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"While the centuries-long practice of enslavement has taken on a new guise necessary to its profitability in the global economy, what and who it involves has remained remarkably consistent. This book argues that statelessness and enslavement are not aberrations or radical exceptions. They have been and are endemic to Euromodern state systems"--
In the different versions of multiculturalism that have re-shaped English-speaking societies and political systems, identities appear more plastic than in societies which have constructed their national narratives on more stubborn denials of their colonial and patriarchal pasts; yet, the myth of purity (or authenticity) and separatist temptations remain very real parameters of identity politics. In such contexts, crafting an identity for oneself implies expectations of consistency, linked not only to the individual need to prove oneself and disprove stereotypes and statistics, but also to the broader political goal of dis-alienating or, as it were, de-Othering oneself and one’s community. The contributors to this book explore the different ways – from the most institutional to the most intimate – in which people articulate the politics of memory and the creation of national narratives, or communal and personal identities.
The growing pace of international migration, technological revolution in media and travel generate circumstances that provide opportunities for the mobility of African new religious movements (ANRMs) within Africa and beyond. ANRMs are furthering their self-assertion and self-insertion into the religious landscapes of Europe, the Americas, and Asia. Their growing presence and public visibility seem to be more robustly captured by the popular media than by scholars of NRMs, historians of religion and social scientists, a tendency that has probably shaped the public mental picture and understanding of the phenomena. This book provides new theoretical and methodological insights for understandi...
Refractions of the Scriptural is a transdisciplinary collection of essays that seeks to construct a new field of scholarly inquiry with scriptures as a fraught category, analytical wedge, and site for excavation and problematization. The book focuses on the ways in which individual and social bodies manipulate—and are manipulated by— the politics and power encoded in language and formalized canonical knowledge. Scriptures, in this sense, function as complex phenomena that are instrumental to social conservatism as well as social critique and social change. The essays in this volume, written by established and up-and-coming scholars across a wide range of disciplines, seek to locate, engage, and interpret the ways in which the scriptural shapes and reshapes people and the dynamics of identity formation. The chapters are organized around four domains or types of inquiry: the cognitive, the conscientized, the inscriptive, and the formative. It will be of interest to scholars of religion, as well as those interested more broadly in critical social and historical studies.
This volume discusses the question of presence and/or absence from a transdisciplinary perspective, and intends to provide insights into how a wide range of disciplines addresses this issue which has been at the centre of philosophical, theoretical and critical debates in the past decades. As the essays in the volume prove, apparently diverse areas can have a lot in common and talk to each other in sometimes surprising ways. The topics discussed include modals in various languages and black slave funeral sermons, pragmatic markers and the Australian Stolen Generation, the transcendental in poems by Ann Bradstreet, Arthur Symons and Philip Larkin, short stories by Katherine Mansfield, generic...
Continuing his project of critical analysis of the scriptural formation of culture, Vincent L. Wimbush has gathered in this book essays by scholars of various backgrounds and orientations who focus in different registers on the theme of masquerade as the “play-element” in modern culture. Masquerade functions as a window onto the mimetic performances, dynamics, arrangements, psycho-logics, and politics (“scripturalizing”) by which the “made-up” becomes fixed or one among our realities (scripturalization). Modern-world racialization (and its attendant explosions into racialisms and racisms) as the hyper-scripturalization of difference in human flesh (registered in psychosocial rela...
This book traces 500 years of European-American colonization and racialized dominance, expanding our common assumptions about the ways racialization was used to build capitalism and the modern world-system. Professor Fenelon draws on personal experience and the agency of understudied Native (and African) resistance leaders, to weave a story too often hidden or distorted in the annals of the academy, that remains invisible at many universities and historical societies. The book identifies three epochs of racial constructions, colonialism, and capitalism that created the USA. Indigenous nations, the first to be racialized on a global scale, African peoples, enslaved and brought to the Americas...
This collection brings together local case studies of Britain's history and memory of transatlantic slavery and abolition, including the role of individuals and families, regional identity narratives, sites of memory and forgetting, and the financial, architectural and social legacies of slave-ownership.
This monograph provides the first sustained, chronological account of Northern Irish police officers’ representation in theatre. Importantly, its scope comprises a critical period of national and organisational development, beginning with the Partition of Ireland in 1921 and the founding of the Royal Ulster Constabulary (RUC) one year later in 1922. It progresses through the relevant theatrical and historical events of the century, through the period after the RUC’s dissolution and replacement with the Police Service of Northern Ireland (PSNI) in 2001, and concludes in 2021 to coincide with the centenary of Partition. As such, this project is distinctive in its ability to trace paradigm shifts in perceptions of the police over time, as they intersect with relevant historical events and milestones of political conflict in the province.
This book presents the history of the Council for the Encouragement of Music and the Arts (CEMA) in Northern Ireland from its conception in 1943, and its successor organisation, the Arts Council of Northern Ireland (ACNI). Exploring the political and social impact of cultural policy in Northern Ireland, the book illustrates how the arts developed during the twentieth century and sheds light on the relationship between politics and culture. The author takes a closer look at the responsibilities of ACNI, and examines its interaction with the unionist government, which sought to influence how the organisation distributed its grants. Spanning the outbreak of the Troubles in the 1960s and the Pea...