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Library Mouse
Sam makes friends with a student working on a book-making project in the library. The student writes a story of his own that Sam illustrates.
Library Mouse: A Friend's Tale
The celebrated author and illustrator brings to life the joys of reading, writing, and sharing in this tale of a boy’s discovery of the library mouse. Sam the library mouse loves to write, and the children love his little books, which he leaves on the library shelves for them to find. But no one at the library has ever met him. When Tom can’t find a partner for a book-making assignment and finds Sam’s secret hole behind the children’s reference section, will the pair be able to work together, or will Sam’s secret identity be spoiled forever? A heartwarming tale about collaboration and creative ambitions, this book will enchant any young aspiring author or illustrator.
The Homeless of Ironweed
The Homeless of "Ironweed" is both a meditation on Kennedy's remarkable novel and a literary and cultural analysis. Benedict Giamo's explorations of the social conditions, cultural meanings, and literary representations of classic and contemporary homelessness in America and abroad inform his understanding of the literary merit and social resonance of Ironweed. Throughout Giamo remains grounded in a close reading of the novel. He moves with great relevance from Dante to Kenneth Burke, from Sartre to Robert Jay Lifton, to locate meaning and value in the lives of Kennedy's characters; by extension, with intelligence and compassion, he regards the lives of the homeless who wander through our streets and shefters today.
A Theology of Nonsense
There is within all theological utterances something of the ridiculous, perhaps more so in Christianity, given its proclivity for the paradoxical and the childlike. Few theologians are willing to discuss how consent to the Christian doctrine often requires a faith that goes beyond reason. There seems to be a fear that the association of theology with the absurd will give fuel to the sceptic's refrain: 'You can't seriously believe in all that nonsense.' Josephine Gabelman considers the legitimacy of the sceptic's objection and explores the possibility that an idea can be contrary to rationality and also true and meaningful using the systematic analysis of central stylistic features of literary non sense such as Lewis Carroll's Alice stories. Gabelman sets up a nonsense theology by considering the practical and evangelical ramifications of associating Christian faith with nonsense literature and, conversely, the value of relating theological principles to the study of literary nonsense.Ultimately, Gabelman says, faith is always a risk and a strictly rational apologetic misrepresents the nature of Christian truth.
Jesus Have I Loved, But Paul?
Provides a fresh engagement of the debated relationship between Paul's writings and the portrait of Jesus contained in the Gospels.
Rhetoric, Literature, and Interpretation
In what sense does the literary critic exist in his own right, and in what way does his role go beyond that of the teacher, mystic, philologist, historian, philosopher, rhetorician, and literary artist? This issue of the Bucknell Review focuses on the opposition of rhetoric and interpretation, presenting essays which explore the problems and possibilities critics confront when they adopt either interpretation or rhetoric as a critical starting point. Illustrated.
Randolph Co., AR Family History Vol. II
Family history of Randolph County, AR, as well as historical highlights of Randolph County.
Kerouac, the Word and the Way
Jack Kerouac, a "ragged priest of the word" according to Ben Giamo, embarked on a spiritual quest "for the ultimate meaning of existence and suffering, and the celebration of joy in the meantime." For Kerouac, the quest was a sustained and creative experiment in literary form. Intuitive and innovative, Kerouac created prose styles that reflected his search for personal meaning and spiritual intensity. These styles varied from an exuberant brand of conventional narrative (On the Road, The Dharma Bums, and Desolation Angels) to spontaneous bop prosody (Visions of Cody.Doctor Sax, and The Subterraneans). Giamo's primary purpose is to chronicle and clarify Kerouac's various spiritual quests thro...
