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Dan Albergotti’s Candy is a book steeped in sound and silence. Sound in the form of song, of chaotic cacophony, and of the drone (sometimes natural, sometimes manufactured) that creates the ambient soundtrack of history and the seemingly apocalyptic present. Silence in the sense both of the void’s innate quietude and of the failure to speak—of people either dumbstruck or in denial, not speaking because they cannot or will not. Throughout this collection, these sounds and intermittent silences provide the rhythm for poems that question the nature of truth and myth, and that restlessly search for meaning in a reticent universe, ultimately unwilling to take no for an answer as they strive to find an ever-elusive yes.
Perhaps the most distinctive aspect of The Boatloads is its overt references to church and Christianity. Dan Albergotti's references are not mere proselytizing, though. In fact, the first poem in the book, "Vestibule," tells the story of the author's teenage experience making love to his girlfriend in a university chapel, saying: "Lord of this other world, let me recall that night. / Let me again hear how our whispered exclamations / near the end seemed like rising hymnal rhythm / and let me feel how those forgotten words came / from somewhere else and meant something." Dan Albergotti teaches at Coastal Carolina University in Conway, South Carolina.
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As a young writer with neither profession nor money, William Wordsworth committed himself to a career as a poet, embracing what he believed was his destiny. But even the “giant Wordsworth,” as his friend and collaborator Samuel Taylor Coleridge called him, had his doubts. In Myself and Some Other Being, Daniel Robinson presents a young Wordsworth, as ambitious and insecure as any writer starting out, who was trying to prove to himself that he could become the great poet he desired to be and that Coleridge, equally brilliant and insecure, believed he already was. Myself and Some Other Being is the story of Wordsworth becoming Wordsworth by writing the fragments and drafts of what would ev...
This groundbreaking volume not only documents the richness of their literary contributions but changes our thinking about the poetry of the English Romantic period.
Both bleak and bewildering, Millennial Teeth, the visceral new collection by poet Dan Albergotti, maps a contradictory journey filled with longing and dread, cynicism and hope. A heady mix of traditional forms and more experimental verse, Albergotti’s volume lures readers inexorably into the poet’s obsessions with mystery, doubt, ephemerality, and silence. The poetry in Millennial Teeth will feel both refreshingly new and strangely familiar to Albergotti’s audience. Some poems pay direct tribute to such literary luminaries as Wallace Stevens and Philip Larkin, while others give nods to icons of pop culture, from Radiohead to Roman Polanski. The narrator muses on the resurrection of Chr...
Throughout Salt Moon, Noel Crook forges the kind of tragic vision Howard Nemerov described as the mark of our finest poets: drawing on myth and memory, Crook's fierce lyrics reveal a world that is at once "hopeless and beautiful . . . giving equal emphasis to both words." Rendered in unforgettable images, Salt Moon is that rare book which grows richer with each reading.
Finding joy and beauty in the face of suffering Readers enter “a stunted world,” where landmarks—a river, a house, a woman’s own body—have become unrecognizable in a place as distorted and dangerous as any of the old tales poet Molly Spencer remasters in this elegant, mournful collection. In myth and memory, through familiar stories reimagined, she constructs poetry for anyone who has ever stumbled, unwillingly, into a wilderness. In these alluring poems, myth becomes part of the arsenal used to confront the flaws and failures of our fallible bodies. Shadowing the trajectory of an elegy, this poetry collection of lament, remembrance, and solace wrestles with how we come to terms wi...
"Intensely and unapologetically homoerotic in content and theme, this book explores the limits of sexual intimacy, familial intimacy, and the attachments we have to ourselves, arguing that our connections to each other may be lovely or painful, static or constantly shifting, but are, above all, unavoidable and necessary"--
"The Gospel according to Wild Indigo, Cyrus Cassells's sixth volume of poetry, is comprised of two exhilarating song cycles and is his most intensely lyrical and ecstatic poetry to date"--