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From his reporting on Islamic true believers to his descriptions of the postcolonial world, V. S. Naipaul has been a controversial figure in contemporary letters. Winner of the Nobel Prize, Naipaul has traveled throughout the world, looking at its varied cultures and seeking out others' stories, recording and transforming them. His engagement with postcolonial cultures informs his novels, such as Guerrillas and A Bend in the River. However, it is his documentaries (such as Among the Believers and Beyond Belief) and his works that combine actual and fictional histories and memories (Finding the Center, The Enigma of Arrival, and A Way in the World) that best exhibit a growing awareness of the complexities of cultural difference--and the incompleteness and uncertainty of understanding "strangers." In this book, Dagmar Barnouw explores the sophisticated strategies and experimentations that Naipaul employs in his cultural critique and in his enterprise of learning about and documenting the enduring strangeness of this world.
The legacy of war, guilt, and memory in German life and its political uses in the U.S.
In Critical Realism Dagmar Barnouw explores the connections that Kracauer stated in his last book, History, between the representational modes of photography and historiography, both of them characteristically composite and unstable.
" . . . the range, power, and archival resourcefulness of Barnouw's book will make it impossible for anyone working in the field to ignore this powerful and disturbing historical meditation on the societal function and responsibility of the intellecutual." —The German Quarterly " . . . a work of real value for patient readers." —American Journal of Sociology " . . . a forceful and compelling thesis that challenges our understanding of several seminal figures writing during the first half of the century." —Monatshefte In this challenging study of a complex period, Barnouw investigates the works of seven representative figures of the Weimar republic: Walter Rahtenau, Robert Musil, Thomas Mann, Walter Benjamin, Ernst Jünger, Hermann Broch, and Alfred Döblin.
"This book will provoke intellectually, ideologically, and emotionally loaded responses in the U.S., Germany, and Israel. Barnouw's critique of the 'enduringly narrow post-Holocaust perspective on German guilt and the ensuing fixation on German remorse' questions taboos that the political and cultural elites in those three countries would rather leave alone.... [Barnouw] makes us understand why the maintenance of a privileged memory of the Nazi period and World War II may not survive much longer." -- Manfred Henningsen, University of Hawai'i In Germany, the reemergence of memories of wartime suffering is being met with intense public debate. In the United States, the recent translation and p...
Although "objectivity" is a term used widely in many areas of public discourse, from discussions concerning the media and politics to debates over political correctness and cultural literacy, the question "What is objectivity?" is often ignored, as if the answer were obvious. In this volume, Allan Megill has gathered essays from fourteen leading scholars in a variety of fields--history, anthropology, philosophy, psychology, history of science, sociology of science, feminist studies, literary studies, and accounting--to gain critical understanding of the idea of objectivity as it functions in today's world. In diverse essays the authors provide fascinating studies of objectivity in such areas...
Explores the influence of German-Jewish history and of her own Jewish experience on Arendt's political thought. Summarizes Arendt's ideas on antisemitism and its German particularities, expressed in "Rahel Varnhagen, " "The Origins of Totalitarianism, " and her articles on Zionism. Discusses the problem of guilt and responsibility in a totalitarian state, especially the Germans' responsibility in the Nazi period, issues raised in Arendt's correspondence and polemics with the Zionist leader Kurt Blumenfeld and with Karl Jaspers, as well as in her early postwar essays. Ch. 6 (pp. 223-251), "The Obscurity of Evil, " analyzes Arendt's report on the Eichmann trial and the heated debates it aroused. Explains her critique of the trial by her interpretation of the Holocaust as a Nazi attack on mankind, not only on the Jewish people, and by her need to understand the Nazi regime as a model of a totalitarian system, refusing to recognize antisemitism as an essential element. Argues that Arendt did not succeed in penetrating the obscurity of Eichmann and Nazi evil.
Allied photography sought not only to document Nazism's violence but also to depict Germans finally seeing the truth of the regime in all its ghastly horror.
“Packed with carefully chosen photos . . . this book is a moving reminder of the material and moral devastation left behind by Nazi Germany.” ―Rudy Koshar, University of Wisconsin–Madison The Allied forces that entered Germany at the close of World War II were looking for remorse and open admissions of guilt from the Germans. Instead, they saw arrogance, servility, and a population thoroughly brainwashed by Nazis. But photos from the period tell a more complex story. In fact, Dagmar Barnouw argues that postwar Allied and German photography holds many possible clues for understanding the recent German past. A significant addition to the scholarship on postwar German culture and politi...
Hannah Arendt was famously resistant to both psychoanalysis and feminism. Nonetheless, psychoanalytic feminist theory can offer a new interpretive strategy for deconstructing her equally famous opposition between the social and the political. Supplementing critical readings of Arendt's most significant texts (including The Human Condition, On Revolution, Rahel Varnhagen, The Origins of Totalitarianism, Eichmann in Jerusalem, and The Life of the Mind) with the insights of contemporary psychoanalytic, feminist, and social theorists, Norma Claire Moruzzi reconstitutes the relationship in Arendt's texts between constructed social identity and political agency. Moruzzi uses Julia Kristeva's writi...