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Divided Lives
This book brings together the horrifying real life stories of women who woke up one day and were not who they thought they were. The government changed and they suddenly no longer had the right kind of blood, the right name, the right family background, the right physical features to be considered a member of society, city, or state. These stories are from German women who were a part of a Jewish-Christian "mixed marriage" and were subsequently persecuted under the Nuremberg laws. Hitler called them "mischling"- half-breeds, however, they have often been passed over in studies of the Holocaust--perhaps because they are often not considered "real Jews." But these women are still struggling wi...
A Thousand Darknesses
What is the difference between writing a novel about the Holocaust and fabricating a memoir? Do narratives about the Holocaust have a special obligation to be 'truthful'--that is, faithful to the facts of history? Or is it okay to lie in such works? In her provocative study A Thousand Darknesses, Ruth Franklin investigates these questions as they arise in the most significant works of Holocaust fiction, from Tadeusz Borowski's Auschwitz stories to Jonathan Safran Foer's postmodernist family history. Franklin argues that the memory-obsessed culture of the last few decades has led us to mistakenly focus on testimony as the only valid form of Holocaust writing. As even the most canonical texts ...
Nothing Happened
The past is what happened. History is what we remember and write about that past, the narratives we craft to make sense out of our memories and their sources. But what does it mean to look at the past and to remember that "nothing happened"? Why might we feel as if "nothing is the way it was"? This book transforms these utterly ordinary observations and redefines "Nothing" as something we have known and can remember. "Nothing" has been a catch-all term for everything that is supposedly uninteresting or is just not there. It will take some—possibly considerable—mental adjustment before we can see Nothing as Susan A. Crane does here, with a capital "n." But Nothing has actually been happen...
Strange Beauty
"A study of reliquaries as a form of representation in medieval art. Explores how reliquaries stage the importance and meaning of relics using a wide range of artistic means from material and ornament to metaphor and symbolism"--Provided by publisher.
Sons from Afar
Six years after coming to live with their grandmother, James and Sammy Tillerman go in search of their long-lost father.
Climate Change and Cities
Climate Change and Cities bridges science-to-action for climate change adaptation and mitigation efforts in cities around the world.
White Crane
Even though he has only one leg, Niya Moto is studying to be a samurai, and his five fellow-students are similarly burdened, but sensei Ki-Yaga, an ancient but legendary warrior, teaches them not only physical skills but mental and spiritual ones as well, so that they are well-equipped to face their most formidable opponents at the annual Samurai Games.
The Cranefly Orchid Murders
In her first book, Deadly Nightshade, Cynthia Riggs introduced us to one of fiction's most delightful - and most realistic - "circumstantial detectives" - an ordinary civilian whom circumstances thrust into the role of sleuth. Victoria Trumbull is as believable a feisty 92-year-old as you can imagine, with all the expected aches and pains and a refusal to let them stop her from enjoying her multifarious activities. A native of the Massachusetts island called Martha's Vineyard, whose ancestors sailed from its shores generations back, Victoria knows more about the island and its people, then and now, than anyone else living. The knowledge has helped her solve one murder and earn her own baseba...
The Material Unconscious
Within the ephemera of the everyday--old photographs, circus posters, iron toys--lies a challenge to America's dominant cultural memory. What this memory has left behind, Bill Brown recovers in the "material unconscious" of Stephen Crane's work, the textual residues of daily sensations that add up to a new history of the American 1890s. As revealed in Crane's disavowing appropriation of an emerging mass culture--from football games and freak shows to roller coasters and early cinema--the decade reappears as an underexposed moment in the genealogy of modernism and modernity. Brown's story begins on the Jersey Shore, in Asbury Park, where Crane became a writer in the shadow of his father, a gr...
Fashion and Its Social Agendas
It has long been said that clothes make the man (or woman), but is it still true today? If so, how has the information clothes convey changed over the years? Using a wide range of historical and contemporary materials, Diana Crane demonstrates how the social significance of clothing has been transformed. Crane compares nineteenth-century societies—France and the United States—where social class was the most salient aspect of social identity signified in clothing with late twentieth-century America, where lifestyle, gender, sexual orientation, age, and ethnicity are more meaningful to individuals in constructing their wardrobes. Today, clothes worn at work signify social class, but leisur...
