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Races on Display
While European commerce in race was substantial, the colonial trade in ideas of race was highly profitable as well. Looking at official propaganda and commercial representations in France during the Third Republic, this book explores the way the French increased the value of their racial identity at home at the expense of their colonized brothers and sisters. The French did not create the identity-effacing stereotypes of Africans, Arabs, and Indochinese. Instead they refined or remolded these images, and as they did so they redefined and remolded their images of themselves. Focusing on world's fairs, colonial expositions, and mundane manufacturers' trademarks, Races on Display shows not only the prevalence of racial stereotypes, but also how complex these representations prove to be.
The Color of Liberty
DIVTraces the multiple histories of race and racial thinking over time in France and in Francophone areas of the globe./div
The French empire between the wars
By considering the distinctiveness of the inter-war years as a discrete period of colonial change, this book addresses several larger issues, such as tracing the origins of decolonization in the rise of colonial nationalism, and a re-assessment of the impact of inter-war colonial rebellions in Africa, Syria and Indochina. The book also connects French theories of colonial governance to the lived experience of colonial rule in a period scarred by war and economic dislocation.
From Lumumba to Gbagbo
In recent years, the Euro-American powers have made multiple armed incursions into Africa. The election of President Obama, greeted by most Africans as providential for their centuries-old troubled relations with the West, instead inaugurated a destructive coalition against Africa. In places like Côte d’Ivoire, Egypt and Libya, the United Nations, the International Criminal Court, the World Bank and the International Monetary Fund have supported military intrusions, arbitrary imprisonments, deportations and political assassinations under the guise of bringing freedom and democracy to benighted Africa. The destabilization of Africa, the division of the continent into lawless zones controlled by thuggish warlords, the displacement of millions of refugees and the systematic sacking of Africa’s resources are telling: In Africa, the West was not on a goodwill mission. This book examines the West’s policy of aggression in Africa over the last 50 years as a legacy of colonialism, with human and economic costs that are radicalizing African nationalists.
Racist Trademarks
Since the beginning of commodity culture, products have been marketed with images reflecting racist concepts of otherness. Using the prominent examples of three companies - Uncle Ben's, Sarotti, and Banania - this book examines how racist trademark figures were established in the U.S., Germany, and France, and built on nation-specific processes of racial stereotyping. While it finds that the three figures mirror their national histories of slavery, Orientalism, and colonialism, the book reveals that their paths through popular culture also followed strikingly similar patterns. Conceived in an era of overt racism, each symbol was challenged by social movements over the course of the 20th century and became increasingly marginalized in promotional activities. In the early 2000s, however, all three figures were relaunched with supposedly new makeovers, hitting once again at the heart of commodity culture and illustrating the subtle prevalence of racist stereotypes. (Series: Racism Analysis - Series A: Studies - Vol. 3)
Race, Rights and Reform
Innovative new study mapping African American and Francophone black intellectual collaborations over human rights and citizenship from 1919 to 1963.
Electric Salome
Loie Fuller was the most famous American in Europe throughout the late nineteenth and early twentieth centuries. Rising from a small-time vaudeville career in the States, she attained international celebrity as a dancer, inventor, impresario, and one of the first women filmmakers in the world. Fuller befriended royalty and inspired artists such as Mallarmé, Toulouse-Lautrec, Rodin, Sarah Bernhardt, and Isadora Duncan. Today, though, she is remembered mainly as an untutored "pioneer" of modern dance and stage technology, the "electricity fairy" who created a sensation onstage whirling under colored spotlights. But in Rhonda Garelick's Electric Salome, Fuller finally receives her due as a maj...
Jack Johnson, Rebel Sojourner
Discusses the life and boxing career of Jack Johnson.
The Arabian Nights in Contemporary World Cultures
A rich and nuanced study of the Arabian Nights in world cultures, analysing the celebration, appropriation, and translation of the stories over time.
Alexandre Dumas as a French Symbol since 1870
Nineteenth-century writer Alexandre Dumas (1802-1870), author of The Three Musketeers and The Count of Monte Cristo, has been a controversial part of the French patrimony, and faced various forms of racial prejudice in France because of his biracial ancestry and due to being a descendant of a slave. During the late nineteenth century, the rise of scientific racism and aggressive European imperialism resulted in worldviews supporting European superiority and equated “European” with being “white.” Such developments complicated perceptions of Dumas as part of the French patrimony. French intellectuals and politicians from the late nineteenth-century onward created their own imaginative visions of what Dumas had represented in order to employ them ideologically to support or counter prevailing mainstream views of French history and identity. This collection traces the evolution of Dumas’s legacy as a controversial symbol of France since 1870, as the nation has struggled to deal with colonialism and its aftermath, and increased diversity and globalization.
