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Turgenev and Russian Culture
The present volume has as its central aim a reassessment of the works of Ivan Turgenev for the twenty-first century. Against the background of a decline in interest in nineteenth-century literature the articles gathered here seek to argue that the period in general, and his work in particular, still have much to offer the modern sensibility. The volume also offers a great variety of approaches. Some of the contributors tackle major works by Turgenev, including Rudin and Smoke, while others address key themes that run through all his creative work. Yet others address his influence, as well as his broader relationship with Russian and other cultures. A final group of articles examines other key figures in Russian literary culture, including Belinskii, Herzen and Tolstoi. The work will therefore be of interest to students, postgraduates and specialists in the field of Russian literary culture. At the same time, they will stand as a tribute to the life and work of Professor Richard Peace, a long-standing specialist in nineteenth-century Russian literature, in whose honour the volume has been compiled.
Translated and Visiting Russian Theatre in Britain, 1945–2015
This book tackles questions about the reception and production of translated and untranslated Russian theatre in post-WW2 Britain: why in British minds is Russia viewed almost as a run-of-the-mill production of a Chekhov play. Is it because Chekhov is so dominant in British theatre culture? What about all those other Russian writers? Many of them are very different from Chekhov. A key question was formulated, thanks to a review by Susannah Clapp of Turgenev’s A Month in the Country: have the British staged a ‘Russia of the theatrical mind’?
A History of Russian Theatre
A comprehensive history of Russian theatre, written by an international team of experts.
Aestheticism & Modernism
Textbook introduction to key debates from the early twentieth century to modernisms emerging between First and Second World Wars. Examines in detail texts by Chekhov, Mansfield, Gibbon, Eliot, Woolf, Brecht and Okigbo.
Ghosts and Other Really Big Surprises
The wind is howling through the snowy darkness, rattling the door frames and knocking the branches of the tree against the window. You shiver under your duvet, clutching your torch in terror even though you feel compelled to read on until the end. Yes, you are reading 'Ghosts and Other Really Big Surprises', a collection of spine chilling tales of the supernatural that allows you to get lost in a world of fear, hauntings and paranormal goings on.Best in Show - Will Harold's jealousy of his best mate's new found ability to grow huge cucumbers lead to tragedy?A Beer at the Consulate - Will the discovery of the tomb of a cursed ancient Egyptian queen unleash a terrible revenge on the modern wor...
The Cambridge Companion to Chekhov
This volume of specially commissioned essays explores the world of Anton Chekhov - one of the most important dramatists in the repertoire - and the creation, performance and interpretation of his works. The Companion, first published in 2000, begins with an examination of Chekhov's life, his Russia, and the original productions of his plays at the Moscow Art Theatre. Later film versions and adaptations of Chekhov's works are analysed, with valuable insights also offered on acting Chekhov, by Ian McKellen, and directing Chekhov, by Trevor Nunn and Leonid Heifetz. The volume also provides essays on 'special topics' such as Chekhov as writer, Chekhov and women, and the Chekhov comedies and stories. Key plays, such as The Cherry Orchard and The Seagull, receive dedicated chapters while lesser-known works and genres are also brought to light. The volume concludes with appendices of primary sources, lists of works, and a select bibliography.
Leos Janácek: Kát'a Kabanová
Kát'a Kabanová is both the first Janáček opera to have been performed in Britain and the one which has received the most productions in Britain and the USA. In this book the author brings together letters, early reviews and other documents (most of them translated from Czech for the first time) on the opera's composition and its early performances. A group of key interpretations of the opera ranges from one by the opera's German translator and Janáčeks first biographer Max Brod to specially commissioned essays by Wilfrid Mellers and by David Pountney, producer of the highly successful Welsh National Opera/Scottish Opera Janáček cycle.
