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Media Teaching
Media Teaching provides a fresh contemporary approach to media education which will be welcomed by all students and teachers of the media. Dan Fleming's text not only charts a detailed map of contemporary media studies but also shows how a busy teacher can move around this map. The text is supported by a wide range of examples - from the classroom, from the media itself, and from other texts. It should become an indispensable resource for teachers of media studies and for those engaged in media education across the curriculum. Dan Fleming bases his text on both wide teaching experience and a broad knowledge of contemporary media research, to provide a clear theory of learning that is grounded in actual classroom work. His approach is characterized by an argument for a more learner-centred perspective on media teaching. Covering not only the concepts and the structure of the media, Fleming offers teachers and lecturers a coherent account of the key issues and essential skills of media teaching.
Formations
Formations is a comprehensive textbook designed for students moving to a deeper engagement with the media studies. The original essays are organized around the broad themes of public knowledge, cultural identity, broadcasting, film, and pop tech. An introductory section explores the fundamentals of the field and a section on method examines how knowledge is constructed within media studies. Throughout, the material is structured into a combination of case studies and integrative essays, punctuated at key moments by "stop and think" advice aimed directly at students. With contributions well-known scholars, Formations offers a deep engagement with issues, theories, and methods, especially new technologies transforming landscapes of popular culture.
Media, Masculinities, and the Machine
Media, Masculinities, and the Machine identifies a distinctive phenomenon in today's media culture - the contemporary male fantasy of 'suiting up' and pushing technology to its limits. The authors deconstruct this fantasy using two in-depth studies from American, British and global media: the social imagining of hi-tech in the long-running Transformers franchise and global Formula One motorsport, with links to numerous other areas of contemporary culture. By drawing on non-representational theory and the latest theories of affect while employing the method of autoethnography to explore what boys and men 'want' and say, the book offers a timely contribution to our understanding of contemporary cultural attachments. The book provides informative accounts of two instances united by their apparent gender focus and by their interest in ways of imagining high-tech. Tracking their theme through TV, cinema, toys, magazines, merchandising, and the culture of the gadget, the authors raise important questions about mediated masculinities today and propose a new theoretical framework for uncovering what is going on.
The Feasts of John
In John’s gospel, he describes the Feasts of the Lord in a subtle yet profound way. His gospel account reveals that Jesus taught the meanings of the Old Testament feasts as they were being celebrated. By this, we can see that John’s gospel is written in chronological order. John also wove the theme of the Jewish wedding into his gospel to reveal that it is part of the meaning of the feasts. When we learn more about these revelations from John’s gospel, the rest of the New Testament is easier to understand because the Feasts of the Lord affect us both personally and prophetically. Jesus literally fulfilled the first four feasts – Passover, Unleavened Bread, Firstfruits and Pentecost – over two thousand years ago. We can be assured that He will fulfill the remaining three feasts of Trumpets, Atonement and Tabernacles when He returns.
Powerplay
In an increasingly global media culture, toys are both consumer products and playthings, revealing a complex relation between capitalist economics on the one hand and child psychology on the other. Dan Fleming's provocative and wide-ranging analysis challenges accepted orthodoxies on the gendered and cultural meanings of toys. He argues that today's toys have the suppressed capacity to escape the very stereotypes of gender and power which they apparently produce.
Media, Masculinities, and the Machine
Identifying a distinctive phenomenon in today's media culture, the authors propose a new theoretical framework for understanding mediated masculinities.
The Films of Robin Williams
From his first appearance as Mork from Ork on the 1970s sitcom Happy Days, Robin Williams was heralded as a singular talent. In the pre-cable television era, he was one of the few performers to successfully transition from TV to film. An Oscar-winning actor and preternaturally quick-witted comedian, Williams became a cultural icon, leaving behind a large and varied body of work when he unexpectedly took his own life in 2014. This collection of new essays brings together a range of perspectives on Williams and his oeuvre, including beloved hits like Mrs. Doubtfire, Good Morning, Vietnam, Good Will Hunting, The Fisher King, Dead Poets Society and Aladdin. Contributors explore his earlier work (Mork and Mindy, The World According to Garp) and his political and satirical films (Moscow on the Hudson, Toys). Williams's darker, less well-known fare, such as Being Human, One Hour Photo, Final Cut and Boulevard, is also covered. Williams's artistry has become woven into the fabric of our global media culture.
