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In and out of English: For Better, For Worse? is concerned with the impact of English as the lingua franca of today's world, in particular its relationship with the languages of Europe. Within this framework a number of themes are explored, including linguistic imperialism, change as the result of language contact, the concept of the English native speaker, and the increasing need in an enlarged Europe for translation into as well as out of English.
Since the late 1960s, the novels of Sjowall and Wahloo's Martin Beck detective series, along with the works of Henning Mankell, Hakan Nesser and Stieg Larsson, have sparked an explosion of Nordic crime fiction--grim police procedurals treating urgent sociopolitical issues affecting the contemporary world. Steeped in noir techniques and viewpoints, many of these novels are reaching international audiences through film and television adaptations. This reference guide introduces the world of Nordic crime fiction to English-speaking readers. Caught between the demands of conscience and societal strictures, the detectives in these stories--like the heroes of Norse mythology--know that they and their world must perish, but fight on regardless of cost. At a time of bleak eventualities, Nordic crime fiction interprets the bitter end as a celebration of the indomitable human spirit.
The teaching profession has a long history in motion pictures. As early as the late 19th century, films have portrayed educators of young children--including teachers, tutors, day care workers, nannies, governesses, and other related occupations--in a variety of roles within the cinematic classroom. This work provides a broad index of more than 800 films (both U.S. and foreign) which feature educators as primary characters. Organized alphabetically by title, each entry contains a short plot summary and many also include cast and crew details. A detailed subject index is also included.
Provides a survey of women's writing in Sweden, from the beginnings of the struggle for emancipation in the 1850s to the present day. These writers are seen within the political, cultural and economic context of women's lives. Modern critical currents are also assessed and Swedish feminist criticism is considered alongside the French and American traditions.
Acknowledged as one of the greatest filmmakers of this or any other time, Bergman has with few exceptions written his own screenplays--an uncommon practice in the film industry--and for this practice critics refer to him as a "literary" filmmaker: In this work, Gado examines virtually the entire range of Bergman's literary output. While treating the matter of the visual presentation of Bergman's films, Gado concentrates on story and narrative and their relationship to Bergman's personal history. Gado concludes that whatever the outward appearance of Bergman's works, they contain an elementary psychic fantasy that links them all, revealing an artist who hoped to be a dramatist, "the new Strindberg," and who saw the camera as an extension of his pen.
In it, she creates an intimate, impassioned portrait of one of the great women of the 20th century.
This book explores the genre of the historical novel and the variety of ways in which writers choose to represent the past, demonstrating how histories can communicate across national borders, often by invoking or deconstructing the very notion of nationhood. It traces how concerns of the postmodern era such as critiques of historiography, colonialism, identity, and the Enlightenment, have impacted the genre of the historical novel, and shows this impact has not been uniform throughout Western culture. Historical novels from England, America, Germany, and France are compared and contrasted with historical novels from Sweden, testing a variety of theoretical perspectives in the process.
Includes entries for maps and atlases.