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Houston and Southeast Texas have an ancient, storied prehistory. Using data from hundreds of archeological site reports, a changing coastal landscape modeled through time in 3D, historical information on Native Americans taken from the accounts of the earliest European visitors, and digital GIS mapping to weave it all together, this book recounts the development of the physical landscape of this region and the cultures of its Native American inhabitants from the peak of the last ice age until the Spanish colonial era. Its 504 pages are illustrated with nearly 350 full color maps, charts, drawings and photographs.
The magazine of the English Folk Dance & Song Society.
Developed by the physicist Charles Wheatstone around 1830, the English concertina was extremely popular in art-music circles of Victorian England until late in the nineteenth century. This edition includes fifteen works that present a cross section of the instrument¿s concert and salon repertories, and includes music by the "mainstream" composers George Alexander Macfarren, Julius Benedict, and Bernhard Molique, as well as original compositions by such concertina virtuosos as Giulio Regondi and Richard Blagrove. There are also pieces by two little-known women composers/arrangers, Hannah Rampton Binfield and Rosina King (the instrument was particularly popular with women), and an arrangement by George Case of a well-known hymn tune, which shows how the baritone concertina was used in small parish churches. Finally, there are two works for concertina ensembles, a duo for treble and baritone concertina by Blagrove and a transcription by Regondi for concertina quartet of the final movement of Mozart¿s Symphony No. 38 "Prague."
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Today’s Greater Houston is a vast urban place. In the mid-nineteenth century, however, Houston was a small town – a dot in a vast frontier. Extant written histories of Houston largely confine themselves to the small area within the city limits of the day, leaving nearly forgotten the history of large rural areas that later fell beneath the city’s late twentieth century urban sprawl. One such area is that of upper Buffalo Bayou, extending westward from downtown Houston to Katy. European settlement here began at Piney Point in 1824, over a decade before Houston was founded. Ox wagons full of cotton traveled across a seemingly endless tallgrass prairie from the Brazos River east to Harris...
Epic in scope, The Partisan is a thrill ride that takes readers from the hallowed halls of Cambridge to the grimy depths of the Moscow underworld, from 1960s London to the Eastern Front during the Second World War. Summer 1961: The brutal Cold War between East and West is becoming ever more perilous. Two young prodigies from either side of the Iron Curtain, Yulia and Michael, meet at a chess tournament in London. They don't know it, but they’re about to compete in the deadliest game ever played. Shadowing them is Greta, a ruthless Lithuanian resistance fighter who is hunting down some of the most dangerous men in the world. Men who are also on the radar of Vassily, perhaps the USSR's greatest spymaster. A man of cunning and influence, Vassily is Yulia's minder during her visit to the West, but even he could not foresee the consequences of her meeting Michael. When the world is accelerating towards an inevitable and catastrophic conflict, what can just four people do to prevent it?
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"Music cultures in sounds, words and images", edited by Antonio Baldassarre and Tatjana Markovic, is dedicated to the 60th birthday of the Croatian-American musicologist Zdravko Blažekovic (b. 1956, Zagreb). After his studies of musicology and first working experiences in Zagreb, Blažekovic moved to New York City, where he is since 1996 the executive editor of the RILM - Répertoire International de Littérature Musicale, and since 1998 director of the RCMI - Research Center for Music Iconography as well as editor of one of the leading journals for music iconography, "Music in Art", in the framework of the Barry S. Brook Center for Music Reserach and Documentation at the Graduate Center of the City University of New York. In view of Blažekovic's very broad multidisciplinary interests, including historical musicology, music iconography, organology, archeology, lexicography and databases, this book contains 38 studies in six languages (English, German, Italian, Serbian, Croatian, Chinese) organized in six chapters: Sounds of nations, Words on musics, Performance of musical cultures, Images on musics, Organology, and Classifying data on music.