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M.S. Subbulakshmi
M.S. Subbulakshmi was born to sing. Her unchallenged position in the realm of Carnatic music was the result of great talent combined with hours of practice and utter devotion. Subbulakshmi began her formal training in music when she was five. Her first stage performance was at the age of eight. It is said that the young Subbulakshmi would practice her ragas even between household chores, keeping time to the most intricate and complex beats of Carnatic music. M.S. Subbulakshmi used music as an instrument to motivate people, especially during the freedom movement. Her music inspired all those who heard it and she was celebrated and acclaimed wherever she went. In this graphic biography, Amar Chitra Katha pays tribute to the legend and her invaluable contribution to the world of music.
M. S. SUBBULAKSHMI
Madurai Shanmukhavadivu Subbulakshmi was the first musician ever to be awarded the Bharat Ratna, India’s highest civilian honor. She is the first Indian musician to receive the Ramon Magsaysay award, often considered Asia’s Nobel Prize, in 1974 with the citation reading “Exacting purists acknowledge Srimati M. S. Subbulakshmi as the leading exponent of classical and semi-classical songs in the Karnataka tradition of South India.”
She Sang for India
A picture book biography about M.S. Subbulakshmi, a powerful Indian singer who advocated for justice and peace through song. Before M.S. Subbulakshmi was a famous Carnatic singer and the first Indian woman to perform at the United Nations, she was a young girl with a prodigious voice. But Subbulakshmi was not free to sing everywhere. In early 1900s India, girls were not allowed to perform for the public. So Subbulakshmi busted barriers to sing at small festivals. Eventually, she broke tradition to record her first album. She did not stop here. At Gandhi's request, Subbulakshmi sang for India’s freedom. Her fascinating odyssey stretched across borders, and soon she was no longer just a young prodigy. She was a woman who changed the world.
OF GIFTED VOICE
M.S. Subbulakshmi's life was one of extraordinary achievement. Although she was portrayed in many ways - as a musician who sought and achieved an all-India appeal; a philanthropist and supporter of noble causes; an icon of style; a woman of piety and devotion; and a friend and associate of the good and the great - she was first and foremost a classical vocalist of the highest rank, of unmatched gifts, who lives on in the musical history of India. Of Gifted Voice looks at her life and times, and the great musical tradition she belonged to and to which she brought so much, against the larger backdrop of the developments in the world of Carnatic music. It describes how music came to be performe...
M.S. Subbulakshmi
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M.S. Subbulakshmi
Previously published as M.S. Subbulakshmi: the definitive biography. New Delhi: HarperCollins Publishers India, 2004.
Of Gifted Voice
Though her story has often been told, we know little of the woman behind the image and the musician behind the public persona. Of Gifted Voice attempts, with warmth and perception, to understand the music, the history, the artiste and her incomparable presence.
Greatness of Spirit
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Myths & Millennials
They say when you don’t find your favorite book write it, as a woman raised in this Indian society I have lived with myths on what to do, when to do and how to do ALWAYS told by people around, I decided to read books and everything is written by some super successful women who never ever lived my normal life, when I read some rebel books it suggested me to hate men and do things which is not me, to me trying to be a man is waste of a woman. I wrote this book for my younger self, for a lower middle class family grew up watching movies, heroes and ad films soaked with myths. You don’t have to become a fighter to live a great life, you just need to know what is a myth and what is reality, that is enough to move from the survival mode to the living and concequering mode, are you ready sister?
Mirabai
Mirabai, an iconic sixteenth-century Indian poet-saint, is renowned for her unwavering love of God, her disregard for social hierarchies and gendered notions of honor and shame, and her challenge to familial, feudal, and religious authorities. Defying attempts to constrain and even kill her, she could not be silenced. Though verifiable facts regarding her life are few, her fame spread across social, linguistic, and religious boundaries, and stories about her multiplied across the subcontinent and the centuries. In Mirabai, Nancy M. Martin traces the story of this immensely popular Indian saint from the earliest manuscript references to her through colonial and nationalist developments to sch...
