You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
For many churches today, music has become one of the most important factors in attempting to reach unbelievers with the gospel. Writing from his own personal experience as a former worship leader, Dan Lucarini questions the use of contemporary music in the worship of our Lord and Saviour Jesus Christ.
If you are interested to learn more about worshipping God beyond the music; if you re a refugee from the worship wars; or if you re simply curious why someone like me would do an about-face from the accepted norm of modern worship; then please join me now on a journey into the heart of worship, and discover why it s not about the music . We live in a Christian age where music performance is the focal point and given the lion s share of time, energy and praise at most worship services and religious gatherings. No wonder then we fight over it, given the over-sized importance we have assigned to it. But what if we re missing
Does God endorse music of every kind, regardless of its structure or features? Put another way, is there any music which does not get his seal of approval? Tightening this even further, are there musical forms or ways of using music that violate biblical principles and which Christians should therefore reject? The authors of this book, John Blanchard & Dan Lucarini sincerely believe that there are, and that the question takes on an even greater urgency as many influential church leaders and popular Christian musicians have recently claimed that God endorses all kinds of music without distinction. This book is an expression of their convictions and concerns. In writing this new book the authors have drawn heavily on the research of Pop goes the Gospel, first published in 1983 and Why I left the Contemporary Christian Music Movement, first published in 2002, and on the experience in handling the vast amount of feedback that both titles generated.
Religion today is in competition with the leisure and entertainment industries. Gen Y, the postmodern generation, is open to spirituality; but most of todays young adults have not been born into faith communities where they feel any lasting allegiance. Studies suggest that for the young, belief in God is an optional matter, a virtual consumer choice. As a result, different trends in worship and worship styles are offered by different churches to suit lifestyles, attitudes, and personal taste.
How are we to proclaim Christ in different cultures? This question was central to a landmark study on worship and culture conducted by the Lutheran World Federation between 1992 and 1999. Much has changed in the years since then: the world today more than ever is a multicultural global village. Worship and Culture revisits that LWF study and publication, shedding new light on the question from recent theological and sociological scholarship to expand and enrich the texts in the original three-volume work. This book includes texts from the main statements that came out of the original project as well as updated essays from some of the original contributors. It also adds new essays, prayers, a...
In this book, Christopher D. Rodkey asks how the brain worships and responds by engaging ideas from neurological science, philosophy, ritual theory, and religious education. From this exploration, two new paradigms for pastoral ministry emerge. First, Rodkey proposes a “pan-generational” principle, advocating an empathy-based approach for fostering faith communities, a principle that is radically inclusive to all generations. Second, Rodkey argues that worship and religious education should converge to include a shared goal of teaching individuals to “live liturgically.” In The Synaptic Gospel, Rodkey argues that living and thinking liturgically are learned behaviors that may be promoted through pan-generational worship. The book concludes with a special emphasis on practical suggestions for youth ministry. The Synaptic Gospel will prove to be a useful theoretical tool for pastors, religious educators, youth ministers, church music professionals, and seminary students.
Oh, Be Careful Little Earsis a brief overview of the development of Christian music from both historical and biblical perspectives, showing why CCM is not biblical from a Scriptural point of view. Do you know that Scripture teaches us that Christian music should be non-carnal, yet much contemporary Christian music is carnal? Do you know that it s easy to identify carnal Christian music? Do you know why carnal music is not pleasing to God? Oh, Be Careful Little Ears discusses each of these and more from a biblical perspective. You will learn... ...actual New Testament Scriptures which give direction concerning Christian music. ...how to identify carnal Christian music and why it s carnal. ......
None
Religion today is in competition with the leisure and entertainment industries. Gen Y, the postmodern generation, is open to spirituality; but most of todays young adults have not been born into faith communities where they feel any lasting allegiance. Studies suggest that for the young, belief in God is an optional matter, a virtual consumer choice. As a result, different trends in worship and worship styles are offered by different churches to suit lifestyles, attitudes, and personal taste.