You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This documents the distinguished collection of European art—from the late eighteenth through the early twentieth centuries—that forms a significant part of the collections belonging to the Museum of Art, Rhode Island School of Design. This book includes stunning canvases by Gericault, Delacroix, Degas, Manet, Monet, Cezanne, Renoir, Picasso, and Matisse. What makes the collection so noteworthy are the extraordinary works by unknown artists and the unknown works by known artists.
None
The story of Yitzhak and Gita Pearl Cramer, Shimon Levi and Dobeh Blinick and their descendants is the account of one extended family but also a reflection of its times. Told in large part through first-person recollections, this family history traces the events that shaped two centuries, from Vitebsk and pre-revolutionary Czarist Russia to mid-20th Century North America. More than the author suspected when he began his research, the family progenitors and those who followed were directly affected by the major currents of the past 200 years: the edicts, anti-Semitism and heavy-handed policing of the Russian czars; the tragedy of world war; the great 19th century escape from grim impoverishment and discrimination in Europe to the bright hope of North America; economic blight and later post-war achievement. This story – reflecting the passions, dreams and humor of these people – is their legacy.
Women Artists in Interwar France: Framing Femininities illuminates the importance of the Soci? des Femmes Artists Modernes, more commonly known as FAM, and returns this group to its proper place in the history of modern art. In particular, this volume explores how FAM and its most famous members?Suzanne Valadon, Marie Laurencin, and Tamara de Lempicka?brought a new approach to the most prominent themes of female embodiment: the self-portrait, motherhood, and the female nude. These women reimagined art's conventions and changed the direction of both art history and the politics of their contemporary art world. FAM has been excluded from histories of modern art despite its prominence during th...
"This volume presents Diego Giacometti's oeuvre almost in its entirety and offers many heretofore unpublished insights into his life and work. From his childhood in a small village in Switzerland, through his adolescent wanderings, his collaborative efforts with his brother in Paris, and his coming-of-age as a furniture-maker and sculptor, all the way up to the pinnacle of his career - his last and greatest commission, the furniture and lighting fixtures for the Musée Picasso in Paris - Diego's intellectual and technical developments are probed in this book. Daniel Marchesseau examines the work that made Diego famous: his bronze-cast tables, chairs, and accessories, and the tiny bestiary that decorated them; his bronze and plaster sculpture; and the work he completed with his brother Alberto."--book jacket.
A re-presentation of women artists whose works were widely exhibited and regularly featured in the French art press and in modern art surveys from 1900 to the 1920s, but who largely disappeared from public view after World War II. The analysis of their work unravels the cultural, aesthetic, and economic reasons for their absence, particularly the issue of "feminine" and "masculine" categories in art. The artists featured include: Emilie Charmy, Jacqueline Marval, Maria Blanchard, Alice Halicka, Marevna, Alice Bailly, Marie Vassiliev, Suzanne Roger, and Mela Muter. The text includes fine color reproductions, bibliographic appendices, and an excerpt from Marevna's writings. Distributed by St. Martin's Press. Annotation copyright by Book News, Inc., Portland, OR
Accompanying an exhibition at the Imperial War Museum, London, from 5 April to 27 August 2001, this volume examines the contribution of artist-witnesses, victims and survivors of the Holocaust to post-war culture and the visual arts.
"Many masterpieces of central African sculpture were created to amplify the power of sacred relics that affirm a family's vital connection to its ancestral heritage. This important volume, focusing on some 130 works representing a diverse variety of regional genres, illuminates the purpose and significance of these icons of African art, which first came to prominence because of their appeal to the Western avant-garde. While providing an overview of sources ranging from colonial explorers, missionaries, critics, artists, and art historians, the book breaks new ground in its examination of the complex aesthetic and spiritual dimensions of the reliquaries. Its interdisciplinary approach brings together the perspectives of scholars in African and medieval art history along with those in African history, religion, and ethnography." -- Publisher.
This Millennium Gift is the largest single gift to the arts in American history and the first to include institutions outside the United States."--BOOK JACKET.
'Reclaiming Feminine Agency' identifies female agency as a central theme of recent feminist scholarship & offers 23 essays on artists & issues from the Renaissance to the present, written in the 1990s & after.