotty problems of Kantian Philosophy. Although Hume has been - as Kant freely admits in the Preface to his "Prolegomena" - one of the most decisive influences and turning points in the philosophical development of Kant, the author does not thematize in this work the age-old problem of whether Kant reaHy read, understood and refuted Hume. That it has been, ever since Hume wrote, a favorite pursuit among philosophers to answer hirn, to refute hirn, and to refute Kanfs attempt at refutation of hirn, irrespective of its being convincing or not, must be mentioned with special respect.
In this work, Collingridge offers a general philosophy of criticism. Many philosophers influenced by the ideas of Karl Popper have hoped to see an expansion from his view of the operation of criticism within science to a more general account of criticism, and, until now, moves in this direction have had only limited success. This book extends Popper's account of the role of criticism in science to many other areas of inquiry.
This text is a reply to some of the more doctrinaire beliefs that pass for "radical" thinking. For the most part, Norris argues, these ideas are based on a false understanding of crucial episodes in their own pre-history.
Does philosophical critique have a future? What are its possibilities, limits and presuppositions? This collection by outstanding scholars from various traditions, responds to these questions by examining the forms of philosophical critique that have shaped continental thought from Spinoza and Kant to Marx, Foucault, Derrida and Rancière.
Reprint of the original, first published in 1883.
What is required of the idea of critique if it is to overcome indifference? This question addresses core themes in modern, post-Kantian and European philosophy, challenging theory's resignation in the face of contemporary political and economic formations. If indifference is to be overcome, critique must be demarcated in its purity, as an idea of critique in and of itself. For the idea of critique to become pure we must view critique as the construction of difference-only pure critique, as the construction of difference, can overcome our current age of indifference. The Idea of Pure Critique will appeal to students of Kant as well as to the many interested in Deleuze and Guattari's contribution to philosophies of difference. More fundamentally, the book presents a series of political and philosophical challenges to the apathy that pervades modern forms of life.