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Publisher Description
"A study of reliquaries as a form of representation in medieval art. Explores how reliquaries stage the importance and meaning of relics using a wide range of artistic means from material and ornament to metaphor and symbolism"--Provided by publisher.
From skeletons to strips of cloth to little pieces of dust, reliquaries can be found in many forms, and while sometimes they may seem grotesque on their surface, they are nonetheless invested with great spiritual and memorial value. In this book, Cynthia Hahn offers the first full survey in English of the societal value of reliquaries, showing how they commemorate religious and historical events and, more important, inspire awe, faith, and, for many, the miraculous. Hahn looks deeply into the Christian tradition, examining relics and reliquaries throughout history and around the world, going from the earliest years of the cult of saints through to the post-Reformation response. She looks at ...
Although objects associated with the Passion and suffering of Christ are among the most important and sacred relics venerated by the Catholic Church, this is the first study that considers how they were presented to the faithful. Cynthia Hahn adopts an accessible, informative, and holistic approach to the important history of Passion relics—first the True Cross, and then the collective group of Passion relics—examining their display in reliquaries, their presentation in church environments, their purposeful collection as centerpieces in royal and imperial collections, and finally their veneration in pictorial form as Arma Christi. Tracing the ways that Passion relics appear and disappear in response to Christian devotion and to historical phenomena, ranging from pilgrimage and the Crusades to the promotion of imperial power, this groundbreaking investigation presents a compelling picture of a very important aspect of late medieval and early modern devotion.
A fully updated and comprehensive companion to Romanesque and Gothic art history This definitive reference brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe and provides a clear analytical survey of what is happening in this major area of Western art history. The volume comprises original theoretical, historical, and historiographic essays written by renowned and emergent scholars who discuss the vibrancy of medieval art from both thematic and sub-disciplinary perspectives. Part of the Blackwell Companions to Art History, A Companion to Medieval Art, Second Edition features an international and ambitious range of contributions coverin...
This book studies forty-six pieces of European jewelry ? pendants, reliquaries, amulets, and talismans ? from the eighth to the eighteenth century. The title ?The thing of mine I have loved the best? comes from the medieval will of an English duchess who bequeaths a reliquary jewel to her son. It expresses the sentiment that jewels appealed (then, as well as now) to the truest and strongest emotions. 0This book concerns objects that were ?meaningful? jewels, a term we choose to designate a wide range of precious wearable objects that had particular meaning. 00Exhibition: Les Enluminures, New York, USA (05.04. - 20.04.2018).
"This collection of essays reveals the global and cross-cultural histories of rock-crystal production in and even beyond the lands of the Mediterranean Sea. It investigates many objects and varied aspects of rock crystal such as: the physical nature and legendary as well as actual origins of the material; its manufacturing techniques and affiliations to other luxurious objects, such as cut glass and carved precious stones; legends and traditions associated with its aesthetic qualities; as well as issues concerning its varied functions and historiography." --
Saints and Sacred Matter explores the embodied aspects of the divine--physical remains of holy men and women and objects associated with them. Contributors explore how relics linked the past and present with an imagined future in essays that discuss Christian and other religious traditions from the ancient world such as Judaism and Islam.
This engaging account traces the remarkable history of France's first giraffe, a diplomatic gift from Egyptian Pasha Muhammed-Ali to King Charles X in 1826. “Zarafa,” taken by boat from Egypt to Marseilles and walked all the way to Paris, was accompanied by her Arab handlers and a famous French naturalist. She drew vast crowds along her route, sparking a giraffomania that was widely documented in art and literature. Her initial journey and then long and celebrated residence in Paris encapsulates nineteenth-century French socio-political history and highlights the emerging evolutionary theories of the time. Over fifty illustrations from the period illuminate this rare encounter with a unique animal that is now endangered and deserving of our greater attention and understanding.
Through interdisciplinary readings of medieval literature and devotional artifacts, The Medieval Poetics of the Reliquary shows how reliquaries shaped ideas about poetry and poetics in late-medieval England.