You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Look We Have Coming to Dover! is the most acclaimed debut collection of poetry published in recent years, as well as one of the most relevant and accessible. Nagra, whose own parents came to England from the Punjab in the 1950s, draws on both English and Indian-English traditions to tell stories of alienation, assimilation, aspiration and love, from a stowaway's first footprint on Dover Beach to the disenchantment of subsequent generations.
Attributed to Valmiki, thought to be India's first poet, the Ramayana's origins date back thousands of years when it was first committed to Sanskrit. Since then, generations of children the world over have grown up with its story of Rama's quest to recover his wife Sita from her abduction by Raavana, the Lord of the Underworld. The tale has been celebrated in many languages and has spread to many other countries including Nepal, Tibet, Thailand, Burma, Laos, Cambodia, Malaysia and Indonesia. It is used as a Hindu, Jain, Buddhist, Islamic, Sikh as well as a secular text, and lives in in many art forms too: in drama and dance, in sculpture and painting, in prose and in poetry. Daljit Nagra was captivated by the versions his grandparents regaled him with as a child. Now an award-winning poet of dazzling gifts, he has chosen to bring the story to life in a vivid and enthralling version of his own. Accessible and engaging, and bursting with energy, Nagra's Ramayana is a distillation and an animation for readers of all ages, whether familiar with or entirely new to this remarkable tale.
Daljit Nagra possesses one of the most distinctive voices in contemporary English poetry. British Museum is his third collection, following his electrifying version of the epic Ramayana, and marks a significant departure of style to something quieter, more contemplative and inquisitive, at times valedictory. His political edge has been honed in a series of meditations and reflections upon our heritage, our legacy, and the institutions that define them: the BBC, Hadrian's Wall, the Sikh gurdwaras of our towns, the British Museum of the title poem. With compassion and charisma, Nagra explores the impact of the first wave of mass migration to our shores, the Arab Spring, the allure of extremism along with a series of personal poems about the pressures of growing up in a traditional community. British Museum is a book that asks profound questions of our ethics and responsibilities at a time of great challenge to our sense of national identity.
“Allingham has that rare gift in a novelist, the creation of characters so rich and so real that they stay with the reader forever.” —Sara Paretsky World War II is limping to a close and private detective Albert Campion has just returned from years abroad on a secret mission. Relaxing in his bath before rushing back to the country, and to the arms of his wife, Amanda, Campion is disturbed when his servant, Lugg, and a lady of unmistakably aristocratic bearing appear in his flat carrying the corpse of a woman. The reluctant Campion is forced to put his powers of detection to work as he is drawn deeper into the case, and into the eccentric Caradocs household, dealing with murder, treason, grand larceny, and the mysterious disappearance of some very valuable art. “Margery Allingham deserves to be rediscovered.” —P.D. James “Margery Allingham was one of the greatest mid-20th-century practitioners of the detective novel.” —Alexander McCall Smith
This groundbreaking anthology of ten new poets truly reflects the multicultural make-up of contemporary Britain. At a time when less than 1% of all poetry books published in the UK are by black or Asian poets, the work of these writers testifies to the quality and versatility of vital writing that should not be overlooked. These new voices draw on cultural influences and multiple heritages that can only enrich and broaden the scope of contemporary British poetry. This anthology is the culmination of a much needed initiative by literature development agency Spread the Word to support talented new Black and Asian poets. The poets' histories are to be found in Trinidad and Tobago, Grenada, Guya...
An account of the performance of poetry from late Antiquity to the Renaissance that explores the role and importance of poetry in western culture.
The reputation of Rainer Maria Rilke has grown steadily since his death in 1926; today he is widely considered to be the greatest poet of the twentieth century. This Modern Library edition presents Stephen Mitchell’s acclaimed translations of Rilke, which have won praise for their re-creation of the poet’s rich formal music and depth of thought. “If Rilke had written in English,” Denis Donoghue wrote in The New York Times Book Review, “he would have written in this English.” Ahead of All Parting is an abundant selection of Rilke’s lifework. It contains representative poems from his early collections The Book of Hours and The Book of Pictures; many selections from the revolution...
Jen Campbell's first collection The Girl Aquarium explores the realm of rotten fairy tales, the possession of body and the definition of beauty. Weaving between whispered science and circus, she turns a cracked mirror on society and asks who gets to control the twisted tales hiding in the wings.
Working-class stories are not always tales of the underprivileged and dispossessed. Common People is a collection of essays, poems and memoir written in celebration, not apology: these are narratives rich in barbed humour, reflecting the depth and texture of working-class life, the joy and sorrow, the solidarity and the differences, the everyday wisdom and poetry of the woman at the bus stop, the waiter, the hairdresser. Here, Kit de Waal brings together thirty-three established and emerging writers who invite you to experience the world through their eyes, their voices loud and clear as they reclaim and redefine what it means to be working class. Features original pieces from Damian Barr, Malorie Blackman, Lisa Blower, Jill Dawson, Louise Doughty, Stuart Maconie, Chris McCrudden, Lisa McInerney, Paul McVeigh, Daljit Nagra, Dave O’Brien, Cathy Rentzenbrink, Anita Sethi, Tony Walsh, Alex Wheatle and more.
*WINNER OF THE T. S. ELIOT PRIZE 2015* *WINNER OF THE SUNDAY TIMES / PETERS FRASER + DUNLOP YOUNG WRITER OF THE YEAR AWARD 2015* *SHORTLISTED FOR THE FORWARD PRIZE FOR BEST FIRST COLLECTION 2015* There is a Chinese proverb that says: ‘It is more profitable to raise geese than daughters.’ But geese, like daughters, know the obligation to return home. In her exquisite first collection, Sarah Howe explores a dual heritage, journeying back to Hong Kong in search of her roots. With extraordinary range and power, the poems build into a meditation on hybridity, intermarriage and love – what meaning we find in the world, in art, and in each other. Crossing the bounds of time, race and language, this is an enthralling exploration of self and place, of migration and inheritance, and introduces an unmistakable new voice in British poetry.