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Hobart has been a flourishing community since 1847, when founder George Earle named the settlement after his brother, Frederick Hobart Earle. Mendoza chronicles 160 years of this hard-working community with images that reflect events and developments that helped make Hobart the thriving city it is today.
Examines questions of allegiance and identity in a globalised world through the disciplines of law, politics, philosophy and psychology.
In No One's Witness Rachel Zolf activates the last three lines of a poem by Jewish Nazi holocaust survivor Paul Celan—“No one / bears witness for the / witness”—to theorize the poetics and im/possibility of witnessing. Drawing on black studies, continental philosophy, queer theory, experimental poetics, and work by several writers and artists, Zolf asks what it means to witness from the excessive, incalculable position of No One. In a fragmentary and recursive style that enacts the monstrous speech it pursues, No One's Witness demonstrates the necessity of confronting the Nazi holocaust in relation to transatlantic slavery and its afterlives. Thinking along with black feminist theory...
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