You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
None
DIV This first volume of the Critical Documents of 20th-Century Latin American and Latino Art series published by the International Center for the Arts of the Americas at the Museum of Fine Arts, Houston, presents 168 crucial texts written by influential artists, critics, curators, journalists, and intellectuals whose writings shed light on questions relating to what it means to be "Latin American" and/or "Latino." Reinforced within a critical framework, the documents address converging issues, including: the construct of "Latin-ness" itself; the persistent longing for a continental identity; notions of Pan–Latin Americanism; the emergence of collections and exhibitions devoted specificall...
The Cambridge History of Latin America is a large scale, collaborative, multi-volume history of Latin America during the five centuries from the first contacts between Europeans and the native peoples of the Americas in the late fifteenth and early sixteenth centuries to the present. A Cultural History of Latin America brings together chapters from Volumes III, IV, and X of The Cambridge History on literature, music, and the visual arts in Latin America during the nineteenth and twentieth centuries. The essays explore: literature, music, and art from c. 1820 to 1870 and from 1870 to c. 1920; Latin American fiction from the regionalist novel between the Wars to the post-War New Novel, from the 'Boom' to the 'Post-Boom'; twentieth-century Latin American poetry; indigenous literatures and culture in the twentieth century; twentieth-century Latin American music; architecture and art in twentieth-century Latin America, and the history of cinema in Latin America. Each chapter is accompanied by a bibliographical essay.
Proceedings of the 2017 BTES meeting in Des Moines, Iowa. Contains papers submitted for presentation on topics relating to architectural technology applications and pedagogy.
Art history traditionally classifies works of art by country as well as period, but often political borders and cultural boundaries are highly complex and fluid. Questions of identity, policy, and exchange make it difficult to determine the "place" of art, and often the art itself results from these conflicts of geography and culture. Addressing an important approach to art history, Thomas DaCosta Kaufmann's book offers essays that focus on the intricacies of accounting for the geographical dimension of art history during the early modern period in Europe, Latin America, and Asia. Toward a Geography of Art presents a historical overview of these complexities, debates contemporary concerns, a...
This volume discusses trends in twentieth-century Latin American literature, philosophy, art, music, and popular culture.
This vast three-volume Encyclopedia offers more than 4000 entries on all aspects of the dynamic and exciting contemporary cultures of Latin America and the Caribbean. Its coverage is unparalleled with more than 40 regions discussed and a time-span of 1920 to the present day. "Culture" is broadly defined to include food, sport, religion, television, transport, alongside architecture, dance, film, literature, music and sculpture. The international team of contributors include many who are based in Latin America and the Caribbean making this the most essential, authoritative and authentic Encyclopedia for anyone studying Latin American and Caribbean studies. Key features include: * over 4000 entries ranging from extensive overview entries which provide context for general issues to shorter, factual or biographical pieces * articles followed by bibliographic references which offer a starting point for further research * extensive cross-referencing and thematic and regional contents lists direct users to relevant articles and help map a route through the entries * a comprehensive index provides further guidance.
This book offers new topics and new perspectives on the economic history of Argentina before the 1930 Depression. It focuses on the evolution of early industrialization in a country primarily associated with cattle-ranching and agriculture, and single-mindedly characterized as a case of a successful export economy. Taking an original approach, the book cross-examines traditional economic issues such as production and finances, and new cultural patterns, such as consumption, the role of women, paternalism, and ideology. The first years of Argentina’s industrialization, from the 1870s to the 1920s, coincided with a time of great innovation, a brisk turn from tradition, and quick modernization. This book shows that industry not only helped Argentina’s economy along, but spearheaded its modernization. It challenges the long-lasting “canonical version” that industry was a victim of a capital market and a state extremely hostile to manufacturing. Access to financing for industrial endeavors was much easier than previously thought, while the state supported industry through tariffs.
Aracy Amaral constructs a careful criticism and history of modern and contemporary art in Brazil. She was director of the Pinacoteca do Estado de Sao Paulo (1975-1979) and the Museum of Contemporary Art, University of SÀo Paulo (1982-1986 ). Amaral combines the thorough work of the researcher provision of combative intellectual who constantly asks about the place of art and the artist in society. The three volumes of texts of the Tropic of Capricorn bring together some 150 articles, essays and interviews conducted by the author from the beginning of the 80s and 2005, providing a point of view very rich for the reader who wants to be fully informed about the development of fine arts in our t...