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This guide to Schubert's much-loved song cycle explores both the music and the poetry from a variety of perspectives. It includes biography and cultural history, literary interpretation, source studies, and musical analysis. The genesis of both Wilhelm Müller's poetry, which began as a literary salon game in 1816, and the music, composed soon after Schubert discovered that he had contracted syphilis, is discussed in the first two chapters, which also include little-known information about the poet, the premier of the cycle, and Eduard Hanslick's critiques later in the nineteenth century. The chapters on the poetry discuss Müller's uneasy relationship to the tenets of Romanticism; the influence of Goethe, folk poems, and medieval poetry on Die schöne Mullerin; and provide a reading of each of the poems, which are reproduced in German and English translation. The last and lengthiest chapter consists of brief analytical commentary on each of the twenty songs in Schubert's masterpiece.
This open access two-volume set constitutes the proceedings of the 26th International Conference on Tools and Algorithms for the Construction and Analysis of Systems, TACAS 2020, which took place in Dublin, Ireland, in April 2020, and was held as Part of the European Joint Conferences on Theory and Practice of Software, ETAPS 2020. The total of 60 regular papers presented in these volumes was carefully reviewed and selected from 155 submissions. The papers are organized in topical sections as follows: Part I: Program verification; SAT and SMT; Timed and Dynamical Systems; Verifying Concurrent Systems; Probabilistic Systems; Model Checking and Reachability; and Timed and Probabilistic Systems. Part II: Bisimulation; Verification and Efficiency; Logic and Proof; Tools and Case Studies; Games and Automata; and SV-COMP 2020.
Vols. 41- 1916/17- include the Station's Bulletin and other of Its publications which are also issued separately.
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The collaboration of Schubert and the poet Wilhelm Müller produced some of the best loved of nineteenth-century lieder - in particular the song cycle Die schöne Müllerin. Professor Youens shows us how this archetypal tale of love and rejection, which has its origins in medieval romance, Minnesong and popular German legend, is reflected in the poet's own experience, the realms of art and life intertwining. Professor Youens considers other poets' explorations of the theme of a miller maid and her suitors, and looks at other musical settings of Müller's mill poems. But above all she examines Müller's permutation of the literary legends as an exploration of erotic obsession, delusion, frenzy, disillusionment and death and the way in which Schubert crucially altered Müller's vision when the poetic cycle became a musical text.