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When it was formed, Trojan Records epitomised the punk DIY ethic over a decade before 1976. With a blizzard of individual labels and a marketing strategy that involved selling product out of the backs of vans, the company spearheaded the injection of reggae and ska into the vein of British youth consciousness. In its first brief six-year incarnation, Trojan produced nearly 30 hit singles, created the legendary compilation series Tighten Up and launched new acts like Jimmy Cliff, Desmond Dekker, Ken Boothe, The Pioneers, Bob And Marcia, Greyhound and Dave And Ansell Collins, all against a background of cut-throat politics, cultural division and prejudice. Featuring a comprehensive discography, Young, Gifted And Black is the official story of Trojan Records, lifting the lid on the scheming, backbiting and sheer seat-of-the-pants inspiration that made the label such a powerful force for black UK music.
Sometime in the late 1950s, on the steps of an unknown church, somebody takes a black and white photograph of an assembly of boys making their first communions. Above the heads of eight of the boys, who are all fated to die within the next twenty years, are small carefully ascribed Xs. When the picture is found more than fifty years years later in an abandoned steamer trunk purchased at a neighborhood auction, the pursuit for an answer to the mystery of those marks begins. The First Communion Murders is the story of that search.
It takes an awful lot of perseverance to be married to a football coachjust ask Mallory Lassiter. She signed up for marriage, but she didnt see the fine print, a pigskin invasion. Managing endless weeks with no weekend, the industry expectations for wives, disruptive family relocations for the next coaching job, and politics that bite. Mallory has to make a decision. Will she stick it out and be a coachs wife, or will she end the madness? Mallory's path meets with that of several women who walk in similar shoes. Her close friend Shelley opts to stay behind with her extended family support when her coach husband Brian makes the next move, but does the distance between them grow beyond geography? Didi stood by her man while raising their five children, but has she cheated herself by enduring his cheating? Ellen the veteran has played the game well at the cost of hiding serious skeletons in the closet. Tough love vs. tender hearts in this life-like glimpse into these game-changing relationships.
Violence, Trauma, and Memory: Responses to War in the Late Medieval and Early Modern World brings together eight essays that examine medieval and early modern violence and warfare in France, the Hispanic World, and the Dutch Republic through the lens of trauma studies and memory studies. By focusing on warfare, these essays by historians, literary specialists, and historians of visual culture demonstrate how individuals and groups living with the “ungraspable” outcomes of wartime violence grappled with processing and remembering (both culturally and politically) the trauma of war.
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It has been over two decades since the publication of the last major edited collection focused on psychoanalysis and early modern culture. In Shakespeare studies, the New Historicism and cognitive psychology have hindered a dynamic conversation engaging depth-oriented models of the mind from taking place. The essays in New Psychoanalytic Readings of Shakespeare: Cool Reason and Seething Brains seek to redress this situation, by engaging a broad spectrum of psychoanalytic theory and criticism, from Freud to the present, to read individual plays closely. These essays show how psychoanalytic theory helps us to rethink the plays’ history of performance; their treatment of gender, sexuality, and race; their view of history and trauma; and the ways in which they anticipate contemporary psychodynamic treatment. Far from simply calling for a conventional "return to Freud," the essays collected here initiate an exciting conversation between Shakespeare studies and psychoanalysis in the hopes of radically transforming both disciplines. It is time to listen, once again, to seething brains.
The Singles Dance is a highly emotional love story of a widower entering the singles' world at the age of fifty-five. Brad finds himself in a web weaved by three women with completely different personalities, each offering him a chance to experience love again as they see it. He must choose between them, which is not an easy task since each offers a different type of love. His task is further complicated by one of his highly disapproving daughter who thinks he's betraying her deceased mother. Adding to his woes is an unexpected health issue that is about to consume him.
As the ubiquitous Jamaican musician Bob Marley once famously sang, "half the story has never been told." This rings particularly true for the little-known women in Jamaican music who comprise significantly less than half of the Caribbean nation's musical landscape. This book covers the female contribution to Jamaican music and its subgenres through dozens of interviews with vocalists, instrumentalists, bandleaders, producers, deejays and supporters of the arts. Relegated to marginalized spaces, these pioneering women fought for their claim to the spotlight amid oppressive conditions to help create and shape Jamaica's musical heritage.
A philologist and medieval scholar, J. R. R. Tolkien never intended to write immensely popular literature that would challenge traditional ideas about the nature of great literature and that was worthy of study in colleges across the world. He set out only to write a good story, the kind of story he and his friends would enjoy reading. In The Hobbit and in The Lord of the Rings, Tolkien created an entire world informed by his vast knowledge of mythology, languages, and medieval literature. In the 1960s, his books unexpectedly gained cult status with a new generation of young, countercultural readers. Today, the readership for Tolkien's absorbing secondary world--filled with monsters, magic, ...
Indiana, George Sand's first solo novel, opens with the eponymous heroine brooding and bored in her husband's French countryside estate, far from her native Île Bourbon (now Réunion). Written in 1832, the novel appeared during a period of French history marked by revolution and regime change, civil unrest and labor concerns, and slave revolts and the abolitionist movement, when women faced rigid social constraints and had limited rights within the institution of marriage. With this politically charged history serving as a backdrop for the novel, Sand brings together Romanticism, realism, and the idealism that would characterize her work, presenting what was deemed by her contemporaries a f...