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The Figure of the Singer
Why did poets continue to call themselves singers long after the formal link between poetry and music had been severed? Daniel Karlin explores the origin and meaning of the 'figure of the singer', offering a profound and stimulating analysis of the idea of poetry as song.
The Penguin Book of Victorian Verse
Daniel Karlin has selected poetry written and published during the reign of Queen Victoria, (1837-1901). Giving pride of place to Tennyson, Robert Browning, and Christina Rossetti, the volume offers generous selections from other major poets such asArnold, Emily Bronte, Hardy and Hopkins, and makes room for several poem-sequences in their entirety. It is wonderful, too, in its discovery and inclusion of eccentric, dissenting, un-Victorian voices, poets who squarely refuse to 'represent' their period. It also includes the work of Elizabeth Barrett Browning, George Meredith, James Thomson and Augusta Webster.
Proust's English
A study of English words and phrases in A la recherche du temps perdu, dealing with the social comedy of French 'Anglomania' and with Proust's understanding of the necessary 'impurity' of all languages and artistic creation. Karlin demonstrates that English is a significant presence in this French masterpiece.
The Figure of the Singer
Why did poets continue to call themselves singers, and their poems songs, long after the formal link between poetry and music had been severed? Daniel Karlin explores the origin and meaning of the 'figure of the singer', tracing its roots in classical mythology and in the Bible, and following its rise from the 'adventurous song' of Milton's Paradise Lost to its apotheosis in the nineteenth century-by which time it had also become an oppressive cliché. Poets might embrace, or resist, this dominant figure of their art, but could not ignore it. Shadowing the metaphor is another figure, that of the literal singer, a source of fascination, and rivalry, to poets who are confined to words on the p...
Dickens's Style
Written by leading scholars, this collection of essays offers the first comprehensive and accessible book on Dickens's style.
The Second Jungle Book
The Second Jungle Book is a sequel to The Jungle Book by Rudyard Kipling. First published in 1895, it features five stories about Mowgli and three unrelated stories, all but one set in India, most of which Kipling wrote while living in Vermont. All of the stories were previously published in magazines in 1894-5, often under different titles. The original book is now worth $3.4 million. The 1994 film The Jungle Book used this book as a source. Each story is followed by a related poem.
The Poems of Browning: 1847-1861
The Poems of Browning is a multi-volume edition of the poetry of Robert Browning (1812 -1889) resulting from a completely fresh appraisal of the canon, text and context of his work. The poems are presented in the order of their composition and in the text in which they were first published, giving a unique insight into the origins and development of Browning's art. Annotations and headnotes, in keeping with the traditions of Longman Annotated English Poets, are full and informative and provide details of composition, publication, sources and contemporary reception. Volumes one (1826-1840) and two (1841-1846) presented the poems from his early years up to his marriage to Elizabeth Barrett, in...
Mesmerized
List of IllustrationsAcknowledgmentsIntroduction: An Invitation to the Seance1: Discovery of the Island of Mesmeria 2: Animal Magnetism Comes to London 3: Experimental Subjects as Scientific Instruments 4: Carnival, Chapel, and Pantomime 5: The Peripatetic Power of the "New Science" 6: Consultations, Conversaziones, and Institutions 7: The Invention of Anesthesia and the Redefinition of Pain 8: Colonizing Sensations in Victorian India9: Emanations from the Sickroom 10: The Mesmeric Cure of Souls 11: Expertise, Common Sense, and the Territories of Science 12: The Social Body and the Invention of Consensus Conclusion: The Day after the Feast Notes Bibliography Index Copyright © Libri GmbH. All rights reserved.
Browning's Hatreds
The bitter and twisted monk of "Soliloquy of the Spanish Cloister" is Browning's best-known hater, but hatred was a topic to which he returned again and again in both letters and poems. Daniel Karlin has written a sensitive and original study of Browning's hatreds, and their influence on his poetry. Tracing the subtlest windings and branchings of Browning's idea of hatred through detailed discussion of key poems, the author shows how Browning's work displays an unequalled grasp of hatred as a personal emotion, as an intellectual principle, and as a source of artistic creativity. Particular attention is devoted to Browning's compulsive and compelling exploration of the duality of love and hate.
On Style in Victorian Fiction
Demonstrates the importance of attending to literary style in Victorian novels and provides exemplary readings of major novelists.
