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In 1660, Amsterdam is the trading and map-printing capital of the world. Anneke van Brug is one of the colorists paid to enhance black-and-white maps for a growing number of collectors. Her artistic talent brings her to the attention of the Blaeu printing house, and she begins to color for a rich merchant, Willem de Groot. But Anneke is not content to simply embellish the work of others; she longs to create maps of her own. Cartography, however, is the domain of men—so it is in secret that she borrows the notes her father made on a trip to Africa in 1642 and sets about designing a new map. Anneke hopes to convince the charismatic de Groot to use his influence to persuade Blaeu to include her map in the Atlas Maior, which will be the largest and most expensive publication of the century. But family secrets, infidelity, and murder endanger her dream. Will her map withstand these threats, or will it be forever lost?
From the late nineteenth century through the post-Holocaust era, the world was divided between countries that tried to expel their Jewish populations and those that refused to let them in. The plight of these traumatized refugees inspired numerous proposals for Jewish states. Jews and Christians, authors and adventurers, politicians and playwrights, and rabbis and revolutionaries all worked to carve out autonomous Jewish territories in remote and often hostile locations across the globe. The would-be founding fathers of these imaginary Zions dispatched scientific expeditions to far-flung regions and filed reports on the dream states they planned to create. But only Israel emerged from dream ...
An indispensable source of information for bibliographers and historians of mentality and visual culture. Contains inter alia a massive index of iconography, systematically arranged according to ICONCLASS classification schedules, offering some 20,000 references. In 3 volumes. The print edition is available as a set of three volumes (9789060044407).