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Beyond Literary Studies
This response to the current crisis in the field of literary studies describes the fundamental flaws of poststructuralist literary criticism, which has become a self-serving enterprise at the expense of scholarship at large and students in particular. Outlining an improved approach that meets the expectations of 21st-century students and teachers, the author proposes a new definition of the literary object of study which addresses the inconsistencies of the literary canon by including nontraditional narratives such as films, comic books and pop songs.
Dimensions of the Fantastic
Not to be confused with fantasy or the supernatural, the fantastic is in actuality its own beast and perhaps the most deeply frightening of all narrative modes. From Dracula and Nightmare on Elm Street, to Carrie and Them, the fantastic has become an ideal vehicle to denounce deep cultural dysfunctions that affect not only the way we understand reality, but also how we construct it. This work studies the various dimensions of the fantastic mode, examining the influences of iconic authors such as H.P. Lovecraft and Jean Ray, and addressing key narrations such as Guy de Maupasasant's The Horla and Jordan Peele's Get Out. It explains why the fantastic is not about ghosts or monsters, but about the incomprehensible sides of our own reality, and the terrifying unknown.
The Signs of James Bond
This book is an analysis of the most significant elements that compose the "Bond formula," such as names, binary oppositions and narrative patterns. It tackles Ian Fleming's novels as well as the 22 films of the Eon Productions series and follows the evolution of certain determining features (paradigms) from the text to the screen, to determine their function within the narration. This study reveals how the James Bond universe goes well beyond mere spy adventures to become a genre in itself as well as, now, a standard cultural reference. The book also shows that the underlying ideology of the James Bond narration is not as conservative as it might appear, for it promotes ideals of the Enlightenment period such as secularity, pragmatism and the common good.
Dimensions of the Fantastic
Not to be confused with fantasy or the supernatural, the fantastic is in actuality its own beast and perhaps the most deeply frightening of all narrative modes. From Dracula and Nightmare on Elm Street, to Carrie and Them, the fantastic has become an ideal vehicle to denounce deep cultural dysfunctions that affect not only the way we understand reality, but also how we construct it. This work studies the various dimensions of the fantastic mode, examining the influences of iconic authors such as H.P. Lovecraft and Jean Ray, and addressing key narrations such as Guy de Maupasasant's The Horla and Jordan Peele's Get Out. It explains why the fantastic is not about ghosts or monsters, but about the incomprehensible sides of our own reality, and the terrifying unknown.
The Signs of James Bond
This book is an analysis of the most significant elements that compose the "Bond formula," such as names, binary oppositions and narrative patterns. It tackles Ian Fleming's novels as well as the 22 films of the Eon Productions series and follows the evolution of certain determining features (paradigms) from the text to the screen, to determine their function within the narration. This study reveals how the James Bond universe goes well beyond mere spy adventures to become a genre in itself as well as, now, a standard cultural reference. The book also shows that the underlying ideology of the James Bond narration is not as conservative as it might appear, for it promotes ideals of the Enlightenment period such as secularity, pragmatism and the common good.
Landscape and the Environment in Hollywood Film
This book systematically explores how popular Hollywood film portrays environmental issues through various genres. In so doing, it reveals the influence exerted by media consolidation and the drive for profit on Hollywood’s portrayal of the natural landscape, which ultimately shapes how environmental problems and their solutions are presented to audiences. Analysis is framed by a consideration of how cultural studies can make more theoretical and practical room for environmental concern, thereby expanding its capacity for critical examination. The book begins by introducing the theoretical underpinning of the research as it relates to cultural studies, landscape, and genre. In the chapters that follow, each genre is taken in turn, starting with popular animated family films and progressing through spy thrillers, eco-thrillers, science fiction, Westerns, superhero films, and drama. This book is ideal for students and scholars in a variety of disciplines, including film, environmental studies, communication, political economy, and cultural studies.
Ian Fleming and the Politics of Ambivalence
Previously considered an avowed nationalist, this book explores how Ian Fleming's writings and his representational politics contain an implicit resistance to imperial rhetoric. Through an examination of Fleming's Jamaica-set novels Live and Let Die, Dr. No, and The Man with the Golden Gun, as well as the later film adaptations of these novels, Ian Kinane reveals Fleming's deep ambivalence to British decolonisation and to wider Anglo-Caribbean relations. Offered here is a crucial insight into the public imagination during the birth of modern British multiculturalism that encompasses broader links between Fleming's writings on race and the representation of early British-Jamaican cultural relations. By exploring the effects of racial representation in these popular works, Kinane connects the novels to more contemporary concerns regarding migration and the ways in which the misrepresentation of cultures, races, and peoples has led to fraught and contentious global geo-political relations as figured in the fictional icon, James Bond.
The World of Lore: Wicked Mortals
A chilling, lavishly illustrated who’s who of the most despicable people ever to walk the earth, featuring stories from the Lore podcast—now a streaming television series—including “Black Stockings,” “Half-Hanged,” and “The Castle,” as well as rare material. Some monsters are figments of our imagination. Others are as real as flesh and blood: humans who may look like us, who may walk among us, often unnoticed, occasionally even admired—but whose evil deeds and secret lives, once revealed, mark them as something utterly wicked. In this illustrated volume from the host of the hit podcast Lore, you’ll find tales of infamous characters whose veins ran with ice water and who...
Popular Culture Review
Table of Contents From the Editor's Desk by Felicia Campbell" The Horla," Dracula's Older French Cousin By Daniel Ferreras Savoye 'The Wrong Side of Heaven, the Righteous Side of Hell' Religion, Faith, and Belief in Ted Chiang's Stories of Your Life and Others by Tammy Wahpeconiah Patty Duke, Marlo Thomas, and Mary Tyler Moore--Three Stars, Three Iconic Shows, and a Young Generation of TV-Watching Females by Kathy Merlock Jackson Respectez-nous as We Feminize the Rapped Rhyme: Women Rappers and Gender Empowerment in French Hip-Hop By Scooter Pégram War, Patriotism, and Nationality in the Norwegian and Swedish Translations of Cherry Ames by Marcus Axelsson A Conversation with Nanette: A Not-...
