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The Alchemists' Council
As a new Initiate with the Alchemists' Council, Jaden is trained to maintain the elemental balance of the world, while fending off interference by the malevolent Rebel Branch. Bees are disappearing from the pages of the ancient manuscripts in Council dimension and from the outside world, threatening its very existence. Jaden navigates alchemy's complexities, but the more she learns, the more she begins to question Council practices. Erasure, a procedure designed not only to remove individuals from Council dimension but also from the memories of other alchemists, troubles Jaden, and she uses her ingenuity to remember one of the erased people. In doing so, she realizes the Rebel Branch might not be the enemy she was taught to fight against. Jaden is caught between her responsibility to the Council and her growing allegiance to the rebels, as the Council finds itself at the brink of war. She is faced with an ethical dilemma involving the free will of all humanity, and must decide whether or not she can save the worlds.
The Flaw in the Stone
Move back through time into the alluring worlds of the Alchemists’ Council The anticipated second book in Cynthea Masson’s series takes readers to Flaw Dimension, centuries before the events of book one. Rebel scribe Genevre, exploring secreted libraries with Dragonsblood pulsing through her young veins, accidentally discovers a 5th-Council manuscript with a long-forgotten alchemical formula whose implications could permanently transform both the Alchemists’ Council and the Rebel Branch. A revolution looms as High Azoth Dracaen strengthens the power of the Rebel Branch, Cedar and Saule take treacherous steps against fellow alchemists, and the unprecedented mutual conjunction of Ilex and Melia changes the fate of all dimensions. With insurgents gathering, Ilex and Melia’s attempt to open a forbidden breach through time could bring salvation — or total destruction — to the elemental balance of the world. The battle over free will for all of humanity continues in The Flaw in the Stone, the remarkable second instalment of this epic fantasy trilogy.
The Amber Garden
The stunning and beautifully crafted conclusion to The Alchemists’ Council series In Book Three of The Alchemists’ Council trilogy, eternal conflicts between the Council and Rebel Branch escalate. Secrets about time-travel manipulation are revealed, uncomfortable truths about alchemical children are discovered, and Council dimension itself begins to disintegrate. Amidst this fallout, the Amber Garden dissolves, conjoined pairs suffer torturous separation, alchemists die in the process, and Cedar is banished to the outside world where she endures a living death within her conjoined partner. Efforts of both alchemists and rebels to resolve the dissolution of Council and Flaw dimensions pro...
The Alchemists' Council
Cynthea Masson is a professor in the English department at Vancouver Island University. After completing a Ph.D. in English with a focus on medieval mysticism, she undertook a postdoctoral fellowship involving work with medieval alchemical manuscripts at the British Library. In addition to articles on mysticism and alchemy, many of her award-winning academic publications over the past decade have been in the area of television studies. She is the co-editor of the academic book Reading Joss Whedon (Syracuse University Press, 2014); her fiction includes The Elijah Tree (Rebel Satori, 2009). She lives in British Columbia.
Sexual Culture in the Literature of Medieval Britain
An examination into aspects of the sexual as depicted in a variety of medieval texts, from Chaucer and Malory to romance and alchemical treatises.
Reading Joss Whedon
In an age when geek chic has come to define mainstream pop culture, few writers and producers inspire more admiration and response than Joss Whedon. From Buffy the Vampire Slayer to Much Ado About Nothing, from Dr. Horrible’s Sing–Along Blog to The Avengers, the works of Whedon have been the focus of increasing academic attention. This collection of articles represents some of the best work covering a wide array of topics that clarify Whedon’s importance, including considerations of narrative and visual techniques, myth construction, symbolism, gender, heroism, and the business side of television. The editors argue that Whedon’s work is of both social and aesthetic significance; that he creates “canonical television.” He is a master of his artistic medium and has managed this success on broadcast networks rather than on cable. From the focus on a single episode to the exploration of an entire season, from the discussion of a particular narrative technique to a recounting of the history of Whedon studies, this collection will both entertain and educate those exploring Whedon scholarship for the first time and those planning to teach a course on his works.
Buffy, Ballads, and Bad Guys Who Sing
When writer and director Joss Whedon created the character Buffy the Vampire Slayer, he could hardly have expected the resulting academic interest in his work. Yet almost six years after the end of Buffy on television, Buffy studies—and academic work on Whedon's expanding oeuvre—continue to grow. Now with three hugely popular television shows, Buffy the Vampire Slayer, Angel, and Firefly, and the film Serenity all available on DVD, scholars are evaluating countless aspects of the Whedon universe (or "Whedonverse"). Buffy, Ballads, and Bad Guys Who Sing: Music in the Worlds of Joss Whedon studies the significant role that music plays in these works, from Buffy the Vampire Slayer to the in...
The Elijah Tree
The story of a young boy who is birthed in the fire of a mystical vision. Around him move Chava, Shira, Eli, and Jael-the adults who love him but who live in conflict with one another. Estranged from Chava, Shira struggles to find her place in the world while raising Elijah and mourning the death of her lover. One day at the beach outside her cottage retreat, Shira loses sight of Elijah and fears he has drowned. But then a stranger, Jael, finds him hidden within the rotting trunk of a tree. Jael's act of returning son to mother brings her and Shira together through bonds of desire and faith.
At Home in the Whedonverse
From Buffy the Vampire Slayer to the Marvel Cinematic Universe, Joss Whedon's work presents various representations of home spaces that give depth to his stories and storytelling. Through the spaceship in Firefly, a farmhouse in Avengers: Age of Ultron or Whedon's own house in Much Ado About Nothing, his work collectively offers audiences the opportunity to question the ways we relate to and inhabit homes. Focusing on his television series, films and comics, this collection of new essays explores the diversity of home spaces in Whedon's many 'verses, and the complexity these spaces afford the narratives, characters, objects and relationships within them.
Re-Entering the Dollhouse
Premiering on Fox in 2009, Joss Whedon's Dollhouse was an innovative, contentious and short-lived science fiction series whose themes were challenging for viewers from the outset. A vast global corporation operates establishments (Dollhouses) that program individuals with temporary personalities and abilities. The protagonist assumes a different identity each episode--her defining characteristic a lack of individuality. Through this obtuse premise, the show interrogated free will, morality and sex, and in the process its own construction of fantasy and its audience. A decade on, the world is--for better or worse--catching up with Dollhouse's provocative vision. This collection of new essays examines the series' relevance in the context of today's social and political issues and media landscape.
