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Joyce's "After the Race" is a seemingly simple tale, historically unloved by critics. Yet when magnified and dismantled, the story yields astounding political, philosophic, and moral intricacy. In Before Daybreak, Cóilín Owens shows that "After the Race" is much more than a story about Dublin at the time of the 1903 Gordon Bennett Cup Race: in reality, it is a microcosm of some of the issues most central to Joycean scholarship. These issues include large-scale historical concerns--in this case, radical nationalism and the centennial of Robert Emmet's rebellion. Owens also explains the temporary and local issues reflected in Joyce's language, organization, and silences. He traces Joyce's na...
"An eminently insightful and informative study of a single story, as well as a profound exploration of Joyce's position within his own historical moment and its most urgent philosophical and religious questions."--James Joyce Quarterly "One of the more intellectually capacious, wide-ranging studies on Joyce and his work to emerge in some time. . . . Owens's book is among the finest studies of Dubliners ever written as well as among the best--most provocative, revealing, and useful--critical works on Joyce to be published in some time."--Philological Quarterly "While Owens has captured the breadth of subjects that a casebook would offer, he balances his readings with a great deal of focused a...
A close examination of the story "After the race," which originally appeared in Dubliners that argues that the story represents a microcosm of some of the issues most central to Joyce scholarship: evolution as an artist, the Catholic Church, and nostalgia for a rapidly changing Ireland.
"This superb collection of eighteen plays has long been needed. It provides a sound and solid introduction to the rich field of modern Irish drama, and should be as delightful to the private reader as it will be useful for university classes."--Journal of Irish Literature Contents: Spreading the News and The Gaol Gate-- Lady Gregory; On Baile's Strand and the Only Jealousy of Emer--W.B. Yeats; The Land--Padraic Colum; The Playboy of the Western World--J.M. Synge; Maurice Harr--T. C. Murray; The Magic Glasses--George Fitzmaurice; Juno and the Paycock- -Sean O'Casey; The Big House--Lennox Robinson; The Old Lady Says "No "--Denis Johnston; As the Crow Flies--Austin Clarke; The Paddy Pedlar--M. J. Malloy; The Vision of Mac Conglinne--Padraic Fallon; The Quare Fellow--Brendan Behan; All that Fall--Samuel Becket; Da--Hugh Leonard; Translations--Brian Friel
An excellent casebook consisting of portions from nearly every significant criticism of Castle Rackrent published in the last 50 years. The selections provide a broad range of materials on the text, ranging from biographical contexts (taken from Marilyn Butler's definitive biography of Edgeworth), to analyses of folklore. Often cited as the first ``Irish'' or regional novel, Castle Rackrent is further examined against the backdrop of Irish history and politics by reputed scholars such as Thomas Flanagan and, in a more recent essay on ``The Significant Silences of Thady Quirk,'' by Maurice Colgan. James Newcomer's controversial assessment of ``The Disingenuous Thady Quirk'' brings the reader to the heart of the debate over Edgeworth's methods of characterization, as does Elizabeth Harden's exploration of Edgeworth's most engaging narrator. Other writers explore the function of didacticism in the novel. This casebook makes accessible a full spectrum of critical opinions.
In recent years, Maria Edgeworth (1768-1849) has been the subject of increasing interest. A woman, a member of the landholding elite, an educator, and a daughter who lived under the historical shadow of her father, Edgeworth's life is difficult to categorize. Ironically, these very aspects of Edgeworth's identity that once excluded her from literary and historical discussions now form the basis of current interest in her life and her writing. This collection of essays builds on existing scholarship to develop new perspectives about Edgeworth's place in English and Irish history, literary history, and women's history. These essays explore the ways in which Edgeworth's entire adult life was an attempt to reconcile the irreconcilable, an attempt to justify and preserve her own privileged position even as she acknowledged the tenuousness of that position and as she sought to claim other privileges denied her. Christopher Fauske is the assistant dean in the School of Arts & Science at Salem State College, Salem, Massachusetts. Heidi Kaufman is assistant Professor of English at the University of Delaware.
"A superb book. . . . A scintillating, continuously rewarding reflection on authorship and its place in the modern world. This is a study in the great tradition of Ian Watt's The Rise of the Novel: both a brilliant work of literary scholarship and an invigorating report on modernity itself."—Terry Castle, author of The Apparitional Lesbian "An exemplary instance of what many have been clamoring for: a rigorous cultural study of literature."—William B. Warner, author of Reading Clarissa
The paperback version of the a revised and expanded edition of the standard dictionary in the field. Dolan s seminal work has established its pre-eminent position as the leading reference authority on the form of English spoken in Ireland. "
" ""Serving as tour guide, Fox invites his audience to go with him log rafting down the Kentucky River, bass fishing in the Cumberland Mountains, rabbit hunting in the Bluegrass, and chasing outlaws in the border country of Kentucky and Virginia. Along the route we meet Old South colonels and their ladies, lawless moonshiners and their shy daughters, bloodthirsty preachers, and educated young gentlemen visitors who explore the southern mountains for fun and profit. These sketches offer a delightful blend of macho adventure and sage observation by an erudite young writer who had lived in the two worlds that provide his subject matter-the elegant society of the Bluegrass aristocracy and the hardscrabble feuding clans of mountaineers.""