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Drawing the Curtain
Miguel de Cervantes’s experimentation with theatricality is frequently tied to the notion of revelation and disclosure of hidden truths. Drawing the Curtain showcases the elements of theatricality that characterize Cervantes’s prose and analyses the ways in which he uses theatricality in his own literary production. Bringing together the works of well-known scholars, who draw from a variety of disciplines and theoretical approaches, this collection demonstrates how Cervantes exploits revelation and disclosure to create dynamic dramatic moments that surprise and engage observers and readers. Hewing closely to Peter Brook’s notion of the bare or empty stage, Esther Fernández and Adrienne L. Martín argue that Cervantes’s omnipresent concern with theatricality manifests not only in his drama but also in the myriad metatheatrical instances dispersed throughout his prose works. In doing so, Drawing the Curtain sheds light on the ways in which Cervantes forces his readers to engage with themes that are central to his life and works, including love, freedom, truth, confinement, and otherness.
Hispanistica XX.
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Discours et genres rebelles
Des "genres" peuvent être considérés, comme "rebelles" lors qu'ils expriment une forme de contestation qui choisit l'art comme moyen d'action, à des fins politiques et sociales comme à des fins esthétiques. L'histoire récente de l'Espagne et de l'Amérique hispanophone a été un terreau fertile pour l'émergence de discours dissidents, allant tour à tour à l'encontre des rhétoriques du pouvoir établi, des idéologies et des dogmes qui alimentent les discours dominants. Cette réflexion collective examine une série de manifestations, écrites ou audiovisuelles, de la rébellion dans des oeuvres qui ont en commun une aptitude à discuter, déstabiliser ou rénover les formes conve...
Fireflies
Fireflies, although set in Barcelona during the Spanish Civil War, could readily take place in a bellicose situation anywhere in the world. It contains an exposé of the chasm between generations, between rich and poor, between materialism and idealism. This novel has a socioeconomic/psychological relevance that leaves the reader pondering the consequences of war and the nugatory effects of imposing status quo values on adolescents who are in search of their own truth, their raison d'être. The story centers on the lives of two adolescents from opposite levels of society whose redemption lies in their short-lived mutual love, which ends tragically.
Law and History in Cervantes' Don Quixote
Law and History in Cervantes' Don Quixote is a deep consideration of the intellectual environment that gave rise to Cervantes' seminal work. Susan Byrne demonstrates how Cervantes synthesized the debates surrounding the two most authoritative discourses of his era those of law and history into a new aesthetic product, the modern novel. Byrne uncovers the empirical underpinnings of Don Quixote through a close philological study of Cervantes' sly questioning of and commentary on these fields. As she skilfully demonstrates, while sixteenth-century historiographers and jurists across southern Europe sought the philosophical nexus of their fields, Cervantes created one through the adventures of a protagonist whose history is all about justice. As such, Law and History in Cervantes' Don Quixote illustrates how Cervantes' art highlighted the inconsistencies of juridical-historical texts and practice, as well as anticipated the ultimate resolution of their paradoxes.
Philology
A prehistory of today's humanities, from ancient Greece to the early twentieth century Many today do not recognize the word, but "philology" was for centuries nearly synonymous with humanistic intellectual life, encompassing not only the study of Greek and Roman literature and the Bible but also all other studies of language and literature, as well as history, culture, art, and more. In short, philology was the queen of the human sciences. How did it become little more than an archaic word? In Philology, the first history of Western humanistic learning as a connected whole ever published in English, James Turner tells the fascinating, forgotten story of how the study of languages and texts led to the modern humanities and the modern university. The humanities today face a crisis of relevance, if not of meaning and purpose. Understanding their common origins—and what they still share—has never been more urgent.
Account of the Fables and Rites of the Incas
Only a few decades after the Spanish conquest of Peru, the third Bishop of Cuzco, Sebastián de Lartaún, called for a report on the religious practices of the Incas. The report was prepared by Cristóbal de Molina, a priest of the Hospital for the Natives of Our Lady of Succor in Cuzco and Preacher General of the city. Molina was an outstanding Quechua speaker, and his advanced language skills allowed him to interview the older indigenous men of Cuzco who were among the last surviving eyewitnesses of the rituals conducted at the height of Inca rule. Thus, Molina's account preserves a crucial first-hand record of Inca religious beliefs and practices. This volume is the first English translat...
Cervantes, Literature, and the Discourse of Politics
What is the role of literature in the formation of the state? Anthony J. Cascardi takes up this fundamental question in Cervantes, Literature, and the Discourse of Politics, a comprehensive analysis of the presence of politics in Don Quixote. Cascardi argues that when public speech is constrained, as it was in seventeenth-century Spain, politics must be addressed through indirect forms including comedy, myth, and travellers' tales. Cervantes, Literature, and the Discourse of Politics convincingly re-engages the ancient roots of political theory in modern literature by situating Cervantes within a long line of political thinkers. Cascardi notably connects Cervantes's political theory to Plato's, much as the writer's literary criticism has been firmly linked to Aristotle's. He also shows how Cervantes's view of literature provided a compelling alternative to the modern, scientific politics of Machiavelli and Hobbes, highlighting the potential interplay of literature and politics in an ideal state.
Dialogue of the Dogs
The Dialogue of the Dogsis an inspired work of psychological observation by the master of the picaresque novel. In it, Cervantes displays all the clarity and warmth that marks the rich prose of Don Quixote.Given the gift of speech for a day, two dogs set about satirizing humans, their supposed superiors. In an exchange reminiscent of the ancient Greek Dialogues, they recount their experiences under their various masters. But whether butcher, constable, merchant, or gypsy, each is decried as corrupt to the core. Through the scathing Berganza and the critical Scipio, Cervantes delivers an ingenious critique of the morality of 16th-century Spain, and a timeless and telling portrayal of the heart of man. Author of the universally known Don Quixote,Miguel de Cervantes is Spain's greatest writer.
Pedro Páez's History of Ethiopia, 1622
This book, in two volumes, contains the first English translation, with introduction and annotation, of the História da Etiópia by the Spanish Jesuit missionary priest Pedro Páez, 1564-1622, who worked in the Portuguese missions, first in India and then in Ethiopia, long thought to be the kingdom of the legendary Prester John. Paez's learned but often polemical work is a major contribution to the political, social, cultural and religious history of Ethiopia in the sixteenth and early seventeenth centuries, and to the history of early Portuguese and Spanish missions in Africa and India, and West European attempts to come to terms with non-European cultures.
