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Céline Condorelli
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The Company She Keeps
"This publication accompanies the exhibitions Céline Condorelli at Chisenhale Gallery, London, and Positions at Van Abbemuseum, Eindhoven, 2014..."-- page [118].
After Work
The catalogue of the first survey exhibition of pre-eminent artist, educator and publisher Céline Condorelli, held at Talbot Rice Gallery, Edinburgh in 2022.
2023 National Gallery Artist in Residence: Céline Condorelli
Accompanies the exhibition at the National Gallery, London, 13 September 2023-7 January 2024. Céline Condorelli's practice addresses the boundaries between public and private, art and function, labour and leisure, in order to reimagine what culture can be and the role of artists within it. As the National Gallery's 2023 Artist in Residence, she was invited to respond to its collection and that of the Royal Albert Memorial Museum and Art Gallery, Exeter. Condorelli interrogates the role of museums as 'machines for looking' which guide audiences in how they perceive and value art. Using sculpture, architecture and installation, her art makes interventions in the ways people navigate space and highlights the act of exhibiting itself. This book presents a new body of work which focuses on the act of seeing, as well as pages created by Condorelli that document her research into the materials, spaces and history of the National Gallery. These are complemented by an essay by curator Priyesh Mistry and an interview with the artist by Lara Goodband.
Pentimenti (The Corrections)
Céline Condorelli's practice addresses the boundaries between public and private, art and function, labour and leisure, in order to reimagine what culture can be and the role of artists within it. As the National Gallery's 2023 Artist in Residence, she was invited to respond to its collection and that of the Royal Albert Memorial Museum and Art Gallery, Exeter. Condorelli interrogates the role of museums as 'machines for looking' which guide audiences in how they perceive and value art. Using sculpture, architecture and installation, her art makes interventions in the ways people navigate space and highlights the act of exhibiting itself. This book presents a new body of work which focuses on the act of seeing, as well as pages created by Condorelli that document her research into the materials, spaces and history of the National Gallery. These are complemented by an essay by curator Priyesh Mistry and an interview with the artist by Lara Goodband.
Support Structures
"Support structures is a manual for what bears, sustains, props and holds up. It is the culminations of many endeavours. The first is the collaborative project "Support Structures" by Céline Condorelli and Gavin Wade from 2003-2009. The second is a critical enquiry by Condorelli that exposes an almost complete absence of literature or theory of what constitutes "support". This book is itself articulated as a supporting structure, a manual for engagement in and with its subject, which attempts both functionally and structurally to operate much like it." -- Foreword.
Crimeways
Literature as conceptual art: the third Ways book, copublished with the Whitney Museum and Printed Matter.
Upcycle This Book
Upcycle this book. Rewrite it as a manifesto. Steal and take and copy and change this book. Upcycle these twenty-three texts just as I have upcycled so many other texts and responded to many sets of existing conditions. Or unlike I have. Treat these words as existing conditions. Some of them are artworks. Some of them upcycle artworks by others. Some are barely texts at all. . . . Often the words are a script to be performed. Its useful to read words out loud in public. Gavin Wade is pragmatic utopian, an artist, artist-curator, artist-writer and one of the founding directors of Eastside Projects in Birmingham, UK. He has curated numerous exhibitions as well as written and published a number of bookssuch as Has Man a Function in Universe? (Book Works, 2008). Upcycle This Book was co-published by Book Works and Stroom den Haag in an edition of 1,000.
Self-organised
"Exploring one of the most influential methods of contemporary cultural production, Self-Organised takes a broad view on the matter. Artists, curators and critics discuss empirical and theoretical approaches from Europe, Africa and South and North America to how self-organisation today oscillates between the self and the group, self-imposed bureaucratisation and flexibilism, aestheticisation and activism. The contributors identify now as a crucial moment to propose ways forward for parallel initiatives and institutions alike: from de-organisation and waiting, to rupture and coexistence of aesthetics and politics. However, what they all seem to share is a refreshing search for critical platforms of citizenship, harnessing self-determination in the wake of neo-liberal mainstreaming and right-wing populism alike." --> z ov.
The Phaidon Atlas of Contemporary World Architecture
A condensed version of the information contained in the ground breaking Phaidon Atlas of Contemporary World Architecture, this travel edition is pocket sized and portable, ideal for the holiday or business traveller. Organized geographically and illustrated with global, regional and sub-regional maps, locating each building, plus twenty seven city orientations, the book contains 1,052 buildings, each of which is illustrated with a single image, and is accompanied by a brief description as well as the address and telephone number
