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"Wit, humor, satire, the exact fall of a Dublin syllable, the ear for the local turn, the flight of fancy that can spin into a Dublin joke or a Limerick limerick-all these are his."-The New York Times
"I have had a dream past the wit of man to say what dream it was," says Bottom. "I have had a dream, and I wrote a Big Book about it," Arno Schmidt might have said. Schmidt's rare vision is a journey into many literary worlds. First and foremost it is about Edgar Allan Poe, or perhaps it is language itself that plays that lead role; and it is certainly about sex in its many Freudian disguises, but about love as well, whether fragile and unfulfilled or crude and wedded. As befits a dream upon a heath populated by elemental spirits, the shapes and figures are protean, its protagonists suddenly transformed into trees, horses, and demigods. In a single day, from one midsummer dawn to a fiery second, Dan and Franzisca, Wilma and Paul explore the labyrinths of literary creation and of their own dreams and desires. Since its publication in 1970 Zettel's Traum/Bottom's Dream has been regarded as Arno Schimdt's magnum opus, as the definitive work of a titan of postwar German literature. Readers are now invited to explore its verbally provocative landscape in an English translation by John E. Woods.
In this essay, a leading figure of the Russian Formalist movement of the 1910s and 1920s enunciates the function of the arts: what they are and, more importantly, what they are not. His views of the other arts lead him into speculations about cinematography, which was just emerging at the time of writing, 1923.
Otohiko Kaga's Marshland is an epic novel on a Tolstoyan scale, running from the pre-World War II period to the turbulence of 1960s Japan. At forty-nine, Atsuo Yukimori is a humble auto mechanic living an almost penitentially quiet life in Tokyo, where his coworkers know something of his military record but nothing of his postwar criminal past. Out of curiosity he accompanies his nephew to a demonstration at a nearby university, and is gradually drawn into a friendship, then a romance, with Wakaka Ikéhata, the brilliant but mentally unstable daughter of a university professor. As some of the student radical groups turn to violence and terrorism, Atsuo and Wakaka find themselves framed for t...
Grattan Fletcher and Suck Ryle are on the road, risking their dignity and occasionally their lives to renew the civic spirit of Ireland. Grattan is an idealistic, ageing civil servant who has enlisted Ryle, a skeptic prone to violent temper, in a quixotic quest to make a better Irish future for Grattan’s granddaughter. Along the way, they encounter politicians, protesters, and power brokers, some of whom are fascinated and others only flummoxed by Grattan’s wide sympathies and wild philosophical musings. In sprawling comic fashion, Grattan and Me addresses countless contemporary political, economic and ecological problems, allowing no person or institution to remain safe from ridicule.
A postmodern masterpiece about fraud and forgery by one of the most distinctive, accomplished novelists of the last century. The Recognitions is a sweeping depiction of a world in which everything that anyone recognizes as beautiful or true or good emerges as anything but: our world. The book is a masquerade, moving from New England to New York to Madrid, from the art world to the underworld, but it centers on the story of Wyatt Gwyon, the son of a New England minister, who forsakes religion to devote himself to painting, only to despair of his inspiration. In expiation, he will paint nothing but flawless copies of his revered old masters—copies, however, that find their way into the hands of a sinister financial wizard by the name of Recktall Brown, who of course sells them as the real thing. Dismissed uncomprehendingly by reviewers on publication in 1955 and ignored by the literary world for decades after, The Recognitions is now established as one of the great American novels, immensely ambitious and entirely unique, a book of wild, Boschian inspiration and outrageous comedy that is also profoundly serious and sad.
The first novel in Arno Camenisch's celebrated "alpine" trilogy is set during a single summer. The four main (unnamed) characters are a dairyman, his farmhand, a cowherd, and a swineherd who all live and work in close proximity--but this is no "Heidi." Theirs is an existence marked by dangerous work, solitude, cruelty, alcoholism, and sheer stubbornness; but the author's handling of these situations and lives is characterized at all times by affection, surreal humor, and a brilliant ear for the sounds of the setting.
The Review of Contemporary Fiction is a tri-quarterly journal that features critical essays on fiction writers whose work resists convention and easy categorization.
This novel is one of the most ambitious and remarkable literary achievements of our time. It is a picaresque, psychological novel--a novel of the road, a journey or voyage of the human spirit in its search for reality in a world of illusion and nightmare. It is an epic of what might be called the Arabian Nights of American life. Marguerite Young's method is poetic, imagistic, incantatory; in prose of extraordinary richness she tests the nature of her characters--and the nature of reality. Miss MacIntosh, My Darling is written with oceanic music moving at many levels of consciousness and perception; but the toughly fibred realistic fabric is always there, in the happenings of the narrative, t...
This anthology is the essential resource for readers, critics, and publishers interested in contemporary European literature. In this, the eighth installment of the series, the anthology continues its commitment to uncovering the best prose writing happening across the continent from Ireland to Eastern Europe. Also featuring an erudite prefatory essay written by Eileen Battersby of the Irish Times, Best European Fiction 2017 is another essential report on the state of global literature in the twenty-first century.