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One of the oldest neighborhoods in the United States, Beacon Hill welcomed its first resident in the 1620s. Serving as a strategic lookout during the Revolutionary War and a fashionable address for Boston's most prominent families in the early 1800s, the hill enjoys an architectural continuity and integrity highlighted by cobblestone streets, gas lamps, and hidden gardens.
Long before it became the slogan of the presidential campaign for Barack Obama, Dorothy Ferebee (1898–1980) lived by the motto “Yes, we can.” An African American obstetrician and civil rights activist from Washington DC, she was descended from lawyers, journalists, politicians, and a judge. At a time when African Americans faced Jim Crow segregation, desperate poverty, and lynch mobs, she advised presidents on civil rights and assisted foreign governments on public health issues. Though articulate, visionary, talented, and skillful at managing her publicity, she was also tragically flawed. Ferebee was president of the Alpha Kappa Alpha black service sorority and later became the presid...
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A long overdue, single-volume chronicle of Boston over the centuries provides a unique descriptive history of the city organized as a time line.
Beacon Hill, an historic district and one of the oldest neighborhoods in America, welcomed its first resident in the 1620s. In colonial days, the area served as a strategic look-out point; in the early years of the 1800s it quickly developed into a home for the most prominent and fashionable Bostonians. Its attraction was and still is its architectural continuity and integrity. Cynthia Chalmers Bartletts Beacon Hill chronicles the development of this historic area in the early nineteenth to mid-twentieth centuries through a fascinating series of vintage photographs. This exciting compilation will transport readers to the days of horse-and-buggy transportation, early American architecture, and elaborate Victorian attire. The images in this collection pay homage to the homes and headquarters of many eminent American statesmen, artists, authors, and activists. The hills illustrious and multicultural past is splendidly documented in this wellresearched and brilliantly-illustrated new book.
Drawing Futures brings together international designers and artists for speculations in contemporary drawing for art and architecture.Despite numerous developments in technological manufacture and computational design that provide new grounds for designers, the act of drawing still plays a central role as a vehicle for speculation. There is a rich and long history of drawing tied to innovations in technology as well as to revolutions in our philosophical understanding of the world. In reflection of a society now underpinned by computational networks and interfaces allowing hitherto unprecedented views of the world, the changing status of the drawing and its representation as a political act ...
A terrifying 1930s ghost story set in the haunting wilderness of the far north. January 1937. Clouds of war are gathering over a fogbound London. Twenty-eight year old Jack is poor, lonely and desperate to change his life. So when he's offered the chance to join an Arctic expedition, he jumps at it. Spirits are high as the ship leaves Norway: five men and eight huskies, crossing the Barents Sea by the light of the midnight sun. At last they reach the remote, uninhabited bay where they will camp for the next year. Gruhuken. But the Arctic summer is brief. As night returns to claim the land, Jack feels a creeping unease. One by one, his companions are forced to leave. He faces a stark choice. Stay or go. Soon he will see the last of the sun, as the polar night engulfs the camp in months of darkness. Soon he will reach the point of no return - when the sea will freeze, making escape impossible. And Gruhuken is not uninhabited. Jack is not alone. Something walks there in the dark...