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The Kam are still essentially a 'hidden people' - very little has been published in English about them. This book aims to fill a gap in the English literature, by providing a comprehensive introduction to Kam culture. The conclusion looks to the future for the Kam people and their culture.
First Published in 2002. Part of the Outstanding Dissertations in Linguistics series, this is an in-depth investigation of the effects of duration and sonority on contour tone distribution. The term “tone language” usually refers to languages in which the pitch of a syllable serves lexical or grammatical functions. In some tone languages, the contrastive functions of pitch are sometimes played by pitch changes within a syllable. Pitch changes of this kind are called contour tones. The distribution of contour tones in a language, are when under what phonological contexts contour tones are more readily realized.
Deep in the fir woods of southwestern China, in a village called Dimen, live several women who are masters of many cultural arts. Following the centuries-old lifestyle of their ancestors, they are the living repositories of their civilization. They carry the unwritten history and wisdom of the Kam people in their songs, weave cloth that is smooth and strong, and dye fabric to the richest indigo blue. They devote every free moment to embroidering sleeves, hems, hats, and purses in the bright colors of the natural setting that surrounds the village. Through everyday activities, lessons in craft, folk stories and songs, the women weave a patchwork of Kam culture and reveal its hidden treasures in fibers, textiles, papermaking as well as ethnography, anthropology, and Sinology. This book presents an opportunity to learn from the past long lost in Western tradition, explore contemporary rural life in China, and experience ancient culture metamorphosing under the pressure of technology.
Drawing on the author’s extensive fieldwork in the Dong areas in southwest China, this book presents a detailed picture of the Dong’s buildings and techniques, with new insights into the Dong’s cosmology and rituals of everyday life meshed with the architecture, and the symbolic meanings. It examines how the buildings and techniques of the Dong are ordered and influenced by the local culture and context. The timber bridges and drum towers are the Dong’s most prominent architectural monuments. Usually built elaborately with multiple roofs, these bridges and drum towers were designed and maintained by the local carpenters who also built the village suspended houses, in an oral traditio...
The Routledge Language Family Series is aimed at undergraduates and postgraduates of linguistics and language, or those with an interest in historical linguistics, linguistics anthropology and language development. With close to 100 million speakers, Tai-Kadai constitutes one of the world's major language families. The Tai-Kadai Languages provides a unique, comprehensive, single-volume tome covering much needed grammatical descriptions in the area. It presents an important overview of Thai that includes extensive cross-referencing to other sections of the volume and sign-posting to sources in the bibliography. The volume also includes much new material on Lao and other Tai-Kadai languages, s...
An examination of the evidence for and the theoretical implications of a universal word order constraint, with data from a wide range of languages. This book presents evidence for a universal word order constraint, the Final-over-Final Condition (FOFC), and discusses the theoretical implications of this phenomenon. FOFC is a syntactic condition that disallows structures where a head-initial phrase is contained in a head-final phrase in the same extended projection/domain. The authors argue that FOFC is a linguistic universal, not just a strong tendency, and not a constraint on processing. They discuss the effects of the universal in various domains, including the noun phrase, the adjective p...
This insider's account is an unparalleled study of the culture in a Kam (Dong) village in Southwest China during the 1930s and 1940s, before Liberation in 1949. It describes the culture objectively and anecdotally, and is distinctive for its honesty and clarity.
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