Welcome to our book review site go-pdf.online!

You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.

Sign up

Pulp Fiction
  • Language: en
  • Pages: 126

Pulp Fiction

Dana Polan sets out to unlock the style and technique of 'Pulp Fiction'. He shows how broad Tarantino's points of reference are, and analyzes the narrative accomplishment and complexity. In addition, Polan argues that macho attitudes celebrated in film are much more complex than they seem.

The Sopranos
  • Language: en
  • Pages: 230

The Sopranos

“In its original run on HBO, The Sopranos mattered, and it matters still,” Dana Polan asserts early in this analysis of the hit show, in which he sets out to clarify the impact and importance of the series in both its cultural and media-industry contexts. A renowned film and TV scholar, Polan combines a close and extended reading of the show itself—and of select episodes and scenes—with broader attention to the social landscape with which it is in dialogue. For Polan, The Sopranos is a work of playful irony that complicates simplistic attempts to grasp its meanings and values. The show seductively beckons the viewer into an amoral universe, hinting at ways to make sense of its ethica...

Scenes of Instruction
  • Language: en
  • Pages: 419

Scenes of Instruction

Publisher description

Jane Campion
  • Language: en
  • Pages: 269

Jane Campion

With the phenomenal success of 'The Piano' (1993), Jane Campion became revered by many as the leading female film director of the 1990s. In this book, Dana Polan examines the phenomenon of 'The Piano' and how it develops from the early shorts and first features which evoke an often surreal and critical distanced style of looking at everyday issues. Looking at all of Campion's work before and since, including 'Holy Smoke' (1999), which returned again to the battleground of gender politics, the author concludes his survey of the director's work by offering some hypotheses about the erotic thriller 'The Cut' (2001) whilst asking what variety of approaches to the study of directors might now be fruitful.

Julia Child's The French Chef
  • Language: en
  • Pages: 314

Julia Child's The French Chef

Dana Polan considers what made Julia Childs TV show, The French Chef, so popular during its original broadcast and such enduring influences on American cooking, American television, and American culture since then.

Dreams of Flight
  • Language: en
  • Pages: 283

Dreams of Flight

Introduction -- Engineering The great escape : from book to film (and in-between) -- Tunneling in : The great escape : style, theme, and structure -- After-lives -- Appendix : "It really happened".

Postmodernism and Politics
  • Language: en
  • Pages: 220

Postmodernism and Politics

None

Power and Paranoia
  • Language: en
  • Pages: 338

Power and Paranoia

  • Type: Book
  • -
  • Published: 1986-03-02
  • -
  • Publisher: Unknown

None

In a Lonely Place
  • Language: en
  • Pages: 84

In a Lonely Place

The story behind the movie.

Pulp Fiction
  • Language: en
  • Pages: 113

Pulp Fiction

Pulp Fiction was one of the films that defined American cinema of the 1990s, and remains one of the stand-out movies of its director Quentin Tarantino. Tarantino's style - violent, fast, funny and full of knowing pop culture references - epitomises 90s post-modernism. Pulp Fiction was a phenomenal cult success and one of the first films to generate hot debate in internet chatrooms and on fan websites. Dana Polan's compelling analysis sets out to uncover the style and technique of Pulp Fiction. He shows how broad Tarantino's points of reference are, and analyzes the film's narrative accomplishment and complexity. Where some critics dismissed Pulp Fiction for its violence and its worship of a certain brand of cool, Polan shows how the film exemplifies new kinds of engagement with cultural and social codes, such as those around racial identity. In addition, Polan argues that the film's celebration of macho attitudes is more nuanced than might first appear. In a new afterword to this new edition, Polan looks back on Pulp Fiction 30 years after its first release.