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You cannot tame something so happily wild...In this beautiful picture book by Hawaiian artist Emily Hughes we meet a little girl who has known nothing but nature from birth - she was taught to talk by birds, to eat by bears and to play by foxes - she is unashamedly, irrefutably, irrepressibly wild. That is, until she is snared by some very strange animals that look oddly like her, but they don't talk right, eat right, or play correctly, she's puzzled by their behaviour and their insistence to live in these strange concrete structures known as 'apartments' there's no green here, no animals, no trees, no rivers. Now she lives in the comfort of civilization. But will civilization get comfortable with her?
... over the course of half a century, Daniel has asked and answered the questions that no one else has thought of. Originality, curiosity, generosity and intellectual precision have always been at the heart of his work. Andrew Sayers, former director of the National Portrait Gallery, CanberraNo one knows more about Australian art than Daniel Thomas. Over the past sixty years, he has shaped Australian art history, championing women artists such as Grace Cossington Smith and extending the appreciation of art beyond museum walls to include performance and environmental art. Daniel's exhibitions and purchases - as the first museum professional at the Art Gallery of New South Wales, inaugural cu...
During the 1930s, radical young writers, artists, and critics associated with the Communist Party animated a cultural dialogue that was one of the most stimulating in American history. With the dawning of the Cold War, however, much of their work fell out
Andy Hughess work explores the detritus and garbage washed up on the shores where he surfs in surprisingly lush and romantic photographs. Despite their ominous presence, these mass-produced items become aesthetic forms within the open theater of the beach. By photographing everyday products in such an environment, Hughes attempts to draw attention to the small scale, the unseen, and the pollutants of modern industrial consumerist society. A portion of the proceeds from this book, which was designed by well-known designer David Carson, will be donated to three charities: Surfrider Foundation, Surfers Against Sewage, and the Marine Conservation Society.
Beyond the Return of Religion: Art and the Postsecular explores the conceptual potential of the postsecular for investigations of (late) modern art and religion. Indicating a public co-existence and merging of religion and the secular, the postsecular is approached as an alternative to the return of religion narrative. Rather than framing artistic concerns with religion as a recurrence after temporary absence, Lieke Wijnia shows how the postsecular allows for seeing the interaction between art and religion as an enduring, albeit transforming relationship of mutual nature. Whereas secularization theories are intrinsically connected to modernity, the postsecular requires a pluralized perspective, covering the processes of secularization, diversification, and spiritualization. The postsecular reinforces the interconnectedness of these processes, which are, in turn, embodied in the concept’s interdisciplinary nature. While this book predominantly focuses on visual art and its institutional context of the museum, the postsecular has interdisciplinary relevance for broader artistic and academic disciplines.
I first met Robin Hood in the Autumn of 1975, as a seven-year-old boy, and we have been good mates ever since. Recently, he's been going crazy about the direction our world is heading. He can't believe there isn't a bigger reaction to all the madness. This show is his idea. He's convinced we need to change the story of money and share the opportunity some of us have been given if we really want to do something about inequality and the growing gap between rich and poor. In aid of Street Child United.
A stunning story cycle from bestselling New York Times Notable author, Mary-Beth Hughes, The Ocean House explores the fractured lives of families from a beach town on the Jersey Shore as the consequences of loss pass through generations. Faith, a mother of two young children, Cece and Connor, is in need of summer childcare. As a member of a staid old beach club in her town and a self-made business consultant, she is appalled when her brother-in-law sends her an unruly, ill-mannered teenager named Lee-Ann who appears more like a wayward child than competent help. What begins as a promising start to a redemptive relationship between the two ends in a tragedy that lands Faith in a treatment fac...
A biography of James McNeill Whistler (1834-1903) that dispels the popular notion of Whistler as merely a combative, eccentric and unrelenting publicity seeker, a man as renowned for his public feuds with Oscar Wilde and John Ruskin as for the iconic portrait of his mother.
Literary Converts is a biographical exploration into the spiritual lives of some of the greatest writers in the English language: Oscar Wilde, Evelyn Waugh, C.S. Lewis, Malcolm Muggeridge, Graham Greene, Edith Sitwell, Siegfried Sassoon, Hilaire Belloc, G.K. Chesterton, Dorothy Sayers, T.S. Eliot and J.R.R. Tolkien. The role of George Bernard Shaw and H.G. Wells in intensifying the religious debate despite not being converts themselves is also considered. Many will be intrigued to know more about what inspired their literary heroes; others will find the association of such names with Christian belief surprising or even controversial. Whatever viewpoint we may have, Literary Converts touches on some of the most important questions of the twentieth century, making it a fascinating read.