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One of the most famous books in the history of photography, this volume assembles Cartier-Bresson's best work from his early years.
A clear and concise survey of some of the most significant writers on photography who have played a major part in defining and influencing our understanding of the medium. It provides a succinct overview of writing on photography from a diverse range of disciplines and perspectives and examines the shifting perception of the medium over the course of its 170 year history. Key writers discussed include: Roland Barthes Susan Sontag Jacques Derrida Henri Cartier-Bresson Geoffrey Batchen Fully cross-referenced and in an A-Z format, this is an accessible and engaging introductory guide.
As well as providing a detailed biography of Le Pen, the leader of the National Front in France, this book also explores the wider development of the extreme right as a significant intellectual and political force within France.
The second edition of this innovative textbook brings together leading scholars to provide detailed analyses of twenty-two key films within the canon of French cinema, from the 1920s to the 1990s. Films discussed include: * masterpieces such as Renoir's La Bete Humaine and Carne's Les Enfants du Paradis * popular classics such as Les Vacances de Monsieur Hulot and Ma Nuit chez Maud * landmarks of the New Wave such as Les 400 Coups and A bout de souffle * important films of the 1990s such as Nikita and La Haine The films are considered in relation to such issues as the history of French cinema, the social and cultural contexts of their production and reception, the relationship with Hollywood cinema, gender politics, authorship and genre. Each article is accompanied with a guide to further reading and a filmography of the director, and the new edition also includes a fully revised introduction and a bibliography on French cinema.
Que viennent faire les rayons solaires du dieu grec Hélios sur le front d’un dieu crocodile égyptien ? Cette question est au point de départ d’une enquête au cœur de la plasticité du système polythéiste de l’Égypte gréco-romaine. Parcourant le labyrinthe des diverses communautés et croyances grecques et égyptiennes, Gaëlle Tallet utilise le fil d’Ariane de la production des images religieuses, réponses à de nouveaux besoins et de nouvelles perceptions du divin, et ouvre les portes des ateliers où elles ont été conçues, commandées et façonnées. La Splendeur des dieux propose une réévaluation du rôle des clergés et des artistes indigènes dans l’élaboration...
Contributions reporting on fundamental and applied investigations of the material science, biochemistry, and physics of biomedical microdevices with applications to Genomics and Proteomics. Topics include gene expression profiling utilizing microarray technology; imaging and sensing for gene detection and use in DNA analysis; and coverage of advanced microfluidic devices and the Humane Genome Project.
'The Films of Robert Bresson: A Casebook' spans Bresson's entire career, with interviews and essays addressing the great auteur's oeuvre from every artistic angle. The interviews presented here--by such noted cineastes as Jean-Luc Godard, Paul Schrader, and David Thomson--elicited authorial comment from an auteur not known for his garrulousness, and they are either as aesthetically inclusive or as journalistically pointed as possible. For their part, the essays in this volume are by such luminous figures as André Bazin, Susan Sontag, and François Truffaut. Each interview is followed either by an essay on the film discussed in the interview, an essay on Bresson's work by the interviewer himself, or an essayistic overview of Bresson's career when the preceding interview itself is survey-like. In this way the book 'bounces' the essays and interviews off one another so as to stimulate a kind of semi-continuous critical conversation about the films, their maker, and the interviewers themselves. The result is something that may be as good as criticism itself: enlightened authorial comment.
Robert Bresson, the director of such cinematic master-pieces as Pickpocket, A Man Escaped Mouchette, and L’Argent, was one of the most influential directors in the history of French film, as well as one of the most stubbornly individual: He insisted on the use of nonprofessional actors; he shunned the “advances” of Cinerama and Cinema-Scope (and the work of most of his predecessors and peers); and he minced no words about the damaging influence of capitalism and the studio system on the still-developing—in his view—art of film. Bresson on Bresson collects the most significant interviews that Bresson gave (carefully editing them before they were released) over the course of his fort...
The covalent conjugation of potent cytotoxic agents to monoclonal antibodies, known as antibody-drug conjugates (ADCs) is a powerful approach in the field of targeted cancer treatment. Clearly, both monoclonal antibody and cytotoxic payload are crucial elements in determining the clinical value of an ADC and have received ample attention. However, the structural element connecting the two - the chemical linker - also plays an essential role in mode-of-action, efficacy, pharmacokinetics and safety profile of an ADC, but is often underappreciated in considerations of ADC design. Chemical Linkers in Antibody-Drug Conjugates (ADCs) aims to shine a detailed light on the various key attributes of ...