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Encompassing a wide range of calligraphy in many languages and hands, or styles, this book presents a visual treasury of works by 100 contemporary scribes, all of whom were either born in New York or studied or worked in the city. From English and its related Romance languages to a wide range of Asian and Middle Eastern alphabets and nonalphabetic characters, the more than 550 examples of beautiful writing create a rich visual smorgasbord. Traditional uses of hand-lettered calligraphy are shown, including event invitations and envelopes, certificates and awards, and quotes and sayings framed as artwork. The examples also include contemporary applications and nontraditional forms such as graffiti and experimental calligraphy that is not formed from readable characters. All are hand-wrought and human-made, using pointed or broad-edged pens, whether quill or steel, or a brush or other simple tool.
An extensive review of the great range of contemporary New York photographers and their widely diverse, surprisingly divergent, images. It presents their subject matter and etheir very definitions of photography, darkroom and digital. Their photographs have been seen in publications, galleries, and museums. Included are such iconic figures as Annie Liebovitz, Jay Maisel, Amy Arbus, Hugh Bell, Arnold Crane, Bruce Davidson, Carrie Mae Weems, Elliott Erwitt, Helen Levitt, David Gahr, Lee Friedlander, Arthur Leipzig, Builder Levy, Duane Michals, Joel Meyerowitz, Jamel Shabazz, John Loengard, Tony Vaccaro, Mary Ellen Mark, Pete Turner, Burke Uzzle, Deborah Willis, and others, as well as many less familiar but no less brilliant photographers. The works span over 50 years, from Rebecca Lepkoffs 1937 Lower East Side outside fishmarket, to Gilles Peresss 2008 Rwanda genocide victim. Beside powerful social and political commentary, there are well-known and unfamiliar personalities, land- and city-scapes, fashion, sports, dance, food, botanical, animal and other subjects. You will find experimental and strong digital images as well as classic film techniques.
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"A valuable addition to any artist's library, this rich resource offers a practical, comprehensive, and historically and visually inclusive introduction to drawing dimensions. It provides an extensive background of ideas, materials, exercises, exemplars and questions, and includes many innovative and provocative ways of looking at the subject to stimulate individual progress. Containing a virtual treasury of illustrations, it presents a global selection of varied conceptual and perceptional works in many materials and styles - from familiar masterworks to current exemplars, and from student works, featuring those of Josef Albers in the '50's to contemporary students at Cooper Union." Formats...
With many illustrations and diagrams, Images of Thought provides easy to follow ways in which to read Indian, Persian and European paintings in terms of composition, proportion, colour symbolism and references to myth. Yet it also provides the intellectual contexts of Islamic cultures which inform our perceptions of how this visual language works. The author uses salient aspects of critical theory, anthropology and theology to sensitise viewers to the diversity and difference of cultural readings but never loses sight of the primacy of the visual and formal characteristics, gestures, geometrical structures and their cooperation with myths and theologemes. The book provides access to one of the world’s major visual traditions whose characteristics continue to inform and elucidate Indian and Islamic contemporary thought today. Images of Thought is a major, scholarly and provocative contribution not only to our understanding of cultural individuality but it offers important examples of how to engage in transcultural understanding and ways of seeing.
"Our purpose in this handbook is to help you, the evolving artist, learn to articulate your concepts and ideas, and also to argue for and earn your place in the world of art."--Preface pg. ix.
The paintings of contemporary artist Emily Mason
'Color Influencing Form' offers a compact, comprehensive and inexpensive coursebook for the study of color in art and design. In 35,000 words it methodically covers all basic color theory for visual artists and designers, including relationships between light sources, surfaces and vision, visual illusions, and symbolic and functional aspects of color. It further proposes how color can be examined creatively in relation to the perception of form, including figure-ground division, contour, tone and texture, opacity and transparency, spatial ambiguity, and perspective of color, detail, size, and shape. Roy Osborne is an artist and author of books on color. He has lectured at over 200 colleges worldwide. In 2003 he received the Turner Medal of the Colour Group (Great Britain), and in 2019 received the Colour in Art, Design and Environment Medal of the International Colour Association.
Stock Up Your Creative Toolbox With Indispensable Quilt Design Techniques. Supercharge your creative spirit with 10 lessons in designing with fabrics-from basic design principles to finding new sources of inspiration. Take an artistic journey through the creative processes of 8 real-life quilters and learn with them as they work through a series of design challenges. Learn to experiment, evaluate results, and enhance your designs, working either by yourself or with a group. Use critique groups to improve your work with other quilters' insights. The lessons you'll learn in this inspiring workshop will help you bring new creativity to any style of quilting or fiber arts, whether your tastes are traditional or contemporary. It's a must for anyone who loves to design with fabric.